Essays in Miniature. Agnes Repplier

THERE is a short paragraph in Hazlitt's Conduct of Life that I read very often, and always with fresh delight. He is offering much good counsel to a little lad at school, and when he comes to a matter upon which most counselors are wont to be exceedingly didactic and diffuse—the choice of books—he condenses all he has to say into a few wise and gentle words that are well worth taking to heart:

"As to the works you will have to read by choice or for amusement, the best are the commonest. The names of many of them are already familiar to you. Read them as you grow up with all the satisfaction in your power, and make much of them. It is perhaps the greatest pleasure you will have in life, the one you will think of longest, and repent of least. If my life had been more full of calamity than it has been (much more than yours, I hope, will be) I would live it over again, my poor little boy, to have read the books I did in my youth."

In all literature there is nothing truer or better than this, and its sad sincerity contrasts strangely with the general tone of the essay, which is somewhat in the manner of Lord Chesterfield. But here, at least, Hazlitt speaks with the authority of one whose books had ever been his friends; who had sat up all night as a child over Paul and Virginia, and to whom the mere sight of an odd volume of some good old English author, on a street stall, brought back with keen and sudden rapture the flavor of those early joys which he remembered longest, and repented least. His words ring consolingly in these different days, when we have not only ceased reading what is old, but when—a far greater misfortune—we have forgotten how to read "with all the satisfaction in our power," and with a simple surrendering of ourselves to the pleasure which has no peer. There are so many things to be considered now besides pleasure, that we have well-nigh abandoned the effort to be pleased. In the first place, it is necessary to "keep up" with a decent proportion of current literature, and this means perpetual labor and speed, whereas idleness and leisure are requisite for the true enjoyment of books. In the second place, few of us are brave enough to withstand the pressure which friends, mentors and critics bring to bear upon us, and which effectually crushes anything like the weak indulgence of our own tastes. The reading they recommend being generally in the nature of a corrective, it is urged upon us with little regard to personal inclination; in fact, the less we like it, the greater our apparent need. There are people in this world who always insist upon others remodeling their diet on a purely hygienic basis; who entreat us to avoid sweets or acids, or tea or coffee, or whatever we chance to particularly like; who tell us persuasively that cress and dandelions will purify our blood; that celery is an excellent febrifuge; that shaddocks should be eaten for the sake of their quinine, and fish for its phosphorus; that stewed fruit is more wholesome than raw; that rice is more nutritious than potatoes;—who deprive us, in a word, of that hearty human happiness which should be ours when dining. Like Mr. Woodhouse, they are capable of having the sweetbreads and asparagus carried off before our longing eyes, and baked apples provided as a substitute.

It is in the same benevolent spirit that kind-hearted critics are good enough to warn us against the books we love, and to prescribe for us the books we ought to read. With robust assurance they offer to give our tutelage their own personal supervision, and their disinterested zeal carries them occasionally beyond the limits of discretion. I have been both amazed and gratified by the lack of reserve with which these unknown friends have volunteered to guide my own footsteps through the perilous paths of literature. They are so urgent, too, not to say severe, in their manner of proffering assistance: "To Miss Repplier we would particularly recommend"—and then follows a list of books of which I dare say I stand in open need; but which I am naturally indisposed to consider with much kindness, thrust upon me, as they are, like paregoric or a porous plaster. If there be people who can take their pleasures medicinally, let them read by prescription and grow fat! But let me rather keep for my friends those dear and familiar volumes which have given me a large share of my life's happiness. If they are somewhat antiquated and out of date, I have no wish to flout their vigorous age. A book, Hazlitt reminds us, is not, like a woman, the worse for being old. If they are new, I do not scorn them for a fault which is common to all their kind. Paradise Lost was once new, and was regarded as a somewhat questionable novelty. If they come from afar, or are compatriots of my own, they are equally well-beloved. There can be no aliens in the ranks of literature, no national prejudice in an honest enjoyment of art. The book, after all, and not the date or birthplace of its author, is of material importance. "It seems ungracious to refuse to be a terræ filius, says Mr. Arnold; "but England is not all the world." Neither, for that matter, is America, nor even Russia. The universe is a little wider and a little older than we are pleased to think, and to have lived long and traveled far does not necessarily imply inferiority. The volume that has crossed the seas, the volume that has survived its generation, stand side by side with their new-born American brother, and there is no lack of harmony in such close companionship. Books of every age and of every nation show a charming adaptability in their daily intercourse; and, if left to themselves, will set off each other's merits in the most amiable and disinterested manner, each one growing better by contact with its excellent neighbor. It is only when the patriotic critic comes along, and stirs up dissensions in their midst, that this peaceful atmosphere is rent with sudden discord; that the English book grows disdainful and supercilious; the American, aggressive and sarcastic; the French, malicious

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