Stella. Emeric Bergeaud

Stella - Emeric Bergeaud


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Stella

      America and the Long 19th Century

      General Editors: David Kazanjian, Elizabeth McHenry, and Priscilla Wald

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       Racial Innocence: Performing American Childhood from Slavery to Civil Rights

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       American Arabesque: Arabs, Islam, and the 19th-Century Imaginary

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       Racial Indigestion: Eating Bodies in the 19th Century

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       Idle Threats: Men and the Limits of Productivity in 19th-Century America

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       Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century

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       Stella

      Émeric Bergeaud

      Translated and Edited by Lesley S. Curtis and Christen Mucher

      Stella

      Émeric Bergeaud

      Translated and Edited by Lesley S. Curtis and Christen Mucher

      A Novel of the Haitian Revolution

      NEW YORK UNIVERSITY PRESS

      New York and London

      NEW YORK UNIVERSITY PRESS

      New York and London

       www.nyupress.org

      © 2015 by New York University

      All rights reserved

      References to Internet websites (URLs) were accurate at the time of writing.

      Neither the author nor New York University Press is responsible for URLs that

      may have expired or changed since the manuscript was prepared.

      Library of Congress Cataloging-in-Publication Data

      Bergeaud, Emeric, 1818–1857, author. [Stella. English]

      Stella / Émeric Bergeaud ; translated and edited by Lesley S. Curtis and Christen Mucher.

      pages cm. — (America and the long 19th century)

      Includes bibliographical references and index.

      ISBN 978-1-4798-6684-7 (cl : acid-free paper)

      ISBN 978-1-4798-9240-2 (pb : acid-free paper)

      I. Curtis, Lesley S., editor, translator. II. Mucher, Christen, editor, translator. III. Title.

      PQ3949.B43S7413 2015

      843’.8—dc23 2015009275

      New York University Press books are printed on acid-free paper,

      and their binding materials are chosen for strength and durability.

      We strive to use environmentally responsible suppliers and materials

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      Manufactured in the United States of America

      10 9 8 7 6 5 4 3 2 1

      Also available as an ebook

      Contents

      Editors’ Acknowledgments

      Editors’ Introduction

      Lesley S. Curtis and Christen Mucher

      Author’s Note

      To the Reader

      B. Ardouin

      Stella

      Glossary of Foreign Words and Expressions

      Original Explanatory Notes

      Editors’ Notes

      About the Editors

      Editors’ Acknowledgments

      We wish to thank the many people who helped make this project possible, especially our series editors David Kazanjian, Elizabeth McHenry, and Priscilla Wald, as well as Eric Zinner, Ciara McLaughlin, Alicia Nadkarni, and the editorial team at NYU Press. We would also like to extend our thanks to Deborah Jenson and the members of Duke University’s Haiti Lab, who gave us the opportunity to discuss early Haitian literature with an incredible group of scholars. Thanks go, too, to Laurent Dubois, Jacques Pierre, Floyd Cheung, Larry Rosenwald, and Sean Moore. The publication of this book would not have been possible without the subvention support generously provided by Smith College. For this, we are very grateful. We must also thank Cybelle McFadden, who orchestrated the serendipitous meeting at the Atlantic World Research Network in Greensboro, North Carolina, that gave life to this project. Finally, this work would certainly not exist without the faithful and loving support of our friends and family, including Colleen Woods and the extended Mucher and Struewing families, Nancy Wilson, Elizabeth Wilson, Brian McDonald, Cord Whitaker, and our brand new stella maris, London Olivia Grace.

      Editors’ Introduction

      Émeric Bergeaud (1818–1858), Haitian politician and man of letters, explained in the prefatory note to Stella that he had taken pains not to “disfigure history” in the writing of his only novel. Although Stella’s main characters—Romulus, Remus, the Colonist, Marie the African, and Stella—are fictional, Bergeaud assured his readers that there was truth in the book he wrote to honor his country. He wanted the “attraction of the novel” to “capture” readers “who do not subject themselves to in-depth study of our annals.” Like other Haitian writers of the nineteenth century, Bergeaud believed it was crucial to retell the Haitian Revolution from a positive perspective so as to counter the hostile representations of his country that were so common at the time. For this reason, the novelist wanted his story of Haiti’s transformation from French colony to independent nation to alter the perception of his native country both at home and afar.

      Stella,


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