Uncle Remus, His Songs and His Sayings. Joel Chandler Harris

Uncle Remus, His Songs and His Sayings - Joel Chandler Harris


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the most characteristic, and have given it without embellishment and without exaggeration.

      The dialect, it will be observed, is wholly different from that of the Hon. Pompey Smash and his literary descendants, and different also from the intolerable misrepresentations of the minstrel stage, but it is at least phonetically genuine. Nevertheless, if the language of Uncle Remus fails to give vivid hints of the really poetic imagination of the negro; if it fails to embody the quaint and homely humor which was his most prominent characteristic; if it does not suggest a certain picturesque sensitiveness—a curious exaltation of mind and temperament not to be defined by words—then I have reproduced the form of the dialect merely, and not the essence, and my attempt may be accounted a failure. At any rate, I trust I have been successful in presenting what must be, at least to a large portion of American readers, a new and by no means unattractive phase of negro character—a phase which may be considered a curiously sympathetic supplement to Mrs. Stowe's wonderful defense of slavery as it existed in the South. Mrs. Stowe, let me hasten to say, attacked the possibilities of slavery with all the eloquence of genius; but the same genius painted the portrait of the Southern slave-owner, and defended him.

      A number of the plantation legends originally appeared in the columns of a daily newspaper—The Atlanta Constitution and in that shape they attracted the attention of various gentlemen who were kind enough to suggest that they would prove to be valuable contributions to myth-literature. It is but fair to say that ethnological considerations formed no part of the undertaking which has resulted in the publication of this volume. Professor J. W. Powell, of the Smithsonian Institution, who is engaged in an investigation of the mythology of the North American Indians, informs me that some of Uncle Remus's stories appear in a number of different languages, and in various modified forms, among the Indians; and he is of the opinion that they are borrowed by the negroes from the red-men. But this, to say the least, is extremely doubtful, since another investigator (Mr. Herbert H. Smith, author of Brazil and the Amazons) has met with some of these stories among tribes of South American Indians, and one in particular he has traced to India, and as far east as Siam. Mr. Smith has been kind enough to send me the proof-sheets of his chapter on The Myths and Folk-Lore of the Amazonian Indians, in which he reproduces some of the stories which he gathered while exploring the Amazons.

      In the first of his series, a tortoise falls from a tree upon the head of a jaguar and kills him; in one of Uncle Remus's stories, the terrapin falls from a shelf in Miss Meadows's house and stuns the fox, so that the latter fails to catch the rabbit. In the next, a jaguar catches a tortoise by the hind-leg as he is disappearing in his hole; but the tortoise convinces him he is holding a root, and so escapes; Uncle Remus tells how the fox endeavored to drown the terrapin, but turned him loose because the terrapin declared his tail to be only a stump-root. Mr. Smith also gives the story of how the tortoise outran the deer, which is identical as to incident with Uncle Remus's story of how Brer Tarrypin outran Brer Rabbit. Then there is the story of how the tortoise pretended that he was stronger than the tapir. He tells the latter he can drag him into the sea, but the tapir retorts that he will pull the tortoise into the forest and kill him besides. The tortoise thereupon gets a vine-stem, ties one end around the body of the tapir, and goes to the sea, where he ties the other end to the tail of a whale. He then goes into the wood, midway between them both, and gives the vine a shake as a signal for the pulling to begin. The struggle between the whale and tapir goes on until each thinks the tortoise is the strongest of animals. Compare this with the story of the terrapin's contest with the bear, in which Miss Meadows's bed-cord is used instead of a vine-stem. One of the most characteristic of Uncle Remus's stories is that in which the rabbit proves to Miss Meadows and the girls that the fox is his riding-horse. This is almost identical with a story quoted by Mr. Smith, where the jaguar is about to marry the deer's daughter. The cotia—a species of rodent—is also in love with her, and he tells the deer that he can make a riding-horse of the jaguar.

