The Native Races [of the Pacific states], Volume 5, Primitive History. Hubert Howe Bancroft

The Native Races [of the Pacific states], Volume 5, Primitive History - Hubert Howe Bancroft


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of Heaven.

      These are the deeds of Zipacna, son of Vucub Cakix, who claimed to be creator of the mountains. Bathing at the river-side he found four hundred young men striving in vain to carry away a tree which they had cut. Generously he bore the burden for them, and was invited to join their band, being an orphan; but they soon plotted against him, casting a tree upon him in a deep pit they had employed him to dig. He cunningly took refuge in a branch gallery, cut off his hair and nails for the ants to carry up to his foes, waited until the four hundred had become intoxicated in their rejoicing at his supposed death, emerged from the pit, and toppled over their house upon them so that not one escaped.

      But in his turn Zipacna was conquered by Hunahpu and Xbalanque, who were grieved that the four hundred had perished. Zipacna, bearing the mountains by night, wandered in the day by the river and lived on fish and crabs; by an artificial crab his two foes enticed him in a time of hunger to crawl on all fours into a cavern at the bottom of a ravine, where the mountain, previously mined, fell upon him. Thus perished and was turned to stone, at the foot of Mt Meavan, the self-styled 'maker of the mountains,' the second who by his pride displeased the deities.

      One only now remained, Cabrakan. "It is I who destroy the mountains," he said; but it was the will of Hurakan, 'the thunderbolt,' that his pride also should be humbled, and the order was given to Hunahpu and Xbalanque. They found him at his favorite employment of overturning the hills, enticed him eastward to exhibit his skill and overthrow a particularly high mountain which they claimed to have seen, killed a bird with their blowpipe on the way, and poisoned it with earth before it was given Cabrakan to eat. Thus was his strength destroyed; he failed to move the mountain, was tied, and buried.

THE IMMACULATE CONCEPTION

      Thus ends the first of the four divisions of the Popol Vuh.302 Next we are to hear something of the birth and family of Hunahpu and Xbalanque. The recital is, however, to be covered with mystery, and only half is to be told of the relation of their father.303 Xpiyacoc and Xmucane had two sons, Hunhunahpu and Vukub Hunahpu, the first being as the French translation unintelligibly renders it a sort of double personage. The former had also by his wife Xbakiyalo two sons, Hunbatz and Hunchouen, very wise, great artists, and skillful in all things; the latter never married. All four spent the day in playing at dice and at ball, and Voc, the messenger of Hurakan, came to see them, Voc who remained not far from here nor far from Xibalba.304 After the death of Xbakiyalo, the two played ball, journeying toward Xibalba, having left Hunbatz and Hunchouen behind, and this became known to Hun Came and Vukub Came, monarchs of Xibalba, who called together the council of the empire and sent to summon them or to challenge them to a game of ball, that they might be defeated and disgraced.

      The messengers were owls, four in number; and the players, after a sad parting from their mother, Xmucane, and from the young Hunbatz and Hunchouen, followed them down the steep road to Xibalba from the ball-ground of Nimxob Carchah.305 Crossing ravines and rivers, including one of blood, they came to the royal palace of Xibalba, and saluted two wooden figures as monarchs, to the great amusement of the latter and the assembled princes. Then the brothers were invited to a place on the seat of honor, which proved to be a red-hot stone, and the contortions of the guests when they sat upon it provoked a new burst of laughter which well-nigh resulted in apoplexy. Five ordeals are here mentioned as existing in Xibalba, to the first of which only, that of the House of Gloom,306 were the brothers subjected; then they were sacrificed and their bodies buried together. But the head of Hunhunahpu was hung in a tree, which at once became covered with gourds from which the head could not be distinguished, and it was forbidden to all in Xibalba to approach that tree.

      But Xquiq, a virgin princess, daughter of Cuchumaquiq, heard of the tree, and went alone to taste the forbidden fruit. Into her outstretched hand the head of Hunhunahpu spat, and the spittle caused the young girl to conceive, and she returned home, after a promise from the head that no harm should result to her. All this was by the order of Hurakan. After six months her condition was observed by her father, and in spite of her protestations that she had known no man, the owls, the royal messengers, were ordered to sacrifice her and bring back her heart in a vase. She persuaded and bribed the royal officers, however, by the promise of future emoluments, to carry back to the kings the coagulated sap of the blood-wort instead of her blood and heart, and she escaped; thus were Hun Came and Vukub Came tricked by this young girl.

