Endpapers. Alexander Wolff

Endpapers - Alexander Wolff


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      ENDPAPERS

      Also by Alexander Wolff

      The Audacity of Hoop: Basketball and the Age of Obama

      Big Game, Small World: A Basketball Adventure

      Raw Recruits (with Armen Keteyian)

      ENDPAPERS

      A Family Story of Books, War, Escape, and Home

      ALEXANDER WOLFF

      Atlantic Monthly Press

      New York

      Copyright © 2021 by Alexander Wolff

      Excerpt from Austerlitz by W. G. Sebald, translated by Anthea Bell, translation copyright © 2001 by Anthea Bell (Hamish Hamilton 2001, Penguin Books 2002). Used by permission of Random House, an imprint of Penguin Random House LLC. All rights reserved. Same excerpt, copyright © The Estate of W. G. Sebald, used by permission of The Wylie Agency (UK) Limited.

      Excerpts from “Kurt Wolff Tagebücher, October 23, 1914, to June 28, 1915,” used by permission of Deutsches Literaturarchiv-Marbach.

      A portion of this book appeared in different form in Sports Illustrated and on SI.com.

      Jacket design by Becca Fox Design

      Jacket illustration: Frans Masereel, Holzschnitt aus Le Soleil, 1919

      © 2020 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

      All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracyof copyrighted materials. Your support of the author’s rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove Atlantic, 154 West 14th Street, New York, NY 10011, or [email protected].

      Published simultaneously in Canada

      Printed in Canada

      This book was designed by Norman E. Tuttle of Alpha Design & Composition.

      This was set in 11.75-pt. Stempel Garamond LT by Alpha Design & Composition of Pittsfield, NH.

      First Grove Atlantic hardcover edition: March 2021

      Library of Congress Cataloging-in-Publication data is available for this title.

      ISBN 978-0-8021-5825-3

      eISBN 978-0-8021-5827-7

      Atlantic Monthly Press

      an imprint of Grove Atlantic

      154 West 14th Street

      New York, NY 10011

      Distributed by Publishers Group West

       groveatlantic.com

      For Frank and Clara,

      American, German—

      citizens

      Every time we reached the page which described the snow falling through the branches of the trees, soon to shroud the entire forest floor, I would look up at her and ask: But if it’s all white, how do the squirrels know where they’ve buried their hoard? . . . How indeed do the squirrels know, what do we know ourselves, how do we remember, and what is it we find in the end?

      —W. G. Sebald, Austerlitz

      CONTENTS

       Prologue

       Introduction

      One: Bildung and Books

      Two: Done with the War

      Three: Technical Boy and the Deposed Sovereign

      Four: Mediterranean Refuge

      Five: Surrender on Demand

      Six: Into a Dark Room

      Seven: A Debt for Rescue

      Eight: An End with Horror

      Nine: Blood and Shame

      Ten: Chain Migration

      Eleven: Late Evening

      Twelve: Second Exile

      Thirteen: Schweinenest

      Fourteen: Turtle Bay

      Fifteen: Mr. Bitte Nicht Ansprechen

      Sixteen: Shallow Draft

      Seventeen: Play on the Bones of the Dead

      Eighteen: The End, Come by Itself

       Epilogue

      Acknowledgments and Sources

       Bibliography

      Image Credit

       Notes

       Index

       Prologue

      A jab of his elbow, and my father: “It’s like the Gestapo!”

      For me, a teenager during the seventies in suburban Rochester, New York, access to what my father called “the Glot­zo­fon” was strictly limited: a sitcom on weekend evenings, a game on Saturday or Sunday, nothing on school nights, until the great exception, that stretch during 1973 when, weekdays in prime time, public television rebroadcast hearings


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