      "Well," says the deer, "if you can make the jaguar carry you, you shall have my daughter." Thereupon the story proceeds pretty much as Uncle Remus tells it of the fox and rabbit. The cotia finally jumps from the jaguar and takes refuge in a hole, where an owl is set to watch him, but he flings sand in the owl's eyes and escapes. In another story given by Mr. Smith, the cotia is very thirsty, and, seeing a man coming with a jar on his head, lies down in the road in front of him, and repeats this until the man puts down his jar to go back after all the dead cotias he has seen. This is almost identical with Uncle Remus's story of how the rabbit robbed the fox of his game. In a story from Upper Egypt, a fox lies down in the road in front of a man who is carrying fowls to market, and finally succeeds in securing them.

      This similarity extends to almost every story quoted by Mr. Smith, and some are so nearly identical as to point unmistakably to a common origin; but when and where? when did the negro or the North American Indian ever come in contact with the tribes of South America? Upon this point the author of Brazil and the Amazons, who is engaged in making a critical and comparative study of these myth-stories, writes:

      "I am not prepared to form a theory about these stories. There can be no doubt that some of them, found among the negroes and the Indians, had a common origin. The most natural solution would be to suppose that they originated in Africa, and were carried to South America by the negro slaves. They are certainly found among the Red Negroes; but, unfortunately for the African theory, it is equally certain that they are told by savage Indians of the Amazons Valley, away up on the Tapajos, Red Negro, and Tapura. These Indians hardly ever see a negro, and their languages are very distinct from the broken Portuguese spoken by the slaves. The form of the stories, as recounted in the Tupi and Mundurucu' languages, seems to show that they were originally formed in those languages or have long been adopted in them.

      "It is interesting to find a story from Upper Egypt (that of the fox who pretended to be dead) identical with an Amazonian story, and strongly resembling one found by you among the negroes. Vambagen, the Brazilian historian (now Visconde de Rio Branco), tried to prove a relationship between the ancient Egyptians, or other Turanian stock, and the Tupi Indians. His theory rested on rather a slender basis, yet it must be confessed that he had one or two strong points. Do the resemblances between old and New World stories point to a similar conclusion? It would be hard to say with the material that we now have.

      "One thing is certain. The animal stories told by the negroes in our Southern States and in Brazil were brought by them from Africa. Whether they originated there, or with the Arabs, or Egyptians, or with yet more ancient nations, must still be an open question. Whether the Indians got them from the negroes or from some earlier source is equally uncertain. We have seen enough to know that a very interesting line of investigation has been opened."

      Professor Hartt, in his Amazonian Tortoise Myths, quotes a story from the Riverside Magazine of November, 1868, which will be recognized as a variant of one given by Uncle Remus. I venture to append it here, with some necessary verbal and phonetic alterations, in order to give the reader an idea of the difference between the dialect of the cotton plantations, as used by Uncle Remus, and the lingo in vogue on the rice plantations and Sea Islands of the South Atlantic States:

      "One time B'er Deer an' B'er Cooter (Terrapin) was courtin', and de lady did bin lub B'er Deer mo' so dan B'er Cooter. She did bin lub B'er Cooter, but she lub B'er Deer de morest. So de young lady say to B'er Deer and B'er Cooter bofe dat dey mus' hab a ten-mile race, an de one dat beats, she will go marry him.

      "So B'er Cooter say to B'er Deer: 'You has got mo longer legs dan I has, but I will run you. You run ten mile on land, and I will run ten mile on de water!'

      "So B'er Cooter went an' git nine er his fam'ly, an' put one at ebery mile-pos', and he hisse'f, what was to run wid B'er Deer, he was right in front of de young lady's do', in de broom-grass.

      "Dat mornin' at nine o'clock, B'er Deer he did met B'er Cooter at de fus mile-pos', wey dey was to start fum. So he call: 'Well, B'er Cooter, is you ready? Co long!' As he git on to de nex' mile-pos', he say: 'B'er Cooter!' B'er Cooter say: 'Hullo!' B'er Deer say: 'You dere?' B'er Cooter say: 'Yes, B'er Deer, I dere too.'

      "Nex' mile-pos' he jump, B'er Deer say: 'Hullo, B'er Cooter!' B'er Cooter say: 'Hullo, B'er Deer! you dere too?' B'er Deer say: 'Ki! it look like you gwine fer tie me; it look like we gwine fer de gal tie!'

      "W'en


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