My Only Story. Deon Wiggett

My Only Story - Deon Wiggett


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      My Only Story

      Published by Penguin Books

      an imprint of Penguin Random House South Africa (Pty) Ltd

      Reg. No. 1953/000441/07

      The Estuaries No. 4, Oxbow Crescent, Century Avenue, Century City, 7441

      PO Box 1144, Cape Town, 8000, South Africa

      www.penguinrandomhouse.co.za

      First published 2020

      Publication © Penguin Random House 2020

      Text © Deon Wiggett 2020

      Cover photographs © Seth Doyle on unsplash.com / Emir Saldierna on unsplash.com

      ‘This is why News24 is naming Willem Breytenbach’: used with the permission of News24; ‘Onderwyseres bedank by Grey ná sy seun soen’: used with the permission of Netwerk24.

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the copyright owners.

      PUBLISHER: Marlene Fryer

      MANAGING EDITOR: Ronel Richter-Herbert

      EDITOR: Bronwen Maynier

      PROOFREADER: Ronel Richter-Herbert

      COVER AND TEXT DESIGNER: Ryan Africa

      TYPESETTER: Ryan Africa

      Set in 11.5 pt on 15.5 pt Minion

      ISBN 978 1 77609 560 5 (print)

      ISBN 978 1 77609 561 2 (ePub)

      For Dadda

      I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.

      – Donna Tartt, The Secret History

      You know, when I used to get really sad in the place I used to live, I would smile and jump up and down and say, ‘I’m not really here! I’m not really here!’

      – Kimmy Schmidt, Unbreakable Kimmy Schmidt

      PROLOGUE

      There is something I witnessed the year I left high school.

      For a boy who dreamed only of being a journalist, it was the story of a lifetime. Trouble is, I forgot all about it.

      It would be more than twenty years before I remembered the events of that scalding, dreadful summer in the Cape Winelands. Before I thought to pick up the story where I left it.

      But first, someone had to die.

      1

      It is a Saturday when everything changes.

      I am at our home in Johannesburg’s leafy north. It is November 2017 and the start of the southern-hemisphere summer, so I celebrate in my usual way: smoke a couple of blunts; read a little; swim a little.

      I am an advertising copywriter for a small ad agency, which I own and should quite enjoy, but today in the swimming pool I am doing my best to forget it. It makes me anxious, like many things do.

      My husband, Riaan, is awesome and seldom anxious. And now he is off to the airport to go to San Francisco.

      ‘Why are you leaving so early?’ I ask as he kisses me goodbye. ‘You’re just going to have to sit around and wait.’

      ‘You mean there won’t be a big rush at the end, like when we’re together?’

      ‘It adds some excitement to proceedings,’ I say, as I normally do when Riaan is being overcautious.

      ‘Love you!’ he says, and hugs me.

      ‘Enjoy Silicon Valley!’ I say, and in a flurry of well wishes and interested cats, Riaan wheels out of the house on his business trip.

      I should be getting ready too as a sun-drenched afternoon slips away. I should phone my parents, and text Riaan something sweet, and, really, I should be leaving now for the same Mexican restaurant for the second night in a row. The restaurant is out of the way and average, but it is where the two halves of a divorced couple are hosting parties on successive nights – not out of spite, but sheer coincidence.

      I do not feel like average Mexican food, but skipping the second night would be a dreadful betrayal of Divorcee Number Two.

      I am now out of time to phone my parents. In real life, my dad is chatty, but on the phone he has the word economy of a man writing a telegram: ‘How are you?’, ‘How’s work?’, ‘How’s Riaan?’, ‘Here’s your mother.’

      I’ll phone tomorrow, I have decided by the time I step naked from the pool.

      When I finally get into an Uber, I am thinking about the start of summer, and about making more informed choices from last night’s menu. I forget to text Riaan while he is still here.

      It is the final evening of my regular life.

      2

      Five days later, it is Thursday. I am back in my hometown in the Cape Winelands because it could not be avoided.

      I am wearing a suit, which I seldom do, and it is hot in the church and my tie is choking me. The Dutch Reformed Moederkerk in Stellenbosch is a grand place with stained-glass apostles and an organ large enough to hide several small children. I am sitting next to my mother and my sister in the front pew.

      Earlier, before we came in, the organist was playing Bach beautifully. But now an Afrikaans reverend stands in the pointy pulpit to say some phrases that are foreign and fully irrelevant to me. Everybody here knows what he is going to say. That my dad is dead at sixty-five. That this is part of God’s plan.

      None of this was part of my plan, and God does not exist, yet here I am standing behind a lectern in His house and talking about Dadda, who started dying when I was in the pool, and who was dead twelve hours later from an undetected but life-threatening ailment. I’d missed my chance to ever speak to him again.

      My opening line is fairly bizarre.

      ‘With many people, it’s easy to encapsulate their lives,’ I say in Afrikaans. ‘For example: Uncle Jannie was a quiet man who lived for his homing pigeons.’

      Somebody suppresses a loud laugh. It is the sound of my friend Nella, who has an involuntary reaction to the absurd. Dadda was the same. Large and kind and jolly, and insistent on cracking a joke whenever a situation became too serious.

      And so, for his funeral, I do the same, because he taught me that laughing helps you, and the people around you too.

      But


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