Sixty Years in Southern California, 1853-1913. Harris Newmark
activity of the old Church on the Plaza, the Corpus Christi festival was one of the events of the year when not the least imposing feature was the opening procession around the Plaza. For all these occasions, the square was thoroughly cleaned, and notable families, such as the Del Valles, the Olveras, the Lugos and the Picos erected before their residences temporary altars, decorated with silks, satins, laces and even costly jewelry. The procession would start from the Church after the four o'clock service and proceed around the Plaza from altar to altar. There the boys and girls, carrying banners and flowers, and robed or dressed in white, paused for formal worship, the progress through the square, small as the Plaza was, thus taking a couple of hours. Each succeeding year the procession became more resplendent and inclusive, and I have a distinct recollection of a feature incidental to one of them when twelve men, with twelve great burning candles, represented the Apostles.
These midwinter festivities remind me that, on Christmas Eve, the young people here performed pastoral plays. It was the custom, much as it still is in Upper Bavaria, to call at the homes of various friends and acquaintances and, after giving little performances such as Los Pastores, to pass on to the next house. A number of the Apostles and other characters associated with the life of Jesus were portrayed, and the Devil, who scared half to death the little children of the hamlet, was never overlooked. The buñuelo, or native doughnut, also added its delight to these celebrations.
John Jones
Captain F. Morton
Captain and Mrs. J. S. Garcia
Captain Salisbury Haley
El Palacio, Home of Abel and Arcadia Stearns
From a photograph of the seventies
The Lugo Ranch-house, in the Nineties
And now a word about the old Spanish Missions in this vicinity. It was no new experience for me to see religious edifices that had attained great age, and this feature, therefore, made no special impression. I dare say that I visited the Mission of San Gabriel very soon after I arrived in Los Angeles; but it was then less than a century old, and so was important only because it was the place of worship of many natives. The Protestant denominations were not as numerous then as now, and nearly all of the population was Catholic. With the passing of the years, sentimental reverence for the Spanish Fathers has grown greater and their old Mission homes have acquired more and more the dignity of age. Helen Hunt Jackson's Ramona, John S. McGroarty's Mission Play (in which, by the by, Señorita Lucretia, daughter of R. F. and granddaughter of Don Ygnácio Del Valle, so ably portrays the character of Doña Josefa Yorba) and various other literary efforts have increased the interest in these institutions of the past.
The missions and their chapels recall an old Mexican woman who had her home, when I came to Los Angeles, at what is now the southeast corner of San Pedro and First streets. She dwelt in a typical adobe, and in the rear of her house was a vineyard of attractive aspect. Adjoining one of the rooms of her dwelling was a chapel, large enough, perhaps, to hold ten or twelve people and somewhat like those on the Dominguez and Coronel estates; and this chapel, like all the other rooms, had an earthen floor. In it was a gaudily-decorated altar and crucifix. The old lady was very religious and frequently repaired to her sanctuary. From the sale of grapes, she derived, in part, her income; and many a time have I bought from her the privilege of wandering through her vineyard and eating all I could of this refreshing berry. If the grape-season was not on, neighbors were none the less always welcome there; and it was in this quiet and delightful retreat that, in 1856, I proposed marriage to Miss Sarah Newmark, my future wife, such a mere girl that a few evenings later I found her at home playing jackstones—then a popular game—with Mrs. J. G. Downey, herself a child.
But while Catholics predominated, the Protestant churches had made a beginning. Rev. Adam Bland, Presiding Elder of the Methodists in Los Angeles in 1854, had come here a couple of years before, to begin his work in the good, old-fashioned way; and, having bought the barroom, El Dorado, and torn down Hughes's sign, he had transformed the place into a chapel. But, alas for human foresight, or the lack of it: on at least a part of the new church lot, the Merced Theater later stood!
Two cemeteries were in existence at the time whereof I write: the Roman Catholic—abandoned a few years ago—which occupied a site on Buena Vista Street, and one, now long deserted, for other denominations. This cemetery, which we shall see was sadly neglected, thereby occasioning bitter criticism in the press, was on Fort Hill. Later, another burial-ground was established in the neighborhood of what is now Flower and Figueroa streets, near Ninth, many years before there was any thought of Rosedale or Evergreen.
As for my co-religionists and their provision of a cemetery, when I first came to Los Angeles they were without a definite place for the interment of their dead; but in 1854 the first steps were taken to establish a Jewish cemetery here, and it was not very long before the first Jewish child to die in Los Angeles, named Mahler, was buried there. This cemetery, on land once owned and occupied by José Andrés Sepúlveda's reservoir, was beautifully located in a recess or little pocket, as it were, among the hills in the northwest section of the city, where the environment of nature was in perfect harmony with the Jewish ideal—"Home of Peace."
Mrs. Jacob Rich, by the way, had the distinction of being the first Jewess to settle in Los Angeles; and I am under the impression that Mrs. E. Greenbaum became the mother of the first Jewish child born here.
Sam Prager arrived in 1854, and after clerking a while, associated himself with the Morrises, who were just getting nicely established. For a time, they met with much success and were among the most important merchants of their day. Finally they dissolved, and the Morris Brothers bought the large tract of land which I have elsewhere described as having been refused by Newmark, Kremer & Company in liquidation of Major Henry Hancock's account. Here, for several years, in a fine old adobe lived the Morris family, dispensing a bountiful hospitality quite in keeping with the open-handed manner of the times. In the seventies, the Morris Brothers sold this property—later known as Morris Vineyard—after they had planted it to vines, for the insignificant sum of about twenty thousand dollars.
Following Sam Prager, came his brother Charles. For a short time they were associated, but afterward they operated independently, Charles Prager starting on Commercial Street, on May 19th, 1869. Sam Prager, long known as "Uncle Sam," was a good-natured and benevolent man, taking a deep interest in Masonic matters, becoming Master of 42, and a regular attendant at the annual meetings of the Grand Lodge of California. He was also Chairman of the Masonic Board of Relief until the time of his death. Charles Prager and the Morrises have all gone to that
undiscovered country, from whose bourn
No traveler returns.
In the summer of 1853, a movement was inaugurated, through the combined efforts of Mayors Nichols and Coronel, aided by John T. Jones, to provide public schools; and three citizens, J. Lancaster Brent, Lewis Granger and Stephen C. Foster, were appointed School Commissioners. As early as 1838, Ygnácio Coronel, assisted by his wife and daughter, had accepted some fifteen dollars a month from the authorities—to permit the exercise of official supervision—and opened a school which, as late as 1854, he conducted in his own home; thereby doubtless inspiring his son António to take marked interest in the education of the Indians. From time to time, private schools, partly subsidized from public funds, were commenced. In May, 1854, Mayor Foster pointed out that, while there were fully five hundred children