A History of the Japanese People. Kikuchi Dairoku

A History of the Japanese People - Kikuchi Dairoku


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years had been passed in that seclusion when it chanced that Odate, governor of the province, visited the obito on an occasion when the latter was holding a revel to celebrate the building of a new house, it fell to the lot of the two princes to act as torch-bearers, the lowest role that could be assigned to them, and the younger counselled his brother that the time had come to declare themselves, for death was preferable to such a life. Tradition says that, being invited to dance "when the night had become profound, when the revel was at its height and when every one else had danced in turn," the Prince Woke, accompanying his movements with verses extemporized for the occasion, danced so gracefully that the governor twice asked him to continue, and at length he announced the rank and lineage of his brother and himself. The governor, astonished, "made repeated obeisance to the youths, built a palace for their temporary accommodation, and going up to the capital, disclosed the whole affair to the Emperor, who expressed profound satisfaction."

      Oke, the elder of the two, was made Prince Imperial, and should have ascended the throne on the death of Seinei, a few months later. Arguing, however, that to his younger brother, Woke it was entirely due that they had emerged from a state of abject misery, Oke announced his determination to cede the honour to Woke, who, in turn, declined to take precedence of his elder brother. This dispute of mutual deference continued for a whole year, during a part of which time the administration was carried on by Princess Awo, elder sister of Woke. At length the latter yielded and assumed the sceptre. His first care was to collect the bones of his father, Prince Oshiwa, who had been murdered and buried unceremoniously on the moor of Kaya in Omi province. It was long before the place of interment could be discovered, but at length an old woman served as guide, and the bones of the prince were found mingled in inextricable confusion with those of his loyal vassal, Nakachiko, who had shared his fate.

      The ethics of that remote age are illustrated vividly in this page of the record. A double sepulchre was erected in memory of the murdered prince and his faithful follower and the old woman who had pointed out the place of their unhonoured grave was given a house in the vicinity of the palace, a rope with a bell attached being stretched between the two residences to serve as a support for her infirm feet and as a means of announcing her coming when she visited the palace. But the same benevolent sovereign who directed these gracious doings was with difficulty dissuaded from demolishing the tomb and scattering to the winds of heaven the bones of the Emperor Yuryaku, under whose hand Prince Oshiwa had fallen.

      THE VENDETTA

      In connexion with this, the introduction of the principle of the vendetta has to be noted. Its first practical application is generally referred to the act of the boy-prince, Mayuwa, who stabbed his father's slayer, the Emperor Anko (A.D. 456). But the details of Anko's fate are involved in some mystery, and it is not until the time (A.D. 486) of Kenso that we find a definite enunciation of the Confucian doctrine, afterwards rigidly obeyed in Japan, "A man should not live under the same heaven with his father's enemy." History alleges that, by his brother's counsels, the Emperor Kenso was induced to abandon his intention of desecrating Yuryaku's tomb, but the condition of the tomb to-day suggests that these counsels were not entirely effective.

      BANQUETS

      The annals of this epoch refer more than once to banquets at the palace. Towards the close of Seinei's reign we read of "a national drinking-festival which lasted five days," and when Kenso ascended the throne he "went to the park, where he held revel by the winding streams," the high officials in great numbers being his guests. On this latter occasion the ministers are said to have "uttered reiterated cries of 'banzai'"*, which has come into vogue once more in modern times as the equivalent of "hurrah."

      *Banzai means literally "ten thousand years," and thus corresponds to viva.

      THE EMPEROR NINKEN

      The twenty-fourth sovereign, Ninken, was the elder of the two brothers, Oke and Woke, whose escape from the murderous ambition of the Emperor Yuryaku and their ultimate restoration to princely rank have been already described. He succeeded to the throne after the death of his younger brother, and occupied it for ten years of a most uneventful reign. Apart from the fact that tanners were invited from Korea to improve the process followed in Japan, the records contain nothing worthy of attention. One incident, however, deserves to be noted as showing the paramount importance attached in those early days to all the formalities of etiquette. The Empress dowager committed suicide, dreading lest she should be put to death for a breach of politeness committed towards Ninken during the life of his predecessor, Kenso. At a banquet in the palace she had twice neglected to kneel when presenting, first, a knife and, secondly, a cup of wine to Ninken, then Prince Imperial. It has already been related that the Empress Onakatsu, consort of Inkyo, was disposed to inflict the death penalty on a high official who had slighted her unwittingly prior to her husband's accession. There can be no doubt that differences of rank received most rigid recognition in early Japan.

      THE EMPEROR MURETSU

      This sovereign was the eldest son of his predecessor, Ninken. According to the Chronicles, his reign opened with a rebellion by the great Heguri family, whose representative, Matori, attempted to usurp the Imperial dignity while his son, Shibi, defiantly wooed and won for himself the object of the Emperor's affections. Matori had been Yuryaku's minister, and his power as well as his family influence were very great, but the military nobles adhered to the sovereign's cause and the Heguri were annihilated. In the Records this event is attributed to the reign of Seinei in a much abbreviated form, but the account given in the Chronicles commands the greater credence. The Chronicles, however, represent Muretsu as a monster of cruelty, the Nero of Japanese history, who plucked out men's nails and made them dig up yams with their mutilated fingers; who pulled out people's hair; who made them ascend trees which were then cut down, and who perpetrated other hideous excesses. Here again the Records, as well as other ancient authorities are absolutely silent, and the story in the Chronicles has attracted keen analyses by modern historiographers. Their almost unanimous conclusion is that the annals of King Multa of Kudara have been confused with those of the Emperor Muretsu. This Korean sovereign, contemporary with Muretsu, committed all kinds of atrocities and was finally deposed by his people. There are evidences that the compilers of the Chronicles drew largely on the pages of Korean writers, and it is not difficult to imagine accidental intermixing such as that suggested by the critics in this case.

      KEITAI

      The death of the Emperor Muretsu left the throne without any successor in the direct line of descent, and for the first time since the foundation of the Empire, it became necessary for the great officials to make a selection among the scions of the remote Imperial families. Their choice fell primarily on the representative of the fifth generation of the Emperor Chuai's descendants. But as their method of announcing their decision was to despatch a strong force of armed troops to the provincial residence of the chosen man, he naturally misinterpreted the demonstration and sought safety in flight. Then the o-omi and the o-muraji turned to Prince Odo, fifth in descent from the Emperor Ojin on his father's side and eighth in descent from the Emperor Suinin on his mother's. Arako, head of the horse-keepers, had secretly informed the prince of the ministers' intentions, and thus the sudden apparition of a military force inspired no alarm in Odo's bosom. He did, indeed, show seemly hesitation, but finally he accepted the insignia and ascended the throne, confirming all the high dignitaries of State in their previous offices. From the point of view of domestic affairs his reign was uneventful, but the empire's relations with Korea continued to be much disturbed, as will be presently explained.

      ANKAN

      The Emperor Keitai had a large family, but only one son was by the Empress, and as he was too young to ascend the throne immediately after his father's death, he was preceded by his two brothers, Ankan and Senkwa, sons of the senior concubine. This complication seems to have caused some difficulty, for whereas Keitai died in 531, Ankan's reign did not commence until 534. The most noteworthy feature of his era was the establishment of State granaries in great numbers, a proof that the Imperial power found large extension throughout


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