Portia; Or, By Passions Rocked. Duchess
contained in holy writ. He is rather touchy about that last little fiasco of his when reading before the bishop the other day, so I thought I would tell him a story to-day that chimed in deliciously with his own little mistake, and, I doubt not, brought it fresh to his mind."
"What a wicked humor you must have been in," says Portia. "Tell the story to us now."
"You have heard it, I daresay. I only repeated it to Boer in the fond hope he would go away if I did, but it failed me. It was about the fellow who was reading the morning lesson – and he came to the words, 'and he took unto him a wife' – then he turned over two pages by mistake, and went on, 'and he pitched her with pitch within and without!' I don't think Boer liked my little story, but still he wouldn't go away."
"He is a dreadfully prosy person, and very material," says Portia, when they have all laughed a little.
"He is a jolly nuisance," says Mr. Browne.
"He hasn't got much soul, if you mean that," says Roger —
"'A primrose by a river's brim,
A yellow primrose is to him
And it is nothing more.'"
"That is such utter nonsense," says Dulce, tilting her pretty nose and casting a slighting glance at her fiancé from eyes that are
"The greenest of things blue,
The bluest of things gray."
"What more would it be? – a hollyhock, perhaps? or a rhododendron, eh?"
"Anything you like," says Roger, calmly, which rather finishes the discussion.
The night belongs to warm, lovable June; all the windows are wide open; the perfume of flowers comes to them from the gardens beneath, that are flooded with yellow moonshine. So still it is, so calm, that one can almost hear the love-song the languid breeze is whispering to the swaying boughs.
Across the table come the dreamy sighs of night, and sink into Portia's heart, as she sits silent, pleased, listening to all around, yet a little grieved in that her host is strangely silent, too, and looks as one might who is striving to hear the sound of a distant footstep, that comes not ever.
"He is always that way when Fabian absents himself," says Dicky Browne, with so little preface that Portia starts. "He adores the ground he walks on, and all that sort of thing. Speak to him and get him out of it."
"What shall I say?" asks Miss Vibart, somewhat taken aback. "Moods are so difficult."
"Anything likely to please him."
"My difficulty just lies there," says Portia.
"Then do something, if you can't say it. Exertion, I know, is unpleasant, especially in June, but one must sacrifice one's self sometimes," says Dicky Browne. "He'll be awfully bad presently if he isn't brought up pretty short by somebody during the next minute or so."
"But what can I do?" says Portia, who is rather impressed by Mr. Browne's earnestness.
"You hate port, don't you?" asks he, mysteriously.
"Yes. But what has that got to do with it?"
"Take some presently. It is poison, and will make you dreadfully ill; but that don't count when duty calls. We all hate it, but he likes it, and will feel positively benevolent if you will only say you like it too. 'Pride in his port, defiance in his eye!' – that line, I am convinced, was written for him alone, but modern readers have put a false construction upon it."
"It will make me so unhappy," says Portia, looking at Uncle Christopher with a pitying eye. The pity is for him, not for herself, as Dicky foolishly imagines.
"Don't think about that," he says, valiantly. "Petty inconveniences sink into nothingness when love points the way. Take your port, and try to look as if you liked it, and always remember, 'Virtue is its own reward!'"
"A very poor one, as a rule," says Portia.
"Have some strawberries, Portia?" asks Roger at this moment, who has been sparring with Dulce, mildly, but firmly, all this time.
"Thank you," says Portia.
"They don't go well with port, and Portia adores port," says Mr. Browne, hospitably, smiling blandly at her as he speaks.
She returns his smile with one of deep reproach.
"Eh? No, do you really?" asks Sir Christopher, waking as if by magic from his distasteful reverie. "Then, my dear, I can recommend this. Very old. Very fruity. Just what your poor father used to like."
"Yes – your poor father," says Dicky Browne sotto voce, feelingly and in a tone rich with delicate encouragement.
"Thank you. Half a glass please. I – I never take more," say Portia, hastily but sweetly, to Sir Christopher, who is bent on giving her a goodly share of what he believes to be her heart's desire. Then she drinks it to please him, and smiles faintly behind her fan and tells herself Dicky Browne is the very oddest boy she has ever met in her life, and amusing, if a little troublesome.
Sir Christopher once roused, chatters on ceaselessly about the old days when he and Charles Vibart, her father, were boys together, and before pretty Clara Blount fell in love with Vibart and married him. And Portia listens dreamily, and gazing through the open window lets part of the music of the scene outside sink into his ancient tales, and feels a great longing rise within her to get up and go out into the mystic moonbeams, and bathe her tired hands and forehead in their cool rays.
Dulce and Roger are, as usual, quarreling in a deadly, if carefully-subdued fashion. Dicky Browne, as usual, too, is eating anything and everything that comes within his reach, and is apparently supremely happy. At this moment Portia's longing having mastered her, she turns to Dulce and asks softly:
"What is that faint streak of white I see out there, through, and beyond, the branches?"
"Our lake," says Dulce, half turning her head in its direction.
"Our pond," says Roger, calmly.
"Our lake," repeats Dulcinea, firmly; at which Portia, feeling war to be once more imminent, says hastily —
"It looks quite lovely from this – so faint, so silvery."
"It shows charmingly when the moon is up, through that tangled mass of roses, far down there," says Dulce, with a gesture toward the tangle.
"I should like to go to it," says Portia, with unusual animation.
"So you shall, to-morrow."
"The moon will not be there to-morrow. I want to go now."
"Then so you shall," says Dulce, rising; "have you had enough strawberries? Yes? Will you not finish your wine? No? Come with me, then, and the boys may follow us when they can tear themselves away from their claret!" This, with a scornful glance at Roger, who returns it generously.
"I shall find it very easy to tear myself away to-night," he says, bent on revenge, and smiling tenderly at Portia.
"So!" says Dulce, with a shrug and a light laugh that reduces his attempt at scorn to a puerile effort unworthy of notice; "a compliment to you Portia; and – the other thing to me. We thank you, Roger. Come." She lays her hand on Portia's, and draws her toward the window. Passing by Uncle Christopher's chair, she lets her fingers fall upon his shoulder, and wander across it, so as just to touch his neck, with a caressing movement. Then she steps out on the verandah, followed by Portia, and both girls running down the stone steps are soon lost to sight among the flowers.
CHAPTER IV
"'Tis not mine to forget. Yet can I not
Remember what I would or what were well.
Memory plays tyrant with me, by a wand
I cannot master!"
Past the roses, past the fragrant mignonette they go, the moon's soft radiance rendering still more fair the whiteness of their rounded arms.
The