Mrs. Geoffrey. Duchess

Mrs. Geoffrey - Duchess


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Geoffrey, are once more alone beneath the "earnest stars."

      "Take me down," says Mona, wearily, turning to her lover, as the last faint ring of the horse's feet dies out on the breeze.

      "You are tired," says he, tenderly.

      "A little, now it is all over. Yet I must make great haste homeward. Uncle Brian will be uneasy about me if he discovers my absence, though he knew I was going to the Bay. Come, we must hurry."

      So in silence, but hand in hand, they move back through the dewy meads, meeting no one until they reach the little wooden gate that leads to her home.

      Here they behold the faithful Biddy, craning her long neck up and down the road, and filled with wildest anxiety.

      "Oh, may I niver agin see the light," cries this excitable damsel, rushing out to Mona, "if I iver hoped to lay eyes on yer face again! Where were ye at all, darlin'? An' I breakin' me heart wid fear for ye. Did ye know Tim Ryan was out to-night? When I heerd tell of that from that boy of the Cantys', I thought I'd have dhropped. 'Tis no good he's up to. Come in, asthore: you must be near kilt with the cowld."

      "No; I am quite warm," says Mona, in a low, sad tone.

      "'Tis I've bin prayin' for ye," says Biddy, taking her mistress's hand and kissing it fondly. "On me bended knees I was with the blessid beads for the last two hours. An' shure I've had me reward, now I see ye safe home agin. But indeed, Miss Mona, 'tis a sore time I've had uv it."

      "And Uncle Brian?" asks Mona, fearfully.

      "Oh, I got the ould man to bed hours ago; for I knew if he stayed up that he'd get mortial wearin', an' be the death of us if he knew ye were out so late. An' truth to say, Miss Mona," changing her tone from one of extreme joy and thankfulness to another of the deepest censure, "'twas the world an' all of bad behavior to be galavantin' out at this hour."

      "The night was so lovely, – so mild," says Mona, faintly, concealment in any form being new to her, and very foreign to her truthful nature; "and I knew Mickey would tell you it was all right."

      "An' what brought him home, the murdherin' scamp," says Miss Bridget, with more vehemence than politeness, "instid of stayin' wid ye to see ye came to no harm?"

      "He had to see the mare made up, and the pigs fed," says Mona.

      "Is that what he towld ye? Oh, the blaggard!" says Bridget. "An' nary sign did he do since his return, but sit be the fire an' smoke his dhudheen. Oh, be the powers of Moll Kelly, but I'll pay him out for his lies? He's soakin' it now, anyhow, as I sint him up to the top of the hill agin, to see what had become of ye."

      "Bridget," says Mona, "will you go in and get me a cup of tea before I go to bed? I am tired."

      "I will, darlin', shurely," says Bridget, who adores the ground she walks on; and then, turning, she leaves her. Mona lays her hand on Geoffrey's arm.

      "Promise me you will not go back to Coolnagurtheen to-night?" she says, earnestly. "At the inn, down in the village, they will give you a bed."

      "But, my dearest, why? There is not the slightest danger now, and my horse is a good one, and I sha'n't be any time getting – "

      "I won't hear of it!" says Mona, interrupting him vehemently. "You would have to go up that road again," with a strong shudder. "I shall not go indoors until you give me your honor you will stay in the village to-night."

      Seeing the poor child's terrible fear and anxiety, and that she is completely overwrought, he gives way, and lets her have the desired promise.

      "Now, that is good of you," she says, gratefully, and then, as he stoops to kiss her, she throws her arms around his neck and bursts into tears.

      "You are worn out, my love, my sweetheart," says Geoffrey, very tenderly, speaking to her as though she is in years the child that, in her soul, she truly is. "Come, Mona, you will not cry on this night of all others that has made me yours and you mine! If this thought made you as happy as it makes me, you could not cry. Now lift your head, and let me look at you. There! you have given yourself to me, darling, and there is a good life, I trust, before us; so let us dwell on that, and forget all minor evils. Together we can defy trouble!"

      "Yes, that is a thought to dry all tears," she says, very sweetly, checking her sobs and raising her face, on which is dawning an adorable smile. Then, sighing heavily, – a sigh of utter exhaustion, – "You have done me good," she says. "I shall sleep now; and you my dearest, will be safe. Good-night until to-morrow!"

      "How many hours there are in the night that we never count!" says Geoffrey, impatiently. "Good-night, Mona! To-morrow's dawn I shall call my dearest friend."

      CHAPTER VIII

      HOW GEOFFREY AND MONA PLAN A TRANSFORMATION SCENE

      Time, with lovers, "flies with swallows' wings;" they neither feel nor heed it as it passes, so all too full of haste the moments seem. They are to them replete with love and happiness and sweet content. To-day is an accomplished joy, and to-morrow will dawn for no other purpose but to bring them together. So they think and so they believe.

      Rodney has interviewed the old man, her uncle; has told him of his great and lasting love for this pearl among women; has described in a very few words, and without bombast, his admiration for Mona; and Brian Scully (though with sufficient national pride to suppress all undue delight at the young man's proposal) has given a hearty consent to their union, and is in reality flattered and pleased beyond measure at this match for "his girl." For, no matter how the Irish may rebel against landlordism and aristocracy in general, deep down in their hearts lies rooted an undying fealty to old blood.

      To his mother, however, he has sent no word of Mona, knowing only too well how the news of his approaching marriage with this "outer barbarian" (as she will certainly deem his darling) will be received. It is not cowardice that holds his pen, as, were all the world to kneel at his feet and implore him or bribe him to renounce his love, all such pleading and bribing would be in vain. It is that, knowing argument to be useless, he puts off the evil hour that may bring pain to his mother to the last moment.

      When she knows Mona she will love her, – who could help it? so he argues; and for this reason he keeps silence until such time as, his marriage being a fait accompli, hopeless expostulation will be of no avail, and will, therefore, be suppressed.

      Meanwhile, the hours go by "laden with golden grain." Every day makes Mona dearer and more dear, her sweet and guileless nature being one calculated to create, with growing knowledge, an increasing admiration and tenderness. Indeed, each happy afternoon spent with her serves but to forge another link in the chain that binds him to her.

      To-day is "so cool, so calm, so bright," that Geoffrey's heart grows glad within him as he walks along the road that leads to the farm, his gun upon his shoulder, his trusty dog at his heels.

      All through the air the smell of heather, sweet and fragrant, reigns. Far down, miles away, the waves rush inland, glinting and glistening in the sunlight.

      "Blue roll the waters, blue the sky

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