His Masterpiece. Emile Zola
Cafe Baudequin was situated on the Boulevard des Batignolles, at the corner of the Rue Darcet. Without the least why or wherefore, it had been selected by the band as their meeting-place, though Gagniere alone lived in the neighbourhood. They met there regularly on Sunday nights; and on Thursday afternoons, at about five o’clock, those who were then at liberty had made it a habit to look in for a moment. That day, as the weather was fine and bright, the little tables outside under the awning were occupied by rows of customers, obstructing the footway. But the band hated all elbowing and public exhibition, so they jostled the other people in order to go inside, where all was deserted and cool.
‘Hallo, there’s Fagerolles by himself,’ exclaimed Claude.
He had gone straight to their usual table at the end of the cafe, on the left, where he shook hands with a pale, thin, young man, whose pert girlish face was lighted up by a pair of winning, satirical grey eyes, which at times flashed like steel. They all sat down and ordered beer, after which the painter resumed:
‘Do you know that I went to look for you at your father’s; and a nice reception he gave me.’
Fagerolles, who affected a low devil-may-care style, slapped his thighs. ‘Oh, the old fellow plagues me! I hooked it this morning, after a row. He wants me to draw some things for his beastly zinc stuff. As if I hadn’t enough zinc stuff at the Art School.’
This slap at the professors delighted the young man’s friends. He amused them and made himself their idol by dint of alternate flattery and blame. His smile went from one to the other, while, by the aid of a few drops of beer spilt on the table, his long nimble fingers began tracing complicated sketches. His art evidently came very easily to him; it seemed as if he could do anything with a turn of the hand.
‘And Gagniere?’ asked Mahoudeau; ‘haven’t you seen him?’
‘No; I have been here for the last hour.’
Just then Jory, who had remained silent, nudged Sandoz, and directed his attention to a girl seated with a gentleman at a table at the back of the room. There were only two other customers present, two sergeants, who were playing cards. The girl was almost a child, one of those young Parisian hussies who are as lank as ever at eighteen. She suggested a frizzy poodle—with the shower of fair little locks that fell over her dainty little nose, and her large smiling mouth, set between rosy cheeks. She was turning over the leaves of an illustrated paper, while the gentleman accompanying her gravely sipped a glass of Madeira; but every other minute she darted gay glances from over the newspaper towards the band of artists.
‘Pretty, isn’t she?’ whispered Jory. ‘Who is she staring at? Why, she’s looking at me.’
But Fagerolles suddenly broke in: ‘I say, no nonsense. Don’t imagine that I have been here for the last hour merely waiting for you.’
The others laughed; and lowering his voice he told them about the girl, who was named Irma Becot. She was the daughter of a grocer in the Rue Montorgueil, and had been to school in the neighbourhood till she was sixteen, writing her exercises between two bags of lentils, and finishing off her education on her father’s doorstep, lolling about on the pavement, amidst the jostling of the throng, and learning all about life from the everlasting tittle-tattle of the cooks, who retailed all the scandal of the neighbourhood while waiting for five sous’ worth of Gruyere cheese to be served them. Her mother having died, her father himself had begun to lead rather a gay life, in such wise that the whole of the grocery stores—tea, coffee, dried vegetables, and jars and drawers of sweetstuff—were gradually devoured. Irma was still going to school, when, one day, the place was sold up. Her father died of a fit of apoplexy, and Irma sought refuge with a poor aunt, who gave her more kicks than halfpence, with the result that she ended by running away, and taking her flight through all the dancing-places of Montmartre and Batignolles.
Claude listened to the story with his usual air of contempt for women. Suddenly, however, as the gentleman rose and went out after whispering in her ear, Irma Becot, after watching him disappear, bounded from her seat with the impulsiveness of a school girl, in order to join Fagerolles, beside whom she made herself quite at home, giving him a smacking kiss, and drinking out of his glass. And she smiled at the others in a very engaging manner, for she was partial to artists, and regretted that they were generally so miserably poor. As Jory was smoking, she took his cigarette out of his mouth and set it in her own, but without pausing in her chatter, which suggested that of a saucy magpie.
‘You are all painters, aren’t you? How amusing! But why do those three look as if they were sulking. Just laugh a bit, or I shall make you, you’ll see!’
As a matter of fact, Sandoz, Claude, and Mahoudeau, quite taken aback, were watching her most gravely. She herself remained listening, and, on hearing her companion come back, she hastily gave Fagerolles an appointment for the morrow. Then, after replacing the cigarette between Jory’s lips, she strode off with her arms raised, and making a very comical grimace; in such wise that when the gentleman reappeared, looking sedate and somewhat pale, he found her in her former seat, still looking at the same engraving in the newspaper. The whole scene had been acted so quickly, and with such jaunty drollery, that the two sergeants who sat nearby, good-natured fellows both of them, almost died of laughter as they shuffled their cards afresh.
In fact, Irma had taken them all by storm. Sandoz declared that her name of Becot was very well suited for a novel; Claude asked whether she would consent to pose for a sketch; while Mahoudeau already pictured her as a Paris gamin, a statuette that would be sure to sell. She soon went off, however, and behind the gentleman’s back she wafted kisses to the whole party, a shower of kisses which quite upset the impressionable Jory.
It was five o’clock, and the band ordered some more beer. Some of the usual customers had taken possession of the adjacent tables, and these philistines cast sidelong glances at the artists’ corner, glances in which contempt was curiously mingled with a kind of uneasy deference. The artists were indeed well known; a legend was becoming current respecting them. They themselves were now talking on common-place subjects: about the heat, the difficulty of finding room in the omnibus to the Odeon, and the discovery of a wine-shop where real meat was obtainable. One of them wanted to start a discussion about a number of idiotic pictures that had lately been hung in the Luxembourg Museum; but there was only one opinion on the subject, that the pictures were not worth their frames. Thereupon they left off conversing; they smoked, merely exchanging a word or a significant smile now and then.
‘Well,’ asked Claude at last, ‘are we going to wait for Gagniere?’
At this there was a protest. Gagniere was a bore. Besides, he would turn up as soon as he smelt the soup.
‘Let’s be off, then,’ said Sandoz. ‘There’s a leg of mutton this evening, so let’s try to be punctual.’
Each paid his score, and they all went out. Their departure threw the cafe into a state of emotion. Some young fellows, painters, no doubt, whispered together as they pointed at Claude, much in the same manner as if he were the redoubtable chieftain of a horde of savages. Jory’s famous article was producing its effect; the very public was becoming his accomplice, and of itself was soon to found that school of the open air, which the band had so far only joked about. As they gaily said, the Cafe Baudequin was not aware of the honour they had done it on the day when they selected it to be the cradle of a revolution.
Fagerolles having reinforced the group, they now numbered five, and slowly they took their way across Paris, with their tranquil look of victory. The more numerous they were, the more did they stretch across the pavement, and carry away on their heels the burning life of the streets. When they had gone down the Rue de Clichy, they went straight along the Rue de la Chaussee d’Antin, turned towards the Rue de Richelieu, crossed the Seine by the Pont des Arts, so as to fling their gibes at the Institute, and finally reached the Luxembourg by way of the Rue de Seine, where a poster, printed in three colours, the garish announcement of a travelling circus, made them all shout with admiration. Evening was coming on; the stream of wayfarers flowed more slowly; the tired city was awaiting the shadows of night, ready to yield to the first comer who might be strong enough to take her.