The Killer Across the Table. Mark Olshaker

The Killer Across the Table - Mark  Olshaker


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365 DAYS WILD

       COPYRIGHT

      William Collins

      An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.WilliamCollinsBooks.com

      This eBook first published in Great Britain by William Collins in 2019

      Copyright © 2019 by Mindhunters, Inc.

      Cover design by Jack Smythe

      Cover images by shutterstock

      John E. Douglas and Mark Olshaker assert their moral right to be

      Identified as the authors of this work in accordance with

      the Copyright, Designs and Patents Act 1988

      A catalogue record for this book is available from the British Library

      Abstract paint background image on part titles by Eky Studio/shutterstock

      Splattered bloodstain background image on table of contents by oriontrail/shutterstock

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins

      Source ISBN: 9780008338152

      Ebook Edition © May 2019 ISBN: 9780008338138

      Version: 2020-07-24

      To the memory of Joan Angela D’Alessandro and in honor of Rosemarie D’Alessandro and all of the others who, through their inspiration, courage, and determination, strive for justice and safety for all children, this book is dedicated with love and admiration

      CONTENTS

       COVER

       TITLE PAGE

       COPYRIGHT

       DEDICATION

      AUTHORS’ NOTE

      IN A SMALL ROOM IN THE BIG HOUSE

      INTRODUCTION: LEARNING FROM THE EXPERTS

       I THE BLOOD OF THE LAMB

       7 THE BOTTOM LINE

       8 “SUBSTANTIAL LIKELIHOOD”

       9 JOAN’S LEGACY

       II “KILLING FOR ME WAS JUST LIKE SECOND NATURE”

       10 ALL IN THE FAMILY

       11 THE ABANDONED VOLKSWAGEN

       12 INSIDE THE WALLS

       13 “THE CONVENIENCE OF THE SITUATION”

       14 “THERE WERE VICTIMS IN BETWEEN”

       15 POWER, CONTROL, EXCITEMENT

       III ANGEL OF DEATH

       16 PLAYING GOD

       17 WORKING NIGHTS

       18 THE MAKING OF A KILLER

       19 “I HAVEN’T CHANGED A BIT”

       20 FALLEN ANGEL

       IV “NO ONE MADE ME DO ANYTHING”

       21 THE SUPERBIKE MURDERS

       22 WHAT HAPPENED TO KALA AND CHARLIE?

       23 WHAT MADE TODD TICK?

       24 “GOOD OR BAD, I STILL WANT TO KNOW”

       25 ORGANIZED VERSUS DISORGANIZED

       26 NATURE AND NURTURE

       EPILOGUE: A KILLER’S CHOICE

       ACKNOWLEDGMENTS

       ABOUT THE AUTHOR

       ALSO BY JOHN E. DOUGLAS AND MARK OLSHAKER

       ABOUT THE PUBLISHER

       AUTHORS’ NOTE

      The opinions expressed in this book belong to the authors alone and do not reflect those of the FBI or any other organization.

       IN A SMALL ROOM IN THE BIG HOUSE

      Here, it is not so much Who done it?, but Why?

      And in the end, if we have discovered the Why? and add in How?, we will also come to understand the Who? Because Why? + How? = Who.

      The aim is not to be a friend. The aim is not to be a foe. The aim is to get to the truth.

      It is a verbal and mental chess match without any game pieces; a sparring session without body contact; an endurance contest in which each side will seek out and exploit the other’s weaknesses and insecurities.

      We sit across a small table from each other in a dimly lit room whose cinder-block walls are painted a pale bluish gray. The only window is in the locked steel door, and it is small and reinforced with wire mesh. A uniformed guard peers through from the other side, making sure everything remains in order.

      In a maximum security prison, nothing is considered more important.

      We have been at this for two hours already and finally the moment is ripe. “I want to know in your own words what it was like twenty-five years ago,” I say. “How did this all happen to get you here? That girl—Joan—did you know her?”

      “Well, I’d seen her in the neighborhood,” he replies. His affect is calm and his tone is even.

      “Let’s go back to the moment she came to the door. Tell me what happened, step by step, from that point on.”

      It is almost like hypnosis. The room is silent, and I watch him transform in front of me. Even his physical appearance seems to change before my eyes. His eyes are unfocused and he looks beyond me to stare at the vacant


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