Once Upon A Seduction. Jamie Sobrato
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“At the moment, there’s not much you could con me out of…except my pants.”
Skye was pretty sure a smart-ass comment was forming in her subconscious at Nico’s words, but then he kissed her, and there were no more thoughts—snarky or otherwise.
There were only his lips—firm and hot, better than she’d imagined. Crazy, whirling sensations formed in her belly. The always-wrong voice in her head was drowned out by the hum of desire that coursed through her.
Nico pulled back and looked at her with half-lidded eyes. “You want me, too, don’t you?”
Well, duh. But she wasn’t going to give him the answer he wanted that easily, even though part of her knew they were at the point of no turning back.
Her dumb instincts were screaming at her to stop, that she barely knew him and casual sex was always a bad idea. So that meant…she had to do the opposite?
Damn straight.
Dear Reader,
I grew up enchanted with the Hollywood version of the California desert—sweeping vistas, endless blue skies and ragtop roadsters. So when I got the chance to write my very own California road story, I was all over it. I live in the California desert now, so my version of the setting is much more real than idealized.
Once Upon a Seduction is also a tribute to fairy-tale romance—complete with a Ferrari as an updated version of the prince’s stallion. Fun as it was to write a road story, it was even more fun to write a contemporary fairy tale based on my idea of happily ever after. It’s no accident that Skye Ellison is more like me than any other heroine I’ve written, and I hope you enjoy her journey to happiness as much as I enjoyed writing it.
I love to hear from readers, so drop me a note and let me know what you think of Once Upon a Seduction. I can be reached via e-mail at [email protected]. Also check out my Web site, www.jamiesobrato.com.
Sincerely,
Jamie Sobrato
Once Upon a Seduction
Jamie Sobrato
MILLS & BOON
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To my dear friend Bethany Griffin-Faith, for inspiring me to write my first novel
Contents
1
Once upon a time, in a land not far from L.A., there lived a girl who seemed to have it all.
NO, NO, THAT WASN’T RIGHT. Have it all was vague, cliché and boring. And Once upon a time? Would an editor even get past that first trite phrase to read the rest of the sentence?
Doubtful.
Skye Ellison glared at the manuscript she’d been struggling with for months. She couldn’t get the first line of the story right, so how could she expect to write an entire young adult novel anyone would want to read?
She might as well just face the fact that she sucked the big one and move on to a less creative endeavor, maybe even throw all her efforts into the job she was actually getting paid to do. Now there was a novel idea.
She minimized the document entitled The Cinderella Solution and turned her attention to the calendar hanging on her cubicle wall. Today’s square was empty, leaving her with two choices—she could start making follow-up harassment sales calls to her on-the-fence customers, or she could wade through the never-ending crapload of interoffice e-mail that flooded her inbox daily. The choices left her with a vague urge to go running out into traffic.
Skye had a theory about cubicles. She believed that if you sat in one long enough, all your thoughts became square. You’d lose your ability to think outside the box, and your creativity would get lost in a haze of geometric shapes and flickering computer screens.
After three tedious years at Dynalux Systems in her six-by-six cubicle, doing work she had trouble explaining to anyone outside the high-tech, pallid-faced world of networking equipment and the people who sold it, this had clearly happened to Skye.
She could no longer even compose a sentence that wasn’t an utter and complete cliché. Which was ironic, since she’d taken the mindless job in the first place