Madeline Payne, the Detective's Daughter. Lynch Lawrence L.
with that air of unnatural calm, she arose and walked to the window.
Of the two, Olive Girard was by far the more agitated. "Tell me," she said, in eager entreaty; "oh, tell me, you are not going with him?"
Madeline turned sharply around. "I shall not add myself to the list of his victims," she said, briefly.
And then the two gazed at each other in silence for a moment.
"This is madness," said Olive, at length. "What rash thing do you meditate? I will not leave you to face this man alone; I dare not do it."
Madeline came from the window and stood directly before her. "I am not the weak child you think me. You can do nothing but harm by remaining here. I will meet Lucian Davlin, and part with him in my own way," she said, between her teeth.
Olive saw, in the set face, and stern eye, that she was indeed dealing with a character stubborn as death, and devoid of all fear. She dreaded to leave her thus, but felt assured that she could do nothing else.
"Will you come to me afterward?" she asked. "You have no friends here, you tell me, and you need a friend now. Promise me this and I will go."
"Thank you," said the girl, wearily; "at least I promise to go to no one else; good-by."
Turning away, she resumed her position at the window, and never looked once at Olive after that.
"I will write my address on this card," said Olive. She did so; then turning on the girl a look full of pitying tenderness, said: "I need not tell you to be brave; I should rather bid you be cautious. Remember, your life is worth more than the love and loss of such a man. Put this behind you, and come to me soon, believing that you are not friendless."
She lowered her veil and, casting one more wistful glance at the silent figure by the window, went out and closed the door softly.
CHAPTER VII.
A STRUGGLE FOR MORE THAN LIFE
It is a fortunate provision of Providence that calamity comes upon us, in most cases, with a force so sudden and overwhelming that it is rather seen than felt. As we realize the full torture of an ugly wound, not when the blow is struck, but after the whole system has been made to languish under its effects, so a blow struck at the heart can not make itself fully felt while the mind is still unable to picture what the future will be like now that the grief has come. We only taste our bitterest grief when the mind has shaken itself aloof from the present woe, to travel forward and question what the future can hold for us, now that our life is bereft of this treasure.
Madeline's condition, after the departure of Olive Girard, was an exponent of this truth. Fast and hard worked her thoughts, but they only encountered the ills of the present, and never glanced beyond.
She had set her lover aloft as her ideal, the embodiment of truth, honor, and manhood. He had fallen. Truth, honor, manhood, had passed out of existence for her. And she had loved him so well! She loved him even yet.
The thought brought with it a pang of terror, and as if conjured up by it, the scenes of the day previous marshalled themselves again for review. Could it be possible? Was it only yesterday that she listened to his tender love words, beneath the old tree in Oakley woods? Only yesterday that her step-father was revealed in all his vileness, – his plots, his hopes, his fears. Her mother's sad life laid bare before her; Aunt Hagar's story; her defiance of the two men at Oakley; her flight; Clarence Vaughan; the strange, great city; Olive Girard; and now – now, just a dead blank, with no outlook, no hope.
And was this all since yesterday?
What was it, she wondered, that made people mad? Not things like these; she was calm, very calm. She was calm; too calm. If something would occur to break up this icy stillness of heart, to convulse the numbed powers of feeling, and shock them back into life before it was too late.
She waited patiently for the coming of her base lover, lying upon the soft divan, with her hands folded, and wondering if she would feel much different if she were dead.
When the summons came, at last, she went quietly down to greet the man who little dreamed that his reign in her heart was at an end, and that his hold upon her life was loosening fast.
When Madeline entered the presence of Lucian Davlin, she took the initiatory step in the part she was henceforth to play. And she took it unhesitatingly, as if dissimulation was to her no new thing. Truly, necessity, emergency, is the mother of much besides "invention." Entering, she gave him her hand with free grace, and smiled up at him as he bade her good-morning.
He remarked on her pale cheeks, but praised the brightness of her eyes, and accepted her explanation that the bustle and the strangeness was unusual to her, as a natural and sufficient reason for the pallor.
"You will soon grow accustomed to that," he said, as they descended to the carriage, "and be the rosiest, fairest little woman on the boulevard, for I mean to drive half the men jealous by taking you there often."
Madeline made no reply, and they entered the carriage.
Davlin was not surprised at her silence; he was prepared for a little coyness; in fact, for some resistance, and expected to have occasion for the specious eloquence always at his command. Of course, the result would be the same, – he had no doubt of that, and so in silence they reached their destination.
Up a broad flight of stairs, and then a door. Lucian rings, and an immaculate colored servant appears, who seems as well bred as an English baronet, and who expresses no surprise at the presence of a lady there.
Up another flight of softly carpeted stairs, across a wide hall, and lo! the abode of the sybarite, the apartments of the disciple of Chance.
"Welcome to your kingdom, fair queen," says Lucian, as they enter. "This is your abiding place, for a time, at least, and I am your slave for always," and he kneels playfully before her.
Madeline turns away, and, finding it easiest to do, in her then state of mind, begins a careless tour of the rooms, making a pretense of criticism, and finding in even this slow promenade some relief from absolute quiet and silence.
She guarded her face lest it should display too much of that locked, sullen calm underneath, and replied by an occasional word and nod to his running comments upon the different articles undergoing examination. Fingering carelessly the rare ornaments upon a fine set of brackets, her eye rested upon an elegant little gold mounted pistol. She turned away quickly, and they passed to other things.
Her replies became more ready, and she began questioning gravely about this or that, listening with childlike wonder to his answers, and winning him into a pleasant bantering humor.
Finally he threw himself upon a chair, and selecting a cigar proceeded to light it.
Madeline continued to flit from picture to statuette, questioning with much apparent interest. At last, she paused again before the bracket which held the tiny toy that had for her a fascination.
"What a pretty little pistol," she said. "Is it loaded?"
"I don't know," replied he, lazily. "Bring it to me; I will see."
He was inwardly wondering at her cool acceptance of the situation; and felt inclined to congratulate himself. Seeing her look at the little weapon doubtfully, he laughed and strode to her side, taking it in his hand.
"It is not loaded," he said. "Did you ever fire a pistol?"
"No; show me how to hold it."
He placed it in her hand, and showed her how to manipulate the trigger, and to take aim.
"I should like to see it loaded," she said, at last.
"And so you shall."
He smiled, and crossing the room took from a little inlaid box a handful of cartridges. Madeline watched him attentively, as he explained to her the operation of loading. At length expressing herself satisfied, and declining his invitation to try and load it herself, she turned away.
Davlin extracted the cartridge from the pistol, and returned it to its place, saying: "You might wish to practice at aiming, and won't want it loaded."
"I