The Mediterranean: Its Storied Cities and Venerable Ruins. Allen Grant
velvet, studded with gold nails; following slowly, a long procession of carriages bearing priests, choristers, and mourners. And now the sounds of martial music summon the newcomer a second time to his window. It is a soldier who is borne to his rest. Six comrades accompany the bier, carrying long inverted tapers; behind march commanding officers and men, the band playing strains all too spirited it seems for such an occasion. There is always something going on in this splendid avenue animated from early morning till past midnight, market-place, parade ground, promenade in one.
The daily flower-market of itself would almost repay the journey from London. When northern skies are gloomiest, and fogs are daily fare, the Rambla is at its best. The yellowing leaves of the plane-trees look golden under the dazzling blue sky, and brilliant as in a picture are the flower-sellers and their wares. These distractingly pretty girls, with their dark locks pulled over the brow, their lovely eyes, rich olive complexions, and gleaming white teeth, have nothing of the mendicant about them. As they offer their flowers – perhaps fastening roses to a half-finished garland with one hand, whilst with the other a pot of heliotrope is reached down – the passer-by is engagingly invited to purchase. The Spanish language, even the dialect of Catalonia, is music to begin with, and the flower-maidens make it more musical still by their gentle, caressing ways. Some wear little mantillas of black, blonde, or cashmere; others, silk kerchiefs of brightest hue – orange, crimson, deep purple, or fanciful patterns of many colors. Barcelona is a flower-garden all the year round, and in mid-winter we stroll between piled-up masses of rose, carnation, and violet, to say nothing of dahlias and chrysanthemums.
It is especially on All Saints’ and All Souls’ Days that the flower-market of the Rambla is seen to advantage; enormous sums are spent upon wreaths and garlands for the cemetery, the poorest then contriving to pay his floral tribute to departed kith and kin.
In striking contrast with the wide, airy, ever brilliantly illuminated Rambla, electric light doing duty for sunshine at night, are the streets of the old town. The stranger may take any turning – either to right or left – he is sure to find himself in one of these dusky narrow thoroughfares, so small ofttimes the space between window and opposite window that neighbors might almost shake hands. With their open shops of gay woolen stuffs, they vividly recall Cairene bazaars. Narrow as is the accommodation without, it must be narrower still within, since when folks move from one house to another their goods and chattels are hoisted up and passed through the front windows. The sight of a chest of drawers or a sofa in cloudland is comical enough, although the system certainly has its advantages. Much manual labor is thereby spared, and the furniture doubtless escapes injury from knocking about.
The wise traveller will elect to live on the Rambla, but to spend his time in the old town. Wherever he goes he is sure to come upon some piece of antiquity, whilst here, in a great measure, he loses sight of the cosmopolitan element characterizing the new quarters. Novel and striking as is its aspect to the stranger, Barcelona must nevertheless be described as the least Spanish of Spanish towns. The second seaport of Spain is still – as it was in the Middle Ages – one of the most important seats of international commerce on the Mediterranean. As we elbow our way along the crowded Rambla we encounter a diversity of types and hear a perplexing jargon of many tongues. A few minutes suffice to transport us into the old-world city familiar to Ford – not, however, to be described by the twentieth century tourist in Ford’s own words. “A difficult language,” he wrote just upon half a century ago, “rude manners, and a distrust of strangers, render Barcelona a disagreeable city.” Nowhere nowadays is more courtesy shown to the inquiring stranger. He is not even obliged to ask his way in these narrow tortuous streets. The city police, to be found at every turn, uninvited come to his aid, and, bringing out a pocket-map, with an infinity of pains make clear to him the route he has to take. The handsome Calle San Fernando leads to the somber but grandiose old Cathedral with its lovely cloisters, magnificent towers and bells, deep-voiced as that of Big Ben itself. All churches in Spain, by the way, must be visited in the forenoon; even then the light is so dim that little can be seen of their treasures – pictures, reliquaries, marble tombs. The Cathedral of Barcelona forms no exception to the rule. Only lighted by windows of richly stained old glass, we are literally compelled to grope our way along the crowded aisles. Mass is going on from early morning till noon, and in the glimmering jeweled light we can just discern the moving figures of priests and acolytes before the high altar, and the scattered worshippers kneeling on the floor. Equally vague are the glimpses we obtain of the chapels, veritable little museums of rare and beautiful things unfortunately consigned to perpetual obscurity, veiled in never-fading twilight. What a change we find outside! The elegant Gothic cloisters, rather to be described as a series of chapels, each differing from the other, each sumptuously adorned, enclose a sunny open space or patio, planted with palms, orange and lemon trees, the dazzlingly bright foliage and warm blue sky in striking contrast to the somber gray of the building-stone. A little farther off, on the other side, we may see the figures of the bell-ringers high up in the open belfry tower, swinging the huge bells backwards and forwards with tremendous effort, a sight never to be missed on Sundays and fête days.
