Early European History. Hutton Webster
schemes; ambassadors sent by kings and cities sought advice as to weighty matters of peace and war. Above all, colonists came to Delphi in order to obtain directions as to the best country in which to settle. Some of the noblest cities of the Greek world, Cyrene and Byzantium, for example, [15] had their sites fixed by Apollo's guidance.
[Illustration: CONSULTING THE ORACLE AT DELPHI]
CHARACTER OF THE RESPONSES
The priests who managed the oracle and its responses were usually able to give good advice to their inquirers, because news of every sort streamed into Delphi. When the priests were doubtful what answer to give, the prophecy of the god was sometimes expressed in such ambiguous fashion that, whatever the outcome, neither Apollo nor his servants could be charged with deceit. For instance, when Croesus, the Lydian king, was about to attack Cyrus, he learned from the oracle that "if he warred with the Persians he would overthrow a mighty empire" [16]—but the mighty empire proved to be his own. [17]
THE OLYMPIAN GAMES
Athletic games were held in different parts of Greece from a remote period. The most famous games were those in honor of Zeus at Olympia in Elis. They took place every fourth year, in midsummer. [18] A sacred truce was proclaimed for an entire month, in order that the thousands of spectators from every part of Greece might arrive and depart in safety. No one not of Greek blood and no one convicted of crime or of the sin of impiety might participate in the contests. The candidates had also to prove that they were qualified for the severe tests by a long and hard training. Once accepted as competitors, they could not withdraw. The man who shrank back when the hour of trial arrived was considered a coward and was punished with a heavy fine.
THE CONTESTS
The games occupied five days, beginning with the contests in running. There was a short-distance dash through the length of the stadium, a quarter-mile race, and also a longer race, probably for two or three miles. Then followed a contest consisting of five events: the long jump, hurling the discus, throwing the javelin, running, and wrestling. It is not known how victory in these five events taken together was decided. In the long jump, weights like dumb-bells were held in the hands, the swing of the weights being used to assist the spring. The discus, which weighed about twelve pounds, was sometimes hurled more than one hundred feet. The javelin was thrown either by the hand alone or with the help of a thong wound about the shaft and held in the fingers. In wrestling, three falls were necessary for a victory. The contestants were free to get their grip as best they could. Other contests included boxing, horse races, and chariot races. Women were apparently excluded from the games, yet they were allowed to enter horses for the races and to set up statues in honor of the victors.
[Illustration: THE DISCUS THROWER (DISCOBOLUS) (Lancelotti Palace, Rome) Marble copy of the bronze original by Myron, a sculptor of the fifth century B.C. Found in 1781 A.D. on the Esquiline Hill, Rome. The statue represents a young man, perhaps an athlete at the Olympian games, who is bending forward to hurl the discus. His body is thrown violently to the left with a twisting action that brings every muscle into play.]
THE VICTOR'S REWARD
The Olympian festival was profoundly religious, because the display of manly strength was thought to be a spectacle most pleasing to the gods. The winning athlete received only a wreath of wild olive at Olympia, but at home he enjoyed the gifts and veneration of his fellow-citizens. Poets celebrated his victories in noble odes. Sculptors reproduced his triumphs in stone and bronze. To the end of his days he remained a distinguished man.
[Illustration: HERMES AND DIONYSUS (Museum of Olympia) An original statue by the great sculptor, Praxiteles. It was found in 1877 A.D. at Olympia. Hermes is represented carrying the child Dionysus, whom Zeus had intrusted to his care. The symmetrical body of Hermes is faultlessly modeled; the poise of his head is full of dignity; his expression is refined and thoughtful. Manly strength and beauty have never been better embodied than in this work.]
[Illustration: ATHLETE USING THE STRIGIL (APOXYOMENUS) (Vatican Gallery,
Rome)
Marble copy of the bronze original by Lysippus, a sculptor of the fourth century B.C. The statue represents an athlete rubbing his arm with a flesh scraper to remove the oil and sand of the palestra, or exercising ground. His slender form suggests quickness and agility rather than great strength.]
SIGNIFICANCE OF THE GAMES
There were few Greeks who at least once in their lives did not attend the festival. The crowds that gathered before and after the games turned the camp into a great fair, at which merchants set up their shops and money changers their tables. Poets recited their lines before admiring audiences and artists exhibited their masterpieces to intending purchasers. Heralds read treaties recently formed between Greek cities, in order to have them widely known. Orators addressed the multitude on subjects of general interest. The games thus helped to preserve a sense of fellowship among Greek communities.
26. THE GREEK CITY-STATE
NATURE OF THE CITY STATE
The Greeks in Homeric times had already begun to live in towns and cities. A Greek city, being independent and self-governing, is properly called a city-state. Just as a modern nation, it could declare war, arrange treaties, and make alliances with its neighbors. Such a city-state included not only the territory within its walls, but also the surrounding district where many of the citizens lived.
THE CITIZENS
The members of a Greek city-state were very closely associated. The citizens believed themselves to be descended from a common ancestor and so to be all related. They were united, also, in the worship of the patron god or hero who had them under his protection. These ties of supposed kinship and common religion were of the utmost importance. They made citizenship a privilege which came to a person only by birth, a privilege which he lost by removal to another city. Elsewhere he was only a foreigner without legal rights—a man without a country.
GOVERNMENT OF THE CITY-STATE
The Homeric poems, which give us our first view of the Greek city-state, also contain the most ancient account of its government. Each city-state had a king, "the shepherd of the people" [19] as Homer calls him. The king did not possess absolute authority. He was surrounded by a council of nobles, chiefly the great landowners of the community. They helped him in judgment and sacrifice, followed him to war, and filled the principal offices. Both king and nobles were obliged to consult the common people on matters of great importance. For this purpose the ruler would summon the citizens to the market place to hear the deliberations of his council and to settle such questions as making war or declaring peace. All men of free birth could attend the assembly, where they shouted assent to the decision of their leaders or showed disapproval by silence. This public assembly had little importance in the Homeric Age, but later it became the center of Greek democracy.
POLITICAL DEVELOPMENT OF THE CITY-STATE
After the middle of the eighth century B.C., when historic times began in Greece, some interesting changes took place in the government of the city- states. In some of them, for example, Thebes and Corinth, the nobles became strong enough to abolish the kingship altogether. Monarchy, the rule of one, thus gave away to aristocracy, [20] the rule of the nobles. In other states, for instance, Sparta and Argos, the kings were not driven out, but their power was much weakened. Some states came under the control of usurpers whom the Greeks called "tyrants." A tyrant was a man who gained supreme power by force and governed for his own benefit without regard to the laws. There were many tyrannies in the Greek world during the seventh and sixth centuries B.C. Still other states went through an entire cycle of changes from kingship to aristocracy, from aristocracy to tyranny, and from tyranny to democracy or popular rule.
SPARTA AND ATHENS