Corleone: A Tale of Sicily. F. Marion Crawford
of the two young noblemen, though her father never lost an opportunity of telling her that they were a pair of penniless good-for-nothings and otherwise dangerous characters, supposed to be on good terms with the brigands of the interior, and typical 'maffeusi' through and through. But such warnings were much more calculated to excite the girl's interest than to frighten her. She had an artist's nature and instincts, and the two young gentlemen were very romantic characters in her eyes, when they rode down from their dilapidated stronghold, on their compact little horses, their beautiful Winchester rifles slung over their shoulders, their velvet coats catching the sunlight, their spurs gleaming, and their broad hats shading their dark eyes. Had there been but one of them, her mind would soon have been made up to make him marry her, and she might have succeeded without much difficulty. But she found it hard to decide between the two. They were too different for comparison, and yet too much alike for preference. Tebaldo was a born tyrant, and Francesco a born coward. She was dominated by the one and she ruled the other, but she was not in love with either, and she could not make up her mind whether it would on the whole be more agreeable to love her master or her slave.
Meanwhile she made rapid progress in her singing, appeared at the opera in Palermo, and almost immediately obtained an engagement in Rome. To her father, the sum offered her appeared enormous, and her aunt was delighted by the prospect of going to Rome with her during the winter. Aliandra had been successful from the first, and she seemed to be on the high road to fame. The young idlers of rich Palermo intrigued to be introduced to her and threw enormous nosegays to her at the end of every act. She found that there were scores of men far handsomer and richer than the Pagliuca brothers, ready to fall in love with her, and she began to reflect seriously upon her position. Artist though she was, by one side of her nature, there was in her a touch of her father's sensible legal instinct, together with that extraordinary self-preserving force which usually distinguishes the young girl of southern Italy.
She soon understood that no one of her new admirers would ever think of asking her to be his wife, whereas she was convinced that she could marry either Tebaldo or Francesco, at her choice and pleasure. They were poor, indeed, but of as good nobility as any of the rich young noblemen of Palermo, and she was beginning to find out what fortunes were sometimes made by great singers. She dreamed of buying back the old Corleone estates and of being some day the Princess of Corleone herself. That meant that she must choose Tebaldo, since he was to get the title. And here she hesitated again. She did not realise that Francesco was actually a physical coward and rather a contemptible character altogether; to her he merely seemed gentle and winning, and she thought him much ill used by his despotic elder brother. As for the third brother, Ferdinando, of whom mention has been made, she had rarely seen him. He was probably the best of the family, which was not saying much, and he was also by far the least civilised. He was undoubtedly in close communication with the brigands, and when he was occasionally absent from home, he was not spending his time in Messina or Randazzo.
Time went on, and in the late autumn Aliandra and her aunt went to Rome for the season. As has been seen, it pleased fortune that the Pagliuca brothers should be there also, with their mother and sister, Ferdinando remaining in Sicily. When the question of selling Camaldoli to San Giacinto arose, Ferdinando at first flatly refused to give his consent. Thereupon Tebaldo wrote him a singularly temperate and logical letter, in which he very quietly proposed to inform the government of Ferdinando's complicity with the brigands, unless he at once agreed to the sale. Ferdinando might have laughed at the threat had it come from anyone else, but he knew that Tebaldo's thorough acquaintance with the country and with the outlaws' habits would give him a terrible advantage. Tebaldo, if he gave information, could of course never return to Sicily, for his life would not be safe, even in broad daylight, in the Macqueda of Palermo, and it was quite possible that the mafia might reach him even in Rome. But he was undoubtedly able to help the government in a raid in which many of Ferdinando's friends must perish or be taken prisoners. For their sakes Ferdinando signed his consent to the sale, before old Basili in Randazzo, and sent the paper to Rome; but that night he swore that no Roman should ever get possession of Camaldoli while he was alive, and half a dozen of the boldest among the outlaws swore that they would stand by him in his resolution.
Aliandra knew nothing of all this, for Tebaldo was far too wise to tell anyone how he had forced his brother's consent. She would certainly have been disgusted with him, had she known the truth, for she was morally as far superior to him and to Francesco as an innocent girl brought up by honest folks can be better than a pair of exceedingly corrupt young adventurers. But they both had in a high degree the power of keeping up appearances and of imposing upon their surroundings. Tebaldo was indeed subject to rare fits of anger in which he completely lost control of himself, and when he was capable of going to any length of violence; but these were very unusual, and as a general rule he was reticent in the extreme. Francesco possessed the skill and gentle duplicity of a born coward and a born ladies' man. They both deceived Aliandra, in spite of her father's early warning and her old aunt's anxious advice.
Aliandra was successful beyond anyone's expectations during her first engagement in Rome, and she was wise enough to gain herself the reputation of being unapproachable to her many admirers. Only Tebaldo and Francesco, whom she now considered as old friends of her family, were ever admitted to her room at the theatre, or received at the quiet apartment where she lived with her aunt.
On the night of the dinner-party at the Palazzo Saracinesca, Aliandra was to sing in Lucia for the first time in Rome. Both the brothers had wished that they could have been at the theatre to hear her, instead of spending the evening in the society of those very stiff and mighty Romans, and both made up their minds separately that they would see her before she left the Argentina that night. Tebaldo, as usual, took the lead of events, and peremptorily ordered Francesco to go home with their mother and sister in the carriage.
When the Corleone party left the palace, therefore, Francesco got into the carriage, but Tebaldo said that he preferred to walk, and went out alone from under the great gate. He was not yet very familiar with the streets of Rome, but he believed that he knew the exact situation of the palace, and could easily find his way from it to the Argentina theatre, which was not very far distant.
The old part of the city puzzled him, however. He found himself threading unfamiliar ways, dark lanes, and winding streets which emerged suddenly upon small squares from which three or four other streets led in different directions. Instinctively he looked behind him from time to time, and felt in his pocket for the pistol which, like a true provincial, he thought it as necessary to carry in Rome as in his Sicilian home. Presently he looked at his watch, saw that it was eleven o'clock, and made up his mind to find a cab if he could. But that was not an easy matter either, in that part of the city, and it was twenty minutes past eleven when he at last drew up to the stage entrance at the back of the Argentina. A weary, gray, unshaven, and very dirty old man admitted him, looked at his face, took the flimsy currency note which Tebaldo held out, and let him pass without a word. The young man knew his way much better within the building than out in the streets. In a few moments he stopped before a dingy little door, the last on the left in a narrow corridor dimly lit by a single flame of gas, which was turned low for economy's sake. He knocked sharply and opened the door without waiting for an answer.
There were three persons in the small, low dressing-room, and all three faced Tebaldo rather anxiously. Aliandra Basili, the young Sicilian prima donna who had lately made her appearance in Rome, was seated before a dim mirror which stood on a low table covered with appliances for theatrical dressing. Her maid was arranging a white veil on her head, and beside her, very near to her, and drawing back from her as Tebaldo entered sat Francesco.
Tebaldo's lips moved uneasily, as he stood still for a moment, gazing at the little group, his hand on the door. Then he closed it quickly behind him, and came forward with a smile.
'Good evening,' he said. 'I lost my way in the streets and am a little late. I thought the curtain would be up for the last act.'
'They have called me once,' answered Aliandra. 'I said that I was not ready, for I knew you would come.'
She was really very handsome and very young, but the mask of paint and powder changed her face and expression almost beyond recognition. Even her bright, gold-brown eyes were made to look black and exaggerated by the