McTeague. Frank Norris
at it, heaving tremendous sighs. What a folly!
At two o'clock on Tuesdays, Thursdays, and Saturdays Trina arrived and took her place in the operating chair. While at his work McTeague was every minute obliged to bend closely over her; his hands touched her face, her cheeks, her adorable little chin; her lips pressed against his fingers. She breathed warmly on his forehead and on his eyelids, while the odor of her hair, a charming feminine perfume, sweet, heavy, enervating, came to his nostrils, so penetrating, so delicious, that his flesh pricked and tingled with it; a veritable sensation of faintness passed over this huge, callous fellow, with his enormous bones and corded muscles. He drew a short breath through his nose; his jaws suddenly gripped together vise-like.
But this was only at times—a strange, vexing spasm, that subsided almost immediately. For the most part, McTeague enjoyed the pleasure of these sittings with Trina with a certain strong calmness, blindly happy that she was there. This poor crude dentist of Polk Street, stupid, ignorant, vulgar, with his sham education and plebeian tastes, whose only relaxations were to eat, to drink steam beer, and to play upon his concertina, was living through his first romance, his first idyl. It was delightful. The long hours he passed alone with Trina in the "Dental Parlors," silent, only for the scraping of the instruments and the pouring of bud-burrs in the engine, in the foul atmosphere, overheated by the little stove and heavy with the smell of ether, creosote, and stale bedding, had all the charm of secret appointments and stolen meetings under the moon.
By degrees the operation progressed. One day, just after McTeague had put in the temporary gutta-percha fillings and nothing more could be done at that sitting, Trina asked him to examine the rest of her teeth. They were perfect, with one exception—a spot of white caries on the lateral surface of an incisor. McTeague filled it with gold, enlarging the cavity with hard-bits and hoe-excavators, and burring in afterward with half-cone burrs. The cavity was deep, and Trina began to wince and moan. To hurt Trina was a positive anguish for McTeague, yet an anguish which he was obliged to endure at every hour of the sitting. It was harrowing—he sweated under it—to be forced to torture her, of all women in the world; could anything be worse than that?
"Hurt?" he inquired, anxiously.
She answered by frowning, with a sharp intake of breath, putting her fingers over her closed lips and nodding her head. McTeague sprayed the tooth with glycerite of tannin, but without effect. Rather than hurt her he found himself forced to the use of anaesthesia, which he hated. He had a notion that the nitrous oxide gas was dangerous, so on this occasion, as on all others, used ether.
He put the sponge a half dozen times to Trina's face, more nervous than he had ever been before, watching the symptoms closely. Her breathing became short and irregular; there was a slight twitching of the muscles. When her thumbs turned inward toward the palms, he took the sponge away. She passed off very quickly, and, with a long sigh, sank back into the chair.
McTeague straightened up, putting the sponge upon the rack behind him, his eyes fixed upon Trina's face. For some time he stood watching her as she lay there, unconscious and helpless, and very pretty. He was alone with her, and she was absolutely without defense.
Suddenly the animal in the man stirred and woke; the evil instincts that in him were so close to the surface leaped to life, shouting and clamoring.
It was a crisis—a crisis that had arisen all in an instant; a crisis for which he was totally unprepared. Blindly, and without knowing why, McTeague fought against it, moved by an unreasoned instinct of resistance. Within him, a certain second self, another better McTeague rose with the brute; both were strong, with the huge crude strength of the man himself. The two were at grapples. There in that cheap and shabby "Dental Parlor" a dreaded struggle began. It was the old battle, old as the world, wide as the world—the sudden panther leap of the animal, lips drawn, fangs aflash, hideous, monstrous, not to be resisted, and the simultaneous arousing of the other man, the better self that cries, "Down, down," without knowing why; that grips the monster; that fights to strangle it, to thrust it down and back.
Dizzied and bewildered with the shock, the like of which he had never known before, McTeague turned from Trina, gazing bewilderedly about the room. The struggle was bitter; his teeth ground themselves together with a little rasping sound; the blood sang in his ears; his face flushed scarlet; his hands twisted themselves together like the knotting of cables. The fury in him was as the fury of a young bull in the heat of high summer. But for all that he shook his huge head from time to time, muttering:
"No, by God! No, by God!"
Dimly he seemed to realize that should he yield now he would never be able to care for Trina again. She would never be the same to him, never so radiant, so sweet, so adorable; her charm for him would vanish in an instant. Across her forehead, her little pale forehead, under the shadow of her royal hair, he would surely see the smudge of a foul ordure, the footprint of the monster. It would be a sacrilege, an abomination. He recoiled from it, banding all his strength to the issue.
"No, by God! No, by God!"
He turned to his work, as if seeking a refuge in it. But as he drew near to her again, the charm of her innocence and helplessness came over him afresh. It was a final protest against his resolution. Suddenly he leaned over and kissed her, grossly, full on the mouth. The thing was done before he knew it. Terrified at his weakness at the very moment he believed himself strong, he threw himself once more into his work with desperate energy. By the time he was fastening the sheet of rubber upon the tooth, he had himself once more in hand. He was disturbed, still trembling, still vibrating with the throes of the crisis, but he was the master; the animal was downed, was cowed for this time, at least.
But for all that, the brute was there. Long dormant, it was now at last alive, awake. From now on he would feel its presence continually; would feel it tugging at its chain, watching its opportunity. Ah, the pity of it! Why could he not always love her purely, cleanly? What was this perverse, vicious thing that lived within him, knitted to his flesh?
Below the fine fabric of all that was good in him ran the foul stream of hereditary evil, like a sewer. The vices and sins of his father and of his father's father, to the third and fourth and five hundredth generation, tainted him. The evil of an entire race flowed in his veins. Why should it be? He did not desire it. Was he to blame?
But McTeague could not understand this thing. It had faced him, as sooner or later it faces every child of man; but its significance was not for him. To reason with it was beyond him. He could only oppose to it an instinctive stubborn resistance, blind, inert.
McTeague went on with his work. As he was rapping in the little blocks and cylinders with the mallet, Trina slowly came back to herself with a long sigh. She still felt a little confused, and lay quiet in the chair. There was a long silence, broken only by the uneven tapping of the hardwood mallet. By and by she said, "I never felt a thing," and then she smiled at him very prettily beneath the rubber dam. McTeague turned to her suddenly, his mallet in one hand, his pliers holding a pellet of sponge-gold in the other. All at once he said, with the unreasoned simplicity and directness of a child: "Listen here, Miss Trina, I like you better than any one else; what's the matter with us getting married?"
Trina sat up in the chair quickly, and then drew back from him, frightened and bewildered.
"Will you? Will you?" said McTeague. "Say, Miss Trina, will you?"
"What is it? What do you mean?" she cried, confusedly, her words muffled beneath the rubber.
"Will you?" repeated McTeague.
"No, no," she exclaimed, refusing without knowing why, suddenly seized with a fear of him, the intuitive feminine fear of the male. McTeague could only repeat the same thing over and over again. Trina, more and more frightened at his huge hands—the hands of the old-time car-boy—his immense square-cut head and his enormous brute strength, cried out: "No, no," behind the rubber dam, shaking her head violently, holding out her hands, and shrinking down before him in the operating chair. McTeague came nearer to her, repeating the same question. "No, no," she cried, terrified. Then, as she exclaimed, "Oh, I am sick," was suddenly taken with a fit of vomiting. It was the not unusual after effect of the ether, aided now by her excitement