Juliana Horatia Ewing And Her Books. Horatia K. F. Eden

      Published by Good Press, 2019

       [email protected]

      EAN 4064066242329

Table of Contents

       PREFACE.

       JULIANA HORATIA EWING

       AND HER BOOKS.

       PART I.

       PART II.

       PART III.

       PART IV.

       LIST OF MRS. EWING'S WORKS.

       LETTERS

       The present Series of Mrs. Ewing's Works is the only authorized, complete, and uniform Edition published.

       S.P.C.K., Northumberland Avenue, London, W.C.

PREFACE.

       Table of Contents

      In making a Selection from Mrs. Ewing's Letters to accompany her Memoir, I have chosen such passages as touch most closely on her Life and Books. I found it was not possible in all cases to give references in footnotes between the Memoir and Letters; but as both are arranged chronologically there will be no difficulty in turning from one to the other when desirable.

      The first Letter, relating Julie's method of teaching a Liturgical Class, should be read with the remembrance that it was written thirty-two years ago, long before the development of our present Educational System; but it is valuable for the zeal and energy it records, combined with the common incident of the writer being too ill to appear at the critical moment of the Inspector's visit.

      In a later letter, dated May 28, 1866, there are certain remarks about class singing in schools, which are also out of date; but this is retained as a proof of the keen sense of musical rhythm and accent which my sister had, and which gave her power to write words for music although she could play no instrument.

      It is needless to add that none of the letters were intended for publication; they were written to near relatives and friends currente calamo, and are full of familiar expressions and allusions which may seem trivial and uninteresting to ordinary readers. Those, however, who care to study my sister's character I think cannot fail to trace in these records some of its strongest features; her keen enjoyment of the beauties of Nature—her love for animals—for her Home—her lares and penates;—and her Friends. Above all that love of God which was the guiding influence of everything she wrote or did. So inseparable was it from her every-day life that readers must not be surprised if they find grave and gay sentences following each other in close succession.

      Julie's sense of humour never forsook her, but she was never malicious, and could turn the laugh against herself as readily as against others. I have ventured to insert a specimen of her fun, which I hope will not be misunderstood. In a letter to C.T.G., dated March 13, 1874, she gave him a most graphic picture of the erratic condition of mind that had come over an old friend, the result of heavy responsibilities and the rush of London life. Julie had no idea when she wrote that these symptoms were in reality the subtle beginnings of a breakdown, which ended fatally, and no one lamented the issue more truly than she; but she could not resist catching folly as it flew, and many of the flighty axioms became proverbial amongst us.

      The insertion of Bishop Medley's reply to my sister, April 8, 1880, needs no apology, it is so interesting in itself, and gives such a charming insight into the friendship between them.

      The List of Mrs. Ewing's Works at the end of the Memoir was made before the publication of the present Complete Edition; this, therefore, is only mentioned in cases where stories have not been published in any other book form. All Mrs. Ewing's Verses for Children, Hymns, and Songs for Music (including two left in MS.) are included in Volume IX.

      Volume XVII., "Miscellanea," contains The Mystery of a bloody hand together with the Translated Stories, and other papers that had appeared previously in Magazines.

      In Volume XII., "Brothers of Pity and other tales of men and beasts," will be found Among the Merrows; A Week spent in a Glass Pond; Tiny's Tricks and Toby's Tricks; The Owl in the Ivy Bush, and Owlhoots I. II., whilst Sunflowers and a Rushlight has been put amongst the Flower Stories in Vol. XVI., Mary's Meadow, etc.

      The Letter with which this volume concludes was one of the last that Julie wrote, and its allusion to Gordon's translation seemed to make it suitable for the End.

      After her death the readers of Aunt Judy's Magazine subscribed enough to complete the endowment (£1000) of a Cot at the Convalescent Home of the Hospital for Sick Children, Cromwell House, Highgate. This had been begun to our Mother's memory, and was completed in the joint names of Margaret Gatty and Juliana Horatia Ewing. So liberal were the subscriptions that there was a surplus of more than £200, and with this we endowed two £5 annuities in the Cambridge Fund for Old Soldiers—as the "Jackanapes," and "Leonard" annuities.

      Of other memorials there are the marble gravestone in Trull Churchyard, and Tablet in Ecclesfield Church, both carved by Harry Hems, of Exeter, and similarly decorated with the double lilac primrose—St. Juliana's flower.

      In Ecclesfield Church there is also a beautiful stained window, given by her friend, Bernard Wake. The glass was executed by W.F. Dixon, and the subject is Christ's Ascension. Julie died on the Eve of Ascension Day.

      Lastly, there is a small window of jewelled glass, by C.E. Kempe, in St. George's Church, South Camp, Aldershot, representing St. Patrick trampling on a three-headed serpent, emblematical of the powers of evil, and holding the Trefoil in his hand—a symbol of the Blessed Trinity.

      Horatia K.F. Eden.