Teaching Transhumanism. Группа авторов

      Engelbert Thaler

      Teaching Transhumanism

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      ISBN 978-3-8233-8495-3 (Print)

      ISBN 978-3-8233-0292-6 (ePub)

      Introduction

      Engelbert Thaler

      Is transhumanism really one of “the four greatest threats to humanity”, along with fundamentalism, nationalism and democracy, as the Indian neuroscientist Abhijit Naskar once put it provocatively? Or does transhumanism lead mankind’s eternal quest to its final destination – the Fountain of Youth, the Elixir of Life, the Philosopher’s Stone: immortality?

      With the help of technology, transhumanists intend to improve intellectual faculties (intelligence, memory, concentration), physical attributes (health, ageing, vitality), and psychological properties (resilience, self-efficacy, moral enhancement). No doubt they have already achieved remarkable progress in many diverse fields. For example, the Nobel Prize 2020 for chemistry was awarded to Emmanuelle Charpentier and Jennifer Doudna for the development of the CRISPR/Cas9 genetic scissors, a method of genome editing, which may make the dream of curing inherited diseases eventually come true. In addition, innovations in Artificial Intelligence, bionic implantation, cognitive enhancement, neural (mind-machine) interfaces, genetic engineering, space colonization etc. promise paradise on earth. Yet what about the political, economic, social, cultural, and ethical repercussions of these Brave New World building blocks?

      Transhumanism represents both a fascinating and frightening topic – “mysterium tremendum et fascinosum”, as theologian Rudolf Otto summarized the ambivalence of God’s sanctity. It is of timeless topicality and existential relevance. And by now, there is a plethora of fascinating literary and non-fictional texts, pop songs and music videos, movies and TV series, docus and games, which are likely to have great appeal with our students, and which provide some sweet agony of choice for teachers.

      For all these reasons, this book is dedicated to the language teaching potential of transhumanism. As all edited volumes in the SELT (Studies in English Language Teaching) series, it follows a triple aim:

      This triple aim is reflected in the three-part structure of this volume. In Part A (Theory), the topic of transhumanism is investigated from the perspectives of three academic disciplines, i.e. TEFL, literary studies, and media science. Part B (Methodology) assembles five contributions on rewarding methods, media and materials with regard to teaching transhumanism. Four concrete lesson plans can be found in Part C (Classroom). These lessons were designed by students and lecturer at university and finally revised by the editor. Each of these four chapters is divided into background information, procedure (source, synopsis, competences, topics, level, time, phases of the lesson), materials (texts, worksheets, board sketches), solutions (expected answers), and bibliography.

      Part A is introduced by the TEFL perspective. Engelbert Thaler tries to elucidate what we understand by the term transhumanism, what topics and problems we face, what media are suitable for classroom use, what lesson scenarios seem effective, what benefits we may reap, and what challenges we have to cope with.

      The perspective of literature is adopted by Roman Bartosch. He critically assesses the potential of posthumanism for educational discussions of literary learning, especially in the context of digitization as well as literature and media pedagogy. Focusing on the pedagogic potentials of novels and internet memes, he argues that these media underline the importance of empathetic perspective-taking, reconceptualized as relatability in the English classroom as well as the virtual world of the web.

      Klaus Bredl embraces the perspective of media science. He first explains the concepts of trans- and posthumanism. Then his contribution focuses on the role of technology in transhumanism. At the end, two specific topics are briefly discussed: the relationship between transhumanism and spirituality, and the current situation of Covid-19 with regard to transhumanism.

      Part B is introduced by Werner Delanoy. He first discusses different trans- and posthumanist perspectives, before he draws our attention to their relevance to (English) language education. Finally he presents some ideas for teaching Neal Shusterman’s Arc of a Scythe trilogy, with a special focus on the first novel (Scythe 2016), as these young adult novels display a future scenario for humankind where transthumanist ideas and ideals have become a reality.

      Peter Hohwiller proves that dystopian fiction has more to offer than Brave New World and 1984. John Lanchester’s 2019 novel The Wall has many ticks in the right didactic boxes, as it is short, linguistically accessible for Sekundarstufe II courses, and it deals with a topic of global concern: climate change. In his contribution, Hohwiller discusses the didactic potential and the classroom application of Lanchester’s novel.

      Yuval Harari introduces Homo Deus, this famous outlook into tomorrow, with the bold claim that humanity has finally triumphed over the “Three” Horsemen of the Apocalypse, i.e. starvation, epidemics, and violence, and is now on the hunt for new nemeses. Employing the scenario technique, Arthur Haberlach provides students with Harari’s insights into our path to becoming transhuman “homines dei”. His article also presents songs, fictional and non-fictional texts as well as videos and current pop-cultural influences, in order to equip students with the necessary tools on their journey through the 21st century – or even beyond it.

      These books have sold more than 20 million copies worldwide, and the TV adaptation has become one of the most popular cable series worldwide: GoT – Game of Thrones. Along with encouraging film literacy, Nicolina Pullmann focuses on promoting intercultural awareness of the formation of gender roles beyond the binary in a radically altered world. Showing that gender has always been linked to power and privilege by analyzing The Purple Wedding scene of GoT, she intends to inspire students’ curiosity to move beyond the old dualities when thinking about the age of transhumanism.

      Stefanie Fuchs is concerned with the question of what relationships emerge between concepts of identity and technology. After a brief critical examination of the topic of transhumanism, several teaching ideas for secondary TEFL classrooms are recommended, including the thematic frames of I am a Superhero*ine, Inspector Gadget, Batman, Superman, and Iron Man.

      Part C comprises four contributions, which demonstrate how transhumanism can be made concrete use of in the English language classroom: