Art Principles with Special Reference to Painting. Ernest Govett

Art Principles with Special Reference to Painting - Ernest Govett


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       Ernest Govett

      Art Principles with Special Reference to Painting

      Together with Notes on the Illusions Produced by the Painter

      Published by Good Press, 2021

       [email protected]

      EAN 4057664579317

       PREFACE

       LIST OF PLATES

       Art Principles

       INTRODUCTION

       BOOK I

       CHAPTER I

       Classification of the fine arts

       CHAPTER II

       LAW OF RECOGNITION IN THE ASSOCIATED ARTS

       CHAPTER III

       LAW OF GENERAL ASSENT

       CHAPTER IV

       LIMITATIONS OF THE ASSOCIATED ARTS

       CHAPTER V

       DEGREES OF BEAUTY IN THE PAINTER'S ART

       CHAPTER VI

       EXPRESSION. PART I.—THE IDEAL

       CHAPTER VII

       EXPRESSION. PART II.—CHRISTIAN IDEALS

       CHAPTER VIII

       EXPRESSION. PART III.—CLASSICAL IDEALS

       CHAPTER IX

       EXPRESSION. PART IV.—GENERAL IDEALS

       CHAPTER X

       EXPRESSION. PART V.—PORTRAITURE

       CHAPTER XI

       EXPRESSION. PART VI—MISCELLANEOUS

       CHAPTER XII

       LANDSCAPE

       CHAPTER XIII

       STILL-LIFE

       CHAPTER XIV

       SECONDARY ART

       CHAPTER XV

       COLOUR

       BOOK II

       ILLUSIONS IN THE PAINTER'S ART

       INTRODUCTORY

       CHAPTER I

       ILLUSION OF RELIEF

       CHAPTER II

       ILLUSION OF MOTION

       CHAPTER III

       ILLUSION OF SUSPENSION AND MOTION IN THE AIR

       INDEX OF SCULPTORS, PAINTERS, AND WORKS OF ART

       GENERAL INDEX

       Table of Contents

      This book is put forward with much diffidence, for I am well aware of its insufficiencies. My original idea was to produce a work covering all the principles of painting, but after many years spent in considering the various recorded theories relating to æsthetic problems, and in gathering materials to indicate how the accepted principles have been applied, I came to the conclusion that a single life is scarcely long enough for the preparation of an exhaustive treatise on the subject. Nevertheless, I planned a work of much wider scope than the one now presented, but various circumstances, and principally the hindrance to research caused by the war, impelled me to curtail my ambition. Time was fading, and my purpose seemed to be growing very old. I felt that if one has something to say, it is better to say it incompletely than to run the risk of compulsory silence. The book will be found little more than a skeleton, and some of its sections, notably those dealing with illusions


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