The Prophet's Mantle. Hubert Bland

      PROLOGUE.

      'Nonsense? Why, the book's as clear as daylight, and as convincing as Euclid. You've been working too hard—overdoing it altogether. Go to the South of France for a month, and lose a few roubles at Monte Carlo. It will do you good.'

      Michael Litvinoff took the first part of this advice; and though he did not take the second part, he did sometimes spend an hour in watching others lose their money.

      One night he noticed a young man on whom fortune appeared to be frowning with more than her usual persistence and bitterness. Again and again he staked, and again and again he lost. At last he collected the few coins that remained of the good-sized heap with which he had begun, and staked them all. He lost again. He got up and walked out. Struck by the wild look in his eyes, Litvinoff followed him into the gardens of the Casino. At the end of a dark alley he stopped, pulled something from his breast, which might have been a cigar-case, opened it, and took out something which Litvinoff saw was not a cigar. The Count sprang forward, and knocked the other's hand up just in time to send a tiny bullet whizzing through the orange trees.

      'Damn you!' cried the other, in English, turning furiously on Litvinoff. 'What the devil do you mean?'

      'Come to my rooms,' said the Count simply; and the other, after a moment's hesitation and a glance of sullen defiance, actually obeyed, and in silence the two walked side by side out of the gardens.

      When the door of his sitting-room was closed upon them, Count Litvinoff waved his new acquaintance to an easy-chair, and, taking one himself, remarked—

      'You're a nice sort of sportsman, aren't you? Suppose you have some tea and a cigar.'

      'The cigar with pleasure; but tea is not much in my line.'

      'Ah, I forgot; you English don't worship tea as we Russians do. By-the-way, as there's no one else to perform the ceremony, I may as well introduce myself. My name is Michael Litvinoff.'

      The other looked up.

      'Let me withdraw my refusal of your offer just now. I must confess that it would be pleasant to me to drink tea, or anything else in reason, in the company of the man who has written "Hopes and Fears for Liberty."'

      The tea was made, and before the cigar was finished Litvinoff had learned not only that his new friend was a political sympathiser, but also the main facts in the young man's personal history.

      His name was Armand Percival; his father English, his mother French. He had been brought up in Paris, and had been left an orphan with a small but sufficient property, which, with an energy and application worthy of a better cause, he had managed to scatter to the winds before a year was over. It was the last remnant of this little possession that he had brought to Monte Carlo in the desperate hope of retrieving his fallen fortunes, and with the fixed determination of accepting the ruling of fate and of ending his life, should that hope be unfulfilled.

      'And really,' he ended, 'you would have done better to have been judiciously blind in the gardens just now, and have let the farce be played out. As it is, affairs are just as desperate as they were an hour ago, and I, perhaps thanks to your good tea, am not so desperate. When I leave you I must go and grovel under the orange trees till I find that pistol, for I haven't even the money to buy another.'

      'It won't do to let the world lose a friend of liberty in this fashion. They are scarce enough. We can talk this over to-morrow. Stay here to-night. We'll hunt for your little toy by daylight if you like.'

      They did find the pistol the next day. By that time they had had a good deal of talk together, and Armand Percival had become the private secretary of Count Michael Litvinoff.

      Life on the ancestral estate of the Litvinoffs was utterly different from anything Percival had ever known before, but he had conceived an unbounded admiration and affection for his friend and employer, and he threw himself into his new duties with an ardour which made boredom simply impossible, and with a perseverance almost equalling that which he had displayed in the dissipation of his little fortune.

      He helped Litvinoff in all his literary work, and was soon admitted to his fullest confidence. His new life was wrapped in an atmosphere of romance, and it contained a spice of danger which was perfectly congenial to his nature. The most commonplace action ceases to be commonplace when one knows that one risks one's life in doing it. He soon made rapid progress in the Russian language—Swinburne was given up for Pouchkine, Tchernychewsky displaced Victor Hugo, and Percival revelled in the trenchant muscular style of Bakounin as he had once delighted in the voluptuous sweetness of Théophile Gautier. He had always had a leaning towards Democracy, and a fitful kind of enthusiasm for popular liberty. The strong personal influence, the much bigger enthusiasm, and the intense reality of Michael Litvinoff's convictions served to swell what had been a little stream into a flood with a tolerably strong current.

      Both men worked hard, and at the end of some twenty months 'The Social Enigma' was published in London and Paris. In this, Litvinoff's great work, he managed to keep just on the right side of the hedge, but he indemnified himself for this self-denial by writing a little pamphlet, called 'A Prophetic Vision,' which was published by the Revolutionary Secret Press, and circulated among the peasants, for whom it was specially written; and all those concerned in its publication flattered themselves that this time, at any rate, the chief of the secret police and his creatures, in spite of their having obtained a copy