Camilla; or, A Picture of Youth. Burney Fanny

Camilla; or, A Picture of Youth - Burney Fanny


Скачать книгу
and a shilling to such poor starving people as these!'

      'Why, what would he have said?' cried Edgar, charmed with her penitence, though joining in the apprehended censure.

      'He would more than ever have pitied those who want money, in seeing it so squandered by one who should better have remembered his lessons! O, if I could but recover that half guinea!'

      'Will you give me leave to get it back for you?'

      'Leave? you would lay me under the greatest obligation! How far half a guinea would go here, in poverty such as this!'

      He assured her he could regain it without difficulty; and then, telling the poor people to postpone their walk to Cleves till the evening, when Camilla meant to prepare her uncle, also, to assist them, he handed her to the coach, with feelings yet more pleased than her own, and galloped forward to execute his commission.

      He was ready at the door of the library to receive them. As they alighted, Camilla eagerly cried: 'Well! have you succeeded?'

      'Can you trust yourself to this spot, and to a review of the allurement,' answered he, smiling, and holding half a guinea between his fingers, 'yet be content to see your chance for the prize withdrawn?'

      'O give it me! give it me!' cried she, almost seizing it from him, 'my dear father will be so glad to hear I have not spent it so foolishly.'

      The rafflers were not yet assembled; no one was in the shop but a well dressed elegant young man, who was reading at a table, and who neither raised his eyes at their entrance, nor suffered their discourse to interrupt his attention; yet though abstracted from outward objects, his studiousness was not of a solemn cast; he seemed wrapt in what he was reading with a pleasure amounting to ecstasy. He started, acted, smiled, and looked pensive in turn, while his features were thrown into a thousand different expressions, and his person was almost writhed with perpetually varying gestures. From time to time his rapture broke forth into loud exclamations of 'Exquisite! exquisite!' while he beat the leaves of the book violently with his hands, in token of applause, or lifting them up to his lips, almost devoured with kisses the passages that charmed him. Sometimes he read a few words aloud, calling out 'Heavenly!' and vehemently stamping his approbation with his feet; then suddenly shutting up the book, folded his arms, and casting his eyes towards the ceiling, uttered: 'O too much! too much! there is no standing it!' yet again, the next minute, opened it and resumed the lecture.

      The youthful group was much diverted with this unintended exhibition. To Eugenia alone it did not appear ridiculous; she simply envied his transports, and only wished to discover by what book they were excited. Edgar and Camilla amused themselves with conjecturing various authors; Indiana and Miss Margland required no such aid to pass their time, while, with at least equal delight, they contemplated the hoped-for prize.

      Lionel now bounced in: 'Why what,' cried he, 'are you all doing in this musty old shop, when Mrs. Arlbery and all the world are enjoying the air on the public walks?'

      Camilla was instantly for joining that lady; but Eugenia felt an unconquerable curiosity to learn the running title of the book. She stole softly round to look over the shoulder of the reader, and her respect for his raptures increased, when she saw they were raised by Thomson's Seasons.

      Neither this approach, nor the loud call of Lionel, had interrupted the attention of the young student, who perceived and regarded nothing but what he was about; and though occasionally he ceased reading to indulge in passionate ejaculations, he seemed to hold everything else beneath his consideration.

      Lionel, drawn to observe him from the circuit made by Eugenia, exclaimed: 'What, Melmond! why, how long have you been in Hampshire?'

      The youth, surprised from his absence of mind by the sound of his own name, looked up and said: 'Who's that?'

      'Why, when the deuce did you come into this part of the world?' cried Lionel, approaching him to shake hands.

      'O! for pity's sake,' answered he, with energy, 'don't interrupt me!'

      'Why not? have not you enough of that dry work at Oxford? Come, come, have done with this boyish stuff, and behave like a man.'

      'You distract me,' answered Melmond, motioning him away; 'I am in a scene that entrances me to Elysium! I have never read it since I could appreciate it.'

      'What! old Thomson?' said Lionel, peeping over him; 'why, I never read him at all. Come, man! (giving him a slap on the shoulder) come along with me, and I'll shew you something more worth looking at.'

      'You will drive me mad, if you break in upon this episode! 'tis a picture of all that is divine upon earth! hear it, only hear it!'

      He then began the truly elegant and feeling description that concludes Thomson's Spring; and though Lionel, with a loud shout, cried: 'Do you think I come hither for such fogrum stuff as that?' and ran out of the shop; the 'wrapt enthusiast' continued reading aloud, too much delighted with the pathos of his own voice in expressing the sentiments of the poet, to deny himself a regale so soothing to his ears.

      Eugenia, enchanted, stood on tiptoe to hear him, her uplifted finger petitioning silence all around, and her heart fondly repeating, O just such a youth be Clermont! just such his passion for reading! just such his fervour for poetry! just such his exaltation of delight in literary yet domestic felicity!

      Mandlebert, also, caught by the rehearsal of his favourite picture of a scheme of human happiness, which no time, no repetition can make vapid to a feeling heart, stood pleased and attentive to hear him; even Indiana, though she listened not to the matter, was struck by the manner in which it was delivered, which so resembled dramatic recitation, that she thought herself at a play, and full of wonder, advanced straight before him, to look full in his face, and watch the motions of his right arm, with which he acted incessantly, while the left held his book. Miss Margland concluded he was a strolling player, and did not suffer him to draw her eyes from the locket. But when, at the words

      – content,

      Retirement, rural quiet, friendship, books,

      Ease and alternate labour, useful life,

      Progressive virtue, and approving Heaven,

      Mandlebert turned softly round to read their impression on the countenance of Camilla – she was gone!

      Attracted by her wish to see more of Mrs. Arlbery, she had run out of the shop after Lionel, before she either knew what was reading, or was missed by those the reader had engaged. Edgar, though disappointed, wondered he should have stayed himself to listen to what had long been familiar to him, and was quietly gliding away when he saw her returning. He then went back to his post, wondering, with still less satisfaction, how she could absent herself from hearing what so well was worth her studying.

      The young man, when he came to the concluding line:

      To scenes where love and bliss immortal reign!

      rose, let fall the book, clasped his hands with a theatrical air, and was casting his eyes upwards in a fervent and willing trance, when he perceived Indiana standing immediately before him.

      Surprised and ashamed, his sublimity suddenly forsook him; his arms dropt, and his hands were slipt into his waistcoat pockets.

      But, the very next moment, the sensation of shame and of self was superseded by the fair object that had thus aroused him. Her beauty, her youth, her attitude of examination, struck him at first with an amazement that presently gave place to an admiration as violent as it was sudden. He started back, bowed profoundly, without any pretence for bowing at all, and then rivetting his eyes, in which his whole soul seemed centred, on her lovely face, stood viewing her with a look of homage, motionless, yet enraptured.

      Indiana, still conceiving this to be some sort of acting, unabashed kept her post, expecting every moment he would begin spouting something more. But the enthusiasm of the young Oxonian had changed its object; the charms of poetry yielded to the superior charms of beauty, and while he gazed on the fair Indiana, his fervent mind fancied her some being of celestial order, wonderfully accorded to his view: How, or for what purpose, he as little knew as cared. The play of imagination, in the romance of early youth, is rarely interrupted with scruples of probability.

      This


Скачать книгу