People Like Ourselves (Scottish Historical Novels). Anna Buchan

People Like Ourselves (Scottish Historical Novels) - Anna Buchan


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the doctor saw it, he said, 'Teenie,' he said—his mither and ours were cousins, you know—'you're just a wee marvel.' That was what he said—'a wee marvel.'"

      Jean said, "You were brave," and one of the guests said that presence of mind was a wonderful thing, and then the next act was ready.

      The word had evidently something to do with eating, for the three actors sat at a Barmecide feast and quaffed wine from empty goblets, and carved imaginary haunches of venison. So far as could be judged from the conversation, which was much obscured by the smothered laughter of the actors, they seemed to belong to Robin Hood's merry men.

      The third act took place on board ship—a ship flying the Jolly Roger—and it was obvious to the meanest intelligence that the word was pirate.

      "Very good," said Miss Teenie, clapping her hands; "but," addressing the Mhor, "don't you go lighting any more funeral pyres. Boys who do that have to go to jail."

      Mhor looked coldly at her, but made no remark, while Jean said hastily:

      "You must show everyone your wonderful present, Mhor. I think the hall would be the best place to put it up in."

      The second part of the programme was of a varied character. Jean led off with the old carol:

      "There comes a ship far sailing then,

       St. Michael was the steersman,"

      and Mhor followed with a poem, "In Time of Pestilence," which had captivated his strange small boy's soul, and which he had learned for the occasion. Everyone felt it to be singularly inappropriate, and Miss Watson said it gave her quite a turn to hear the relish with which he knolled out:

      "Wit with his wantonness

       Tasteth death's bitterness:

       Hell's executioner

       Hath no ears for to hear

       What vain art can reply!

       I am sick, I must die—

       God have mercy on us."

      She regarded him with disapproving eyes as a thoroughly uncomfortable character.

      One of the guests sang a drawing-room ballad in which the words "dear heart" seemed to occur with astonishing frequency. Then the entertainment took a distinctly lower turn.

      David and Jock sang a song composed by themselves and set to a hymn tune, a somewhat ribald production. Mhor then volunteered the information that Mrs. M'Cosh could sing a song. Mrs. M'Cosh said, "Awa wi' ye, laddie," and "Sic havers," but after much urging owned that she knew a song which had been a favourite with her Andra. It was sung to the tune of "When the kye come hame," and was obviously a parody on that lyric, beginning:

      "Come a' ye Hieland pollismen

       That whustle through the street,

       An' A'll tell ye a' aboot a man

       That's got triple expansion feet.

       He's got braw, braw tartan whuskers

       That defy the shears and kaim:

       There's an awfu' row in Brigton

       When M'Kay comes hame."

      It went on to tell how:

      "John M'Kay works down in Singers's,

       He's a ceevil engineer,

       But his wife's no verra ceevil

       When she's had some ginger-beer.

       When he missed the last Kilbowie train

       And had to walk hame lame,

       There wis Home Rule wi' the poker

       When M'Kay cam hame."

      Mrs. M'Cosh sang four verses and stopped, in spite of the rapturous applause of a section of the audience.

      "There's aboot nineteen mair verses," she explained "an' they get kinna worse as they gang on, so I'd better stop," which she did, to Jean's relief, for she saw that her guests were feeling that this was not an entertainment such as the Best People indulged in.

      "And now Miss Bathgate will sing," said Mhor.

      "I will not sing," said Miss Bathgate. "I've mair pride than make a fool o' mysel' to please folk."

      "Oh, come on," Jock begged. "Look at Mrs. M'Cosh!"

      Miss Bathgate snorted.

      "Ay," said Mrs. M'Cosh, with imperturbable good-humour, "she seen me, and she thinks yin auld fool is enough at a time. Never heed, Bella, juist gie us a verse."

      Miss Bathgate protested that she knew no songs, and had no voice, but under persuasion she broke into a ditty, a sort of recitative:

      "Gang further up the toon, Geordie Broon, Geordie Broon,

       Gang further up the toon, Geordie Broon:

       Gang further up the toon

       Till ye's spent yer hale hauf-croon,

       And then come singin' doon,

       Geordie Broon, Geordie Broon."

      "I remember that when I was a child," Jean said. "We used to be put to sleep with it; it is very soothing. Thank you so much, Miss Bathgate … Now I think we should have a game."

      "Forfeits," Miss Teenie suggested.

      "That's a silly game," said Mhor; "there's kissing in it."

      "Perhaps we might have a quiet game," Jean said. "What was that one we played with Pamela, you remember, Jock? We took a subject, and tried who could say the most obvious thing about it."

      "Oh, nothing clever, for goodness' sake," pleaded Miss Watson. "I've no head for anything but fancy-work."

      "'Up Jenkins' would be best," Jock decreed; so a table was got in, and "up Jenkins" was played with much laughter until the clock struck ten, and the guests all rose in a body to go.

      "Well," said Miss Watson, "it's been a very pleasant evening, though I wouldn't wonder if I had a nightmare about that funeral pyre … I always think, don't you, that there's something awful pathetic about Christmas? You never know where you may be before another."

      One of the guests, a little music-teacher, said:

      "The worst of Christmas is that it brings back to one's mind all the other Christmasses and the people who were with us then…."

      Bella Bathgate's voice was heard talking to Mrs. M'Cosh at the door: "I dinna believe in keeping Christmas; it's a popish festival. New Year's the time. Ye can eat yer currant-bun wi' a relish then. Guid-nicht, then, and see ye lick that ill laddie for near settin' the hoose on fire. It's no' safe, I tell ye, to live onywhere near him noo that he's begun thae tricks. Baith Peter an' him are fair Bolsheviks … Did I tell ye that Miss Reston sent me a grand feather-boa—grey, in a present? I've aye had a notion o' a feather-boa, but I dinna ken how she kent that. And this is no' yin o' the skimpy kind; it's fine and fussy and soft … Here, did the Lord send Miss Jean a present?… I doot he's aff for guid. Weel, weel, guid-nicht."

      With a heightened colour Jean said good-night to her guests, separated Mhor from his train, and sent him with Jock to bed.

      As she went upstairs, Bella Bathgate's words rang in her ears dismally: "I doot he's aff for guid."

      It was what she wanted, of course; she had told him so. But she had half hoped that he might send her a letter or a little remembrance on Christmas Day.

      Better not, perhaps, but it would have been something to keep. She sometimes wondered if she had not dreamt the scene in the Hopetoun Woods, and only imagined the words that were constantly in her ears. It was such a very improbable thing to happen to such a commonplace person.

      Her room was very restful-looking that night to Jean, tired after a long day's junketing. It was a plain little upper chamber, with white walls and Indian rugs on the floor. A high south wind was blowing (it had been another of poor Mhor's snow-less Christmasses!), making the curtains billow out into


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