Till the Clock Stops. J. J. Bell

Despite its handsome and costly old furnishings, the room gave one a sense of space and comfort; its agreeable warmth was too equable to have been derived solely from the cheerful blaze in the veritable Adam's fireplace, which seemed to have provided the keynote to the general scheme of decoration. The great bay-window overlooked a long, gently sloping lawn, bounded on either side by shrubbery, trees, and hedges, terminated by shrubbery and hedges alone, the trees originally there having been long since removed to admit of a clear view of the loch, the Argyllshire hills, and the stretch of Firth of Clyde right down to Bute and the Lesser Cumbrae. Even in summer the garden, while scrupulously tidy, would have offered but little colour display; its few flower beds were as stiff in form and conventional in arrangement as a jobbing gardener on contract to an uninterested proprietor could make them. And on this autumn afternoon, when the sun seemed to rejoice coldly over the havoc of yesterday's gale and the passing of things spared to die a natural death, the eye was fain to look beyond to the beauty of the eternal waters and the glory of the everlasting hills.

Turning from the window, one noticed that the brown walls harboured but four pictures, a couple of Bone etchings and a couple by Laguilérmie after Orchardson. There were three doors, that in the left wall being the entrance; the other two, in the right and back walls, near the angle, suggested presses, being without handles. In the middle of the back wall, a yard's distance from the floor, was a niche, four feet in height by one in breadth by the latter in depth, a plain oblong, at present unoccupied. Close inspection would have revealed signs of its recent construction.

Near the centre of the room a writing-table stood at such an angle that the man seated at it, in the invalid's wheeled chair, could look from the window to the fire with the least possible movement of the head. You would have called him an old man, though his age was barely sixty. Hair and short beard were white. He was thin to fragility, yet his hand, fingering some documents, was steady, and his eyes, while sunken, were astonishingly bright. His mobile pale lips hinted at a nature kindly, if not positively tender, yet they could smile grimly, bitterly, in secret. Such was Christopher Craig, a person of no importance publicly or socially, yet the man who, to the knowledge of those two individuals now sitting at his hearth, had left the Cape, five years ago, with a moderate fortune in cash and shares, and half a million pounds in diamonds. And he had just told those two, his favoured friends and trusted associates of the old South African days, that he was about to die.

Robert Lancaster and Francis Bullard, summoned by telegraph from London the previous afternoon, had not been unprepared for such an announcement. As a matter of fact, they had been anticipating the end itself for months—long, weary months, one may venture to say. Yet Lancaster, who had been unfortunate in getting the easy-chair which compelled its occupant to face the strong, clear light, suffered an emotion that constricted his throat and brought tears to his eyes. But Lancaster had ever been half-hearted, whether for good or evil. He looked less unhealthy than on that spring morning, eighteen months ago, but the furtiveness had increased so much that a stranger would have pitied him as a man with nerves. To his host's calmly delivered intimation he had no response ready.

Bullard, on the other hand, was at no loss for words, though he allowed a few seconds—a decent interval, as they say—to elapse ere he uttered them. He was not the sort of fool who tosses a light protest in the face of a grave statement. If his dark face showed no more feeling than usual, his voice was kind, sympathetic, sincere.

"My dear Christopher," he said, "you have hit us hard, for you never were a man

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