      Xquiq, far advanced in pregnancy, went for protection to the place where Xmucane was living with the young Hunbatz and Hunchouen. The old woman was not disposed at first to credit the stranger's tale that she was with child by Hunhunahpu, and therefore entitled to protection as a granddaughter at the hands of Xmucane; but by calling upon the gods and gathering a basket of maize where no maize was growing, the young girl proved the justice of her claim, and was received by the great grandmother of her unborn children.

HUNAHPU AND XBALANQUE

      The virgin mother brought forth twin sons, and they were named Hunahpu and Xbalanque. From their very birth they were ill-treated. They were turned out of the house by their grandmother for crying, and throughout childhood and youth were abused by Hunbatz and Hunchouen, by reason of jealousy. They passed their time shooting birds in the mountains with their blowpipes, while their brothers, great musicians, painters, and sculptors, remained at home singing and playing the flute. But at last Hunbatz and Hunchouen were changed by the young heroes into monkeys. Xmucane was filled with sadness, and she was offered the privilege of beholding again the faces of her favorite grandsons, if she could do so without laughing; but their grimaces and antics were too ludicrous; the old lady failed in three interviews to restrain her laughter, and Hunbatz and Hunchouen appeared no more. Hunahpu and Xbalanque became in their turn musicians and played the air of hunahpu qoy, the 'monkey of Hunahpu.'307

      The first work undertaken by the twins was the clearing of a milpa or cornfield. It was not very difficult on the first day, for their enchanted tools worked by themselves while the young agriculturists went hunting, taking care to put dirt on their faces and to pretend to be at work when their grandmother brought their lunch at noon. In the night, however, the wild beasts met and replaced all the trees and shrubbery that the brothers had removed. Hunahpu and Xbalanque watched for them the next night, but in spite of their efforts the beasts all escaped – although the deer and rabbit lost their tails – except the rat, which was caught in a handkerchief. The rat's life was spared by the youths and in return this animal revealed the glorious deeds of their fathers and uncles, their games at ball, and the existence of a ball of India rubber with other implements of the game which they had left about the house. All of the implements and the ball came into their possession with the knowledge of the secret.

Joyful at their discovery Hunahpu and Xbalanque went away to play in the ball-ground of their fathers, and the monarchs of Xibalba, Hun Came and Vukub Came, heard them and were angry, and sent messengers to summon them as their fathers had been summoned to play at Xibalba. The messengers came to the house of Xmucane, who, filled with alarm, dispatched a louse to carry the summons to her grandsons. On the way the louse consented, to insure greater speed, to be swallowed by a toad, the toad by a serpent, and the serpent by the great bird Voc. On arrival a series of vomitings ensued, until the toad was free; but in spite of his most desperate efforts he could not throw up the louse, who, it seems, had played him a trick, lodged in his gums, and not been swallowed at all. However, the message was delivered, and the players returned home to take leave of their grandmother and mother. Before their departure they planted each a cane in the middle of the house, the fate of which should depend upon their own, since it would wither at their death.

      The ball-players set out for Xibalba by the route their fathers had followed, passing the bloody river and the river Papuhya; but they sent in advance an animal called Xan, with a hair of Hunahpu's leg to prick the kings and princes. Thus they detected the artificial men of wood, and also learned the names of all the princes by their exclamations and mutual inquiries when pricked. On their arrival at court they refused to salute the manikins or to sit upon the red-hot stone; they even passed through the first ordeal in the House of Gloom, thus thrice avoiding the tricks which had been played


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<p>302</p>

pp. 31-67; Ximenez, Hist. Ind. Guat., pp. 15-29.

<p>303</p>

Ximenez, p. 29, conveys the idea, however, that it is only from ignorance that so little is told, and not from a desire to be mysterious.

<p>304</p>

Ximenez renders this word by 'infierno,' or hell. No satisfactory meaning can be derived from its etymology.

<p>305</p>

Carchah is the name of an Indian town in Vera Paz.

<p>306</p>

Casa lobrega, maison ténébreuse. It will be remembered that Votan is said to have established a House of Gloom at Huehuetan. See p. 160.

<p>307</p>

A ballet, according to Brasseur, still performed by the natives of Guatemala, clad in wooden masks and peculiar costumes.