The Dead Command. Vicente Blasco Ibanez

Jaime Febrer arose at nine o'clock. Old Antonia, the faithful servant who cherished the memory of the past glories of the family, and who had attended upon Jaime from the day of his birth, had been bustling about the room since eight o'clock in the hope of awakening him. As the light filtering through the transom of a broad window seemed too dim, she flung open the worm-eaten blinds. Then she raised the gold-fringed, red, damask drapery which hung like an awning over the ample couch, the ancient, lordly, and majestic couch in which many generations of Febrers had been born and in which they had died.

The night before, on returning from the Casino, Jaime had charged her most earnestly to arouse him early, as he was invited to breakfast at Valldemosa. Time to get up! It was the finest of spring mornings; in the garden birds were singing in the flowery branches swayed by the breeze that blew over the wall from the sea.

The old servant, seeing that her master had at last decided to get out of bed, retreated to the kitchen. Jaime Febrer strolled about the room before the open window almost nude. There was no danger of his being seen. The dwelling opposite was an old palace like his own, a great house with few windows. From his room he could see a wall of indefinite color, with deep scars, and faint traces of ancient frescoes. It was so near, the street being extremely narrow, that it seemed as if he might touch it with his hand.

Nervous on account of an important event which was to take place in the morning, he had passed a restless night, and the heaviness following the short and indifferent sleep led him to seek eagerly the invigorating effect of cold water. Febrer made a sorry grimace as he bathed in the primitive, narrow, and uncomfortable tub. Ah poverty! His home was devoid of even the most essential conveniences despite its air of stately luxury, a stateliness which modern wealth can never emulate. Poverty with all its annoyances stalked forth to meet him at every turn in these halls which reminded him of splendidly decorated theaters he had seen in his European travels.

Febrer glanced over the grandiose room with its lofty ceiling as if he were a stranger entering the apartment for the first time. His powerful ancestors had built for giants. Each room in the palace was as large as a modern house. The windows were without glass all over the house and in winter they had to be closed by wooden shutters which admitted no light except that entering through the transoms, and these were studded with crystals cracked and dimmed by time. Lack of carpets disclosed floors of soft Majorcan sandstone cut in small rectangles like wooden blocks. The rooms still boasted the old-time splendor of vaulted ceilings, some dark, with skilfully fitted paneling, others with a faded and venerable gilding forming a background for the colored escutcheons which were emblazoned with the coat of arms of the house. In some rooms the high walls, simply whitewashed, were covered by rows of ancient paintings, and in others were concealed by rich hangings of gay colors which time had failed to destroy. The sleeping room was decorated with eight enormous tapestries of a shade of dull green leaves representing gardens, broad avenues of trees in autumnal foliage leading to a small park where deer were frisking, or where solitary fountains dripped into triple basins. Above the doors hung old Italian paintings in soft brown tones representing nude, amber-hued babes fondling curly lambs. The arch dividing the alcove from the rest of the apartment suggested the triumphal order, its fluted columns sustaining a scroll-work of carved foliage with the softened luster of faded gilding, as if it were an ancient altar. Upon an eighteenth century table stood a polychrome statue of Saint George treading Moors beneath his charger; and beyond was the bed, the imposing bed, a venerable family monument. Antique chairs with curved arms, the red velvet so worn and threadbare as to disclose the white woof, jostled against modern cane-bottomed chairs and the wretched bathtub.

"Ah, poverty!" sighed the heir of the estate.

The old Febrer mansion, with its beautiful unglazed casements, its tapestry-filled halls, its carpetless floors, its venerable furniture jumbled with the meanest of chattels, reminded him of a poverty-stricken prince wearing his brilliant mantle and his glittering crown, but barefooted and destitute of underclothing.

Febrer himself was like this palace—this imposing and empty frame which in happier times had sheltered the glory and wealth of his ancestors. Some had been merchants, others soldiers, navigators all. The Febrer arms had floated on pennants and flags over more than fifty full-rigged ships, the pride of the Majorcan marine, which, after clearing from Puerto Pi, used to sail away to sell the oil of the island in Alexandria, taking on cargoes of spices, silks, and perfumes of the Orient in the ports of Asia Minor, trading in Venice, Pisa, and Genoa, or, passing the Pillars of Hercules, plunging into the fogs of Northern seas to carry to Flanders and the Hanseatic Republics the pottery of the Valencian Moors called majolica by foreigners because of its Majorcan origin. These voyages over pirate-infested seas had converted this family of rich merchants into a tribe of valorous warriors. The Febrers had now fought, now entered into alliances with Turkish corsairs, with Greeks, and with Algerines; they had sailed their fleets through Northern seas to face the English pirates, and, on one occasion, at the entrance of the Bosphorus, their galleys had rammed the vessels of Genoese merchants who were trying to monopolize the commerce of Byzantium. Finally, this family of soldiers of the sea, on retiring from maritime commerce, had rendered

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