Palæography. Bernard Quaritch

      Published by Good Press, 2019

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      EAN 4064066139056

Table of Contents

       Foreword

       The Beginnings of Writing

       Writing in Egypt 5000 B.C.

       Progress of the Art, B.C. 2500-1500

       The Semitic Alphabet about 1700 B.C.

       The Alphabet in European Greece, 800 B.C.

       Writing in Italy from 700 to 100 B.C.

       Roman Writing.

       Indian Writing about 300 B.C.

       Writing in Central Asia from 300 B.C.

       Oriental Letters after the beginning of the Christian Era

       Spain and Gaul under the Romans

       Influence of the Bible upon writing

       The British Isles during the Roman period

       The Goths and Germans

       Irish and British writing

       Origin of Mediæval Illumination

       Merowingian, Lombardic, Visigothic

       The Carolingian Renewal

       A Review at the standpoint of the Ninth Century

       Byzantine Work

       The Tenth Century

       Scandinavian Writing

       The Slavonic Alphabet

       The Illuminated MSS. of the Middle Ages

       The chief Liturgical Books distinguished

       The Fourteenth Century in Italy and Germany

       English Work in the Fourteenth Century

       French Work in the Fourteenth Century

       The Fifteenth Century

       Illuminated Borders in the Fifteenth Century

       End of the Fifteenth Century

       Remarks on the subjects reproduced in the plates

       INDEX.

Foreword

       Table of Contents

      Of the books which preceded the invention of Printing, a much larger quantity is still extant than the world in general would suppose, but they are nevertheless so widely scattered and so seldom immediately accessible, that only a very long experience will enable any one to speak or to write about them in other than a blundering fashion. So many qualifications are required, that it may seem presumptuous in me to treat upon a matter bristling with difficulties and uncertainties. The brief but admirable outline of its history which Mr. Maunde Thompson has lately published is likely to mislead the inexperienced into a belief that a science defined with so much clearness and apparent ease may as easily be mastered. No one knows better than that accomplished scholar how hard it would be to supply sure and definite criteria for the guidance of palæographical students in all the branches of their fascinating pursuit. My excuse must be that the observations which appear in the present opusculum may be useful to some who are unable for various reasons to give the necessary fulness of study to Mr. Thompson's work, and who, while loving manuscripts as well as I do, have not had so large an experience. I may venture to justify myself by a personal anecdote. The author of the "Stones of Venice" once said that he was surprised by my apparently exact knowledge of the commercial value of manuscripts; and my reply was that, as I had for twenty years been the buyer of, or the underbidder for, all the fine examples which had appeared in the public auctions, there was no great reason for his wonder.

      The following sketch will consist of a number of cursory remarks upon the calligraphy and the ornamentation of medieval manuscripts; preceded by an historical sketch, arranged in chronological paragraphs, of the beginnings and the gradual diffusion of the art of writing throughout the world.

The Beginnings of Writing

       Table of Contents

      Palæography is the branch of science which deals with ancient writing (παλαιὰ γραφή). As the Greek word for writing comprises a great deal more than the work of pen and ink, palæographical study would be imperfect if it did not take into consideration the ancient inscriptions