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       Also by Sayed Kashua

       Let It Be Morning

       Dancing Arabs

       Second Person Singular

       Native

       TRACK CHANGES

       SAYED KASHUA

      TRANSLATED FROM THE HEBREW

      BY MITCH GINSBURG

      Copyright © 2020 by Sayed Kashua

      Cover artwork by Olaf Hajek

      All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove Atlantic, 154 West 14th Street, New York, NY 10011 or [email protected].

      FIRST EDITION

       Published simultaneously in CanadaPrinted in the United States of America

      First Grove Atlantic edition: January 2020

      This book is set in 12-point Cochin LT

      by Alpha Design & Composition of Pittsfield, NH

      Library of Congress Cataloging-in-Publication data is available for this title.

      ISBN 978-0-8021-4789-9

      eISBN 978-0-8021-4790-5

      Grove Press

      an imprint of Grove Atlantic

      154 West 14th Street

      New York, NY 10011

      Distributed by Publishers Group West

      groveatlantic.com

      20 21 22 23 10 9 8 7 6 5 4 3 2 1

      Table of Contents

       Cover

      Also by Sayed Kashua

       Title Page

       Copyright

       Part A

      Chapter One

      Chapter Two

      Chapter Three

       Part B

       Chapter Five

       Chapter Six

       Chapter Seven

       Chapter Eight

       Part C

       Chapter One

       Chapter Two

       Chapter Three

       Chapter Four

       Chapter Five

       Chapter Six

       Part D

       Chapter One

       Chapter Two

       Chapter Three

       Chapter Four

       Chapter Five

       Part E

       Chapter One

       Chapter Two

       Chapter Three

       Chapter Four

       Chapter Five

       Part F

       Chapter One

       Chapter Two

       Chapter Three

       Chapter Four

       Part G

       Chapter One

       Postscript/Arabic Chapter

       Back Cover

A

       1

      In the living room of a grad school dorm, I sat at a computer and stared at an old Sony tape player. It was the kind we used to call an executive recorder, and it was top-of-the-line when I bought it twenty years ago. I was so impressed with the name of the thing back then that I felt sure that my future—in management’s top tier—was guaranteed. The recorder takes standard-size cassettes and has an external mic, three black buttons, and one red one for recording. I opened it gingerly with two fingers, making sure the tape was not tangled, and pulled out the ninety-minute Maxell cassette, B-side up. It was new, the plastic wrapping torn off just two months ago. I had known, already then, that I couldn’t afford to take any chances, that it had to be a new cassette. Judging by the amount of magnetic tape spooled around the two white wheels, I had about sixty minutes of recording. I flipped the cassette, so that the A-side was up, peering at me through the clear deck window, and hit Rewind. The click of the black button, which popped up and stood even with the rest, informed me that I’d reached the beginning of the story.

      For some reason this story starts at a bar in Chicago’s O’Hare International Airport.

      The bartender was pretty, and I was unable to guess where she was from. Not too dark, not too white. She must have been one of those people who can check


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