This stately old Cathedral, like so many others, was never finished and works of reparation and restoration are perpetually going on. Close by stands the Palais de Justice, with its beautiful Gothic court and carved stone staircase, the balustrade supported by lovely little statuettes or gargoyles, each an artistic study in itself. Abutting this is the Palais de Diputacion, Provincial or local Parliament House, a building of truly Spanish grandeur. Its wide marble staircases, its elaborate ceilings of carved wood, its majestic proportions, will, perhaps, have less interest for some travellers than its art-treasures, two chefs d’œuvre of the gifted Fortuny. Barcelona was the patron of this true genius – Catalan by birth – so unhappily cut off in his early prime. With no little pride the stately officials show these canvases – the famous “Odalisque” and the “Battle of Tetuan” – the latter, alas! left unfinished. It is a superb piece of life and color, but must be seen on a brilliant day as the hall is somber. Nothing can exceed the courtesy of the Barcelonese to strangers, and these pictures are shown out of the regular hours. But let no one incautiously offer a fee. The proffered coin will be politely, even smilingly, rejected, without humiliating reproof, much less a look of affront. Ford’s remark that “a silver key at all times secures admission” does not hold good in these days.
Near the Cathedral, law courts, and Provincial Parliament House stands another picturesque old palace of comparatively modern date, yet Saracenic aspect, and containing one of the most curious historic treasures in Europe. This is the palace of the kings of Aragon, or Archivo General de la Corona de Aragon. The exterior, as is usual with Spanish buildings, is massive and gloomy. Inside is a look of Oriental lightness and gaiety. Slender columns, painted red, enclose an open court, and support a little terrace planted with shrubs and flowers. Here in perfect order and preservation, without a break, are stored the records of upwards of a thousand years, the earlier consisting of vellum scrolls and black letter, the latter showing the progress of printing from its beginning down to our own day. The first parchment bears date A. D. 875. Among the curiosities of the collection are no less than eight hundred and two Papal Bulls from the year 1017 to 1796. Besides the archives of Barcelona itself, and of the kingdom of Aragon, to which it was annexed in the twelfth century, the palace contains many deeply interesting manuscripts found in the suppressed monasteries.
The archives have been ingeniously arranged by the learned keeper of records. The bookcases, which are not more than six feet high, stand on either side of the vast library, at some distance from the wall, made staircase-wise; one set of volumes just above the other, with the result that no accumulation of dust is possible, and that each set is equally accessible. The effect on the eye of these symmetrically-placed volumes in white vellum is very novel and pleasing. We seem to be in a hall, the walls of which are of fluted cream-colored marble.
The little museum of local antiquities in the ruined Church of Santa Agneda, the somber old churches of San Pablo del Campo, Santa Maria del Mar and Belen, the fragments of mediæval domestic architecture remaining here and there – all these will detain the archæologist. Of more general interest are the modern monuments of Barcelona. In no city have civic lavishness and public spirit shone forth more conspicuously.
A penny tramway – you may go anywhere here for a penny – takes you to the beautiful Park and Fountain of Neptune.