The Essential Works of P. G. Wodehouse. P. G. Wodehouse

The Essential Works of P. G. Wodehouse - P. G. Wodehouse


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while I had been speaking, she had sat gazing silently into the bushes, but it seemed to me incredible that she should not now turn on me like a tigress, according to specifications. It beat me why she hadn't done it already. It seemed to me that a mere tithe of what I had said, if said to a tigress about a tiger of which she was fond, would have made her—the tigress, I mean—hit the ceiling.

      And the next moment you could have knocked me down with a toothpick.

      "Yes," she said, nodding thoughtfully, "you're quite right."

      "Eh?"

      "That's exactly what I've been thinking myself."

      "What!"

      "'Dumb brick.' It just describes him. One of the six silliest asses in England, I should think he must be."

      I did not speak. I was endeavouring to adjust the faculties, which were in urgent need of a bit of first-aid treatment.

      I mean to say, all this had come as a complete surprise. In formulating the well-laid plan which I had just been putting into effect, the one contingency I had not budgeted for was that she might adhere to the sentiments which I expressed. I had braced myself for a gush of stormy emotion. I was expecting the tearful ticking off, the girlish recriminations and all the rest of the bag of tricks along those lines.

      But this cordial agreement with my remarks I had not foreseen, and it gave me what you might call pause for thought.

      She proceeded to develop her theme, speaking in ringing, enthusiastic tones, as if she loved the topic. Jeeves could tell you the word I want. I think it's "ecstatic", unless that's the sort of rash you get on your face and have to use ointment for. But if that is the right word, then that's what her manner was as she ventilated the subject of poor old Tuppy. If you had been able to go simply by the sound of her voice, she might have been a court poet cutting loose about an Oriental monarch, or Gussie Fink-Nottle describing his last consignment of newts.

      "It's so nice, Bertie, talking to somebody who really takes a sensible view about this man Glossop. Mother says he's a good chap, which is simply absurd. Anybody can see that he's absolutely impossible. He's conceited and opinionative and argues all the time, even when he knows perfectly well that he's talking through his hat, and he smokes too much and eats too much and drinks too much, and I don't like the colour of his hair. Not that he'll have any hair in a year or two, because he's pretty thin on the top already, and before he knows where he is he'll be as bald as an egg, and he's the last man who can afford to go bald. And I think it's simply disgusting, the way he gorges all the time. Do you know, I found him in the larder at one o'clock this morning, absolutely wallowing in a steak-and-kidney pie? There was hardly any of it left. And you remember what an enormous dinner he had. Quite disgusting, I call it. But I can't stop out here all night, talking about men who aren't worth wasting a word on and haven't even enough sense to tell sharks from flatfish. I'm going in."

      And gathering about her slim shoulders the shawl which she had put on as a protection against the evening dew, she buzzed off, leaving me alone in the silent night.

      Well, as a matter of fact, not absolutely alone, because a few moments later there was a sort of upheaval in the bushes in front of me, and Tuppy emerged.

      15

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      I gave him the eye. The evening had begun to draw in a bit by now and the visibility, in consequence, was not so hot, but there still remained ample light to enable me to see him clearly. And what I saw convinced me that I should be a lot easier in my mind with a stout rustic bench between us. I rose, accordingly, modelling my style on that of a rocketing pheasant, and proceeded to deposit myself on the other side of the object named.

      My prompt agility was not without its effect. He seemed somewhat taken aback. He came to a halt, and, for about the space of time required to allow a bead of persp. to trickle from the top of the brow to the tip of the nose, stood gazing at me in silence.

      "So!" he said at length, and it came as a complete surprise to me that fellows ever really do say "So!" I had always thought it was just a thing you read in books. Like "Quotha!" I mean to say, or "Odds bodikins!" or even "Eh, ba goom!"

      Still, there it was. Quaint or not quaint, bizarre or not bizarre, he had said "So!" and it was up to me to cope with the situation on those lines.

      It would have been a duller man than Bertram Wooster who had failed to note that the dear old chap was a bit steamed up. Whether his eyes were actually shooting forth flame, I couldn't tell you, but there appeared to me to be a distinct incandescence. For the rest, his fists were clenched, his ears quivering, and the muscles of his jaw rotating rhythmically, as if he were making an early supper off something.

      His hair was full of twigs, and there was a beetle hanging to the side of his head which would have interested Gussie Fink-Nottle. To this, however, I paid scant attention. There is a time for studying beetles and a time for not studying beetles.

      "So!" he said again.

      Now, those who know Bertram Wooster best will tell you that he is always at his shrewdest and most level-headed in moments of peril. Who was it who, when gripped by the arm of the law on boat-race night not so many years ago and hauled off to Vine Street police station, assumed in a flash the identity of Eustace H. Plimsoll, of The Laburnums, Alleyn Road, West Dulwich, thus saving the grand old name of Wooster from being dragged in the mire and avoiding wide publicity of the wrong sort? Who was it ...

      But I need not labour the point. My record speaks for itself. Three times pinched, but never once sentenced under the correct label. Ask anyone at the Drones about this.

      So now, in a situation threatening to become every moment more scaly, I did not lose my head. I preserved the old sang-froid. Smiling a genial and affectionate smile, and hoping that it wasn't too dark for it to register, I spoke with a jolly cordiality:

      "Why, hallo, Tuppy. You here?"

      He said, yes, he was here.

      "Been here long?"

      "I have."

      "Fine. I wanted to see you."

      "Well, here I am. Come out from behind that bench."

      "No, thanks, old man. I like leaning on it. It seems to rest the spine."

      "In about two seconds," said Tuppy, "I'm going to kick your spine up through the top of your head."

      I raised the eyebrows. Not much good, of course, in that light, but it seemed to help the general composition.

      "Is this Hildebrand Glossop speaking?" I said.

      He replied that it was, adding that if I wanted to make sure I might move a few feet over in his direction. He also called me an opprobrious name.

      I raised the eyebrows again.

      "Come, come, Tuppy, don't let us let this little chat become acrid. Is 'acrid' the word I want?"

      "I couldn't say," he replied, beginning to sidle round the bench.

      I saw that anything I might wish to say must be said quickly. Already he had sidled some six feet. And though, by dint of sidling, too, I had managed to keep the bench between us, who could predict how long this happy state of affairs would last?

      I came to the point, therefore.

      "I think I know what's on your mind, Tuppy," I said. "If you were in those bushes during my conversation with the recent Angela, I dare say you heard what I was saying about you."

      "I did."

      "I see. Well, we won't go into the ethics of the thing. Eavesdropping, some people might call it, and I can imagine stern critics drawing in the breath to some extent. Considering it—I don't want to hurt your feelings, Tuppy—but considering it un-English. A bit un-English, Tuppy, old man, you must admit."

      "I'm Scotch."

      "Really?"


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