The Poetical Works of Addison; Gay's Fables; and Somerville's Chase. John Gay
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John Gay, William Somerville, Joseph Addison
The Poetical Works of Addison; Gay's Fables; and Somerville's Chase
With Memoirs and Critical Dissertations, by the Rev. George Gilfillan
Published by Good Press, 2019
EAN 4064066229191
Table of Contents
LIFE OF JOSEPH ADDISON.
A POEM TO HIS MAJESTY,[2] PRESENTED TO THE LORD KEEPER.
TO HER ROYAL HIGHNESS THE PRINCESS OF WALES,[12]
TO SIR GODFREY KNELLER[14] ON HIS PICTURE OF THE KING.[15]
SONGS.
SWEET WILLIAM'S FAREWELL TO BLACK-EYED SUSAN.
ADDISON'S POETICAL WORKS.
LIFE OF JOSEPH ADDISON,
POEMS ON SEVERAL OCCASIONS:—
To Mr. Dryden,
A Poem to his Majesty, presented to the Lord Keeper,
A Translation of all Virgil's Fourth
Georgic, except the Story of
Aristæus,
A Song for St. Cecilia's Day,
An Ode for St. Cecilia's Day,
An Account of the greatest English Poets,
A Letter from Italy,
Milton's Style Imitated, in a Translation of a Story out of the Third Æneid,
The Campaign,
Cowley's Epitaph on Himself,
Prologue to the 'Tender Husband,'
Epilogue to the 'British Enchanters,'
Prologue to Smith's 'Phædra and
Hippolitus,'
Horace Ode III., Book III.,
The Vestal,
OVID'S METAMORPHOSES:—
BOOK II.
The Story of Phaeton,
Phaeton's Sisters transformed
into Trees,
The Transformation of Cyenus
into a Swan,
The Story of Calisto,
The Story of Coronis, and Birth of Æsculapius,
Ocyrrhoe Transformed to a Mare,
The Transformation of Battus to
a Touchstone,
The Story of Aglauros, transformed
into a Statue,
Europa's Rape,
BOOK III.
The Story of Cadmus,
The Transformation of Actæon into a Stag,
The Birth of Bacchus,
The Transformation of Tiresias,
The Transformation of Echo,
The Story of Narcissus,
The Story of Pentheus,
The Mariners transformed to
Dolphins,
The Death of Pentheus
BOOK IV.
The Story of Salmacis and Hermaphroditus,
TO HER ROYAL HIGHNESS THE PRINCESS OF WALES,
TO SIR GODFREY KNELLER, ON HIS PICTURE OF THE KING,
THE PLAY-HOUSE,
ON THE LADY MANCHESTER,
AN ODE,
AN HYMN,
AN ODE,
AN HYMN,
PARAPHRASE ON PSALM XXIII.
THE