The Secret of a Happy Home (1896). Marion Harland
the natural reaction of ingenious wits against wet-blanketism. The funniest part of the transaction is that John never suspects the ruse, even at the hundredth repetition, and esteems himself, in dogged complacency, the author of his spouse's goodliest ideas.
Such a one dreads nothing more than the reputation of being ruled by his wife. The more hen-pecked he is, the less he knows it—and vice versâ. "He jests at scars who never felt a wound." She who has her John well in hand has broken him in too thoroughly to allow him to resent the curb, or to play with the bit.
His intentions—so far as he knows them—are so good, he tries so steadfastly to please his wife—he is so often piteously perplexed—this big, burly, blundering, blind-folded, blesséd John of ours—that our knowledge of his disabilities enwraps him in a mantle of affectionate charity. His efforts to master the delicate intricacy of his darling's mental and spiritual organization may be like the would-be careful hold of thumb and finger upon a butterfly's wing, but the pain he causes is inconceivable by him. The suspicion of hurt to the beautiful thing would break his heart. He could more easily lie down and die for her than sympathize intelligently in her vague, delicious dreams, the aspirations, half agony, half rapture, which she cannot convey to his comprehension—yet which she feels that he ought to share.
Ah! the pathos and the pity—sometimes the godlike patience of that silent side of our dear John! Mrs. Whitney, writing of Richard Hathaway, tells us enough of it to beget in us infinite tolerance.
"Everything takes hold away down where I can't reach or help," says the poor fellow of his sensitive, poetical wife. "She is all the time holding up her soul to me with a thorn in it."
"He did not know that that was poetry and pathos. It was a natural illustration out of his homely, gentle, compassionate life. He knew how to help dumb things in their hurts. His wife he could not help."
It reminds us of Ham Peggotty's tender adjustment upon his palm of the purse committed to him by Emily for fallen Martha.
"'Such a toy as it is!' apostrophized Ham, thoughtfully, looking on it. 'With, such a little money in it, Em'ly, my dear.'"
We are reminded more strongly of rough, gray boulders holding in their hearts the warmth of the sunshine for the comfortable growth of mosses that creep over and cling to and beautify them.
John is neither saint nor hero, except in Mary's fancy sketch of the Coming Man. He remonstrates against canonization strenuously—dissent that passes with the idealist for modesty, and enhances her admiration. She is oftener to blame for the disillusion than he. With the perverseness of feminine nature she construes strength into coarseness of fibre, slowness into brutal indifference. Until women get at the truth in this matter of self-deception, disappointment surely awaits upon awakening from Love's young dream.
The surest guard against the shock of broken ideals is to keep ever before the mind that men are not to be measured by feminine standards of perfection. Mary has as little perception of perspective as a Chinese landscape painter; she colors floridly and her drawing is out of line.
Put John in his proper place as regards distances, shadow and environment, and survey him in the cool white light of common sense. Unless he is a poseur of uncommon skill, he will appear best thus.
Conjugal quarrels are so constantly the theme of ridicule and the text of warnings to the unwedded that we lose sight of the plain truth that husbands and wives bicker no more than parents and children, brothers and sisters. In every community there are more blood-relations who do not speak to one another than divorced couples. Wars and fightings come upon us, not through matrimony so much as through the manifold infirmities of mortal nature. John, albeit not a woman, is a vertebrate human being, "with hands, organs, dimensions, senses, affections, passions. If you prick him he will bleed, if you tickle him he will laugh, if you poison him he will die." In the true marriage, he is the wife's other self—one lobe of her brain—one ventricle of her heart—the right hand to her left. This is the marriage the Lord hath made.
The occasional clash of opinions, the passing heat of temper, are but surface-gusts that do not stir the brooding love of hearts at rest in one another.
While John remains loyal to his wedded wife, forsaking all others and cleaving to her alone, the inventory of his faults should be a sealed book to her closest confidante, the carping discussion of his failings be prohibited by pride, affection and right taste. This leads me to offer one last tribute to our patient (and maybe bored) subject. He has as a rule, a nicer sense of honor in the matter of comment upon his wife's shortcomings and foibles than she exhibits with regard to his.
Set it down to gallantry, chivalry, pride—custom—what you will—but the truth sheds a lustre upon our John of which I mean he shall have the full advantage. Perhaps the noblest reticence belongs to the Silent Side of him. I hardly think it is because he has no yearning for sympathy, no need of counsel, when he reluctantly admits to himself that that upon which he has ventured most is, in some measure, a disappointment. Be this as it may, Mary may learn discretion from him—and the lesson conned should be forbearance with offensive peculiarities, and, what she names to her sore spirit, lack of appreciation. Given the conditions of his fidelity and devotion—and she may well "down on her knees and thank God fasting for a good man's love."
CHAPTER II.
THE FAMILY PURSE.
In the last chapter I touched, firmly, as became the importance of the subject, upon the pocket question in its bearing upon the happiness of home-life. The matter is too grave to be disposed of in half-a-dozen paragraphs. It shall have a chapter of its very own.
There are certain subjects upon which each of us is afraid to speak for fear of losing temper, and becoming vehement. This matter of "The Family Purse" is one of the few topics in all the range of theory and practice, concerning which I feel the necessity of putting on curb and bridle when I have to deal with it, and conscience urges just dealing with all parties.
I have set down elsewhere what I crave leave to repeat here and with deliberate emphasis.
If I were asked, "What, to the best of your belief, is the most prolific and general source of heart-burnings, contentions, harsh judgment, and secret unhappiness among respectable married people who keep up the show, even to themselves, of reciprocal affection?" my answer would not halt for an instant.
"The crying need of a mutual understanding with respect to the right ownership of the family income."
The example of the good old Friend, who, in giving his daughters in marriage, stipulated that each should be paid weekly, without asking for it, a certain share of her husband's income, is refreshing as indicating what one husband had learned by his own experience. It goes no further in the absence of proof that the sons-in-law kept the pledge imposed upon them as suitors, or that in keeping it, they did not cause their respective wives to wish themselves dead, and out of the way of gibe and grudge, every time the prescribed tax was doled out to them.
Nor do I admit the force of the implication made by a certain writer upon this topic, that the crookedness in the matter of family finances is "separation and hostility between the sexes, brought about by the advancement and equality of women." Wives in all ages and in all countries, have felt the painful injustice of virtual pauperism, and struggled vainly for freedom.
The growth toward emancipation in the case of most of them amounts merely to the liberty to groan in print and to cry aloud in women's convocations. If the yoke is easier upon the wifely neck in 1896 than it was in 1846, it is because women know more of business methods, and are more competent to the management of money than they knew fifty years ago, and some husbands, appreciating the change for