Howl on Trial. Группа авторов

Howl on Trial - Группа авторов


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       Howl

       on trial

       Howl

       on trial

       The Battle for Free Expression

       EDITED BY

       BILL MORGAN AND

       NANCY J. PETERS

      CITY LIGHTS BOOKS SAN FRANCISCO

      Copyright © 2006 by Bill Morgan

      Copyright © 2006 by City Lights Books

      All Rights Reserved

      Cover design: Stefan Gutermuth

      Typography: Harvest Graphics

      Press section design: Yolanda Montijo

      Library of Congress Cataloging-in-Publication Data

      Howl on trial : the battle for free expression / edited by Bill Morgan and Nancy J. Peters.

      p. cm.

      ISBN-13: 978-0-87286-479-5

      ISBN-10: 0-87286-479-0

      1. Ginsberg, Allen, 1926-1997. Howl. 2. Ginsberg, Allen, 1926-1997—Censorship. 3. Censorship—United States—History. 4. Trials (Obscenity)—California—San Francisco. I. Morgan, Bill, 1949- II. Peters, Nancy J. (Nancy Joyce) III. Title.

      PS3513.I74H634 2006

      811’.54—dc22

      CITY LIGHTS BOOKS are edited by Lawrence Ferlinghetti and Nancy J. Peters and published at the City Lights Bookstore, 261 Columbus Avenue, San Francisco, CA 94133. www.citylights.com

      “The paper burns, but the words fly away.”

      —Akiba ben Joseph

       ACKNOWLEDGMENTS

      Fifty years after the trial it seems impossible to believe that anyone could have ever doubted the literary merit of Howl and Other Poems. The courage required to take on the government censors cannot be forgotten. Judge Clayton M. Horn, ACLU attorneys Albert M. Bendich and Lawrence Speiser, attorney J.W. Ehrlich, and defendants Lawrence Ferlinghetti and Shigeyoshi Murao have our everlasting gratitude for supporting freedom of speech so unselfishly. Additional heartfelt thanks go to Bendich and Ferlinghetti for contributing their memories to this current book.

      The Allen Ginsberg Trust has been instrumental in the creation of this volume as well. Thanks to Bob Rosenthal, Andrew Wylie and Peter Hale of the Trust for their cooperation and for permission to use Ginsberg’s words and photographs.

      The devotion of the City Lights staff to the work of Allen Ginsberg has been remarkable over the past fifty years and this current book is no exception. Nancy J. Peters, Bob Sharrard, Elaine Katzenberger, Stacey Lewis, and Chanté Mouton have each contributed to what is truly a group effort. Special thanks go to Chanté Mouton for her thorough research into trial records and press coverage of events.

      Thanks also go to Brian Chambers at San Francisco State University. Laura Perkins and other staff at the San Francisco Chronicle generously gave time and effort to uncover records and arranged for use of staff photographs and news articles. The paper’s support during the trial was critical to the case for free speech. David Perlman, who covered the trial for the Chronicle, kindly gave permission to reprint his “How Captain Hanrahan Made Howl a Best-Seller,” published in the San Francisco Reporter. John G. Fuller’s delightful column on the pending trial appeared in Saturday Review. KPFA Pacifica supplied other useful documentation. The support and assistance of Judy Matz and Garret Caples were invaluable.

      Various libraries have also been useful sources of information for this book. We are especially grateful to San Francisco State University Library, San Francisco Public Library’s San Francisco History Center, and to Princeton University Library’s Seeley G. Mudd Manuscript Library, where ACLU records of the period are kept. Tony Bliss of the Bancroft Library at the University of California, Berkeley, is the guardian of the City Lights Archives there and has given assistance in countless ways.

       CONTENTS

      “Howl” at the Frontiers by Lawrence Ferlinghetti

      Allen Ginsberg’s Howl: a Chronology by Bill Morgan

      Censorship Milestones by Nancy J. Peters

      “Howl” by Allen Ginsberg

      The Howl Letters, edited by Bill Morgan

       The Trial: Press Response

      Iron Curtain on the Embarcadero by Abe Mellinkoff

       Letters to the San Francisco Chronicle

       Ferlinghetti Defends Publication

      Orwell’s Big Brother Is Watching Us by William Hogan

      Trade Winds by John G. Fuller

       Excerpts from the Trial Transcript

      From The Decision by Judge Clayton M. Horn

      How Captain Hanrahan Made Howl a Best-Seller by David Perlman

       Ginsberg “Howls” Again [Ginsberg’s Letter to the San Francisco Chronicle]

      Fifty Years of City Lights by Albert M. Bendich

      The Censorship Battle Continues by Bill Morgan

      Lawrence Ferlinghetti at City Lights Bookstore, holding a cover proof of Howl and Other Poems, 1956. Courtesy, San Francisco History Center, San Francisco Public Library.

       Introduction

       “HOWL” AT THE FRONTIERS

       by Lawrence Ferlinghetti

      The “Howl” that was heard around the world wasn’t seized in San Francisco in 1956 just because it was judged obscene by cops, but because it attacked the bare roots of our dominant culture, the very Moloch heart of our consumer society.

      At the end of World War II, I came home feeling disconnected from American life, like multitudes of Americans uprooted by military service. And we didn’t stay home long. With new larger perspectives of the world, many of us soon took off for parts unknown. And the “white arms of roads” beckoned Westward. I didn’t know the actual demographics


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