Women of the Romance Countries (Illustrated). Effinger John Robert
and in literature that Italy afforded. All contemporary writers agree that the young girl gave quick and ready response to these influences, and she soon proved her possession of most unusual talents, combined with a great love for literary study; it is said that, at the age of twelve, she was not only distinguished by her superior endowments, but already surpassed in understanding not only every other child of her own age, but many women of mature years. To these mental accomplishments, we are told that there were added a gentle and engaging temper, a graceful person, a beautiful countenance, and the most captivating manners. And so things went along, and the old king did all in his power to shield her from the corrupting influences which were at work all about her. In that he seems to have been successful, for there is every reason to believe that she grew up to womanhood untainted by her surroundings.
Various forces were at work, however, which were soon to undermine the peace and tranquillity of the gay court, and plunge it into deepest woe. It should be known that by a former division of the possessions of the royal house of Naples, which had been dictated by the whim of a partial father, the elder branch of that house had been allotted the kingdom of Hungary, which had been acquired originally as the dowry of a princess, while to the younger branch of the house Naples and Provence had been given. Such a division of the royal domain had never satisfied those of the elder branch of the family, and for many years the rulers of Hungary had cast longing eyes upon the fair states to the south. The good King Robert, desiring in his heart to atone for the slight which had been put upon them, decided to marry Joanna to his grand-nephew Andreas, the second son of Carobert, King of Hungary, thus restoring to the elder branch of the family the possession of the throne of Naples without endangering the rights of his granddaughter, and at the same time extinguishing all the feuds and jealousies which had existed for so long a time between the two kingdoms. So the young Hungarian prince was brought to the Neapolitan court at once, and the two children were married. Joanna was but five years old and Andreas but seven when this ill-fated union was celebrated, with all possible splendor and in the midst of great rejoicing. The children were henceforth brought up together with the idea that they were destined for each other, but as the years grew on apace they displayed the most conflicting qualities of mind and soul.
A careful analysis of the court life during these youthful days will reveal the fact that its essential characteristics may be summed up in the three phrases-love of literary study, love of gallantry, and love of intrigue; it so happens that each of these phases is typified by a woman, Joanna representing the first, Maria, – the natural daughter of Robert, – the second, and Philippa the Catanese, the third. Much has been said already of Joanna's love for study and of her unusual attainments, but a word or two more will be necessary to complete the picture. Her wonderful gifts and her evident delight in studious pursuits were no mere show of childish precocity which would disappear with her maturer growth, for they ever remained with her and made her one of the very exceptional women of her day and generation. Imagine her there in the court of her grandfather, where no woman before her had ever shown the least real and intelligent interest in his intellectual occupations. It was a great thing, of course, for all the ladies of the court to have some famous poet come and tarry with them for a while; but they thought only of a possible affaire d'amour, and odes and sonnets descriptive of their charms. There was little appreciative understanding of literature or poetry among them, and they were quite content to sip their pleasures from a cup which was not of the Pierian spring. Joanna, however, seemed to enter earnestly into the literary diversions of the king, and many an hour did they spend together in the great library of the palace, unfolding now one and now another of the many parchment rolls and poring over their contents. Three learned languages there were at this time in this part of the world, the Greek, the Latin, and the Arabic, and the day had just begun to dawn when the common idioms of daily speech were beginning to assert their literary value. So it is but natural to assume that the majority of these manuscripts were in these three languages, and that it required no small amount of learning on Joanna's part to be able to decipher them.
Far different from this little princess was Maria of Sicily, a woman of many charms, but vain and inconstant, and satisfied with the frivolities of life. Indeed, it must be said that it is solely on account of her love for the poet Boccaccio, after her marriage to the Count of Artois, that she is known to-day. Boccaccio had journeyed to the south from Florence, as the fame of King Robert's court had reached him, and he was anxious to bask in its sunlight and splendor, and to bring to some fruition his literary impulses, which were fast welling up within him. And to Naples he came as the spring was retouching the hills with green in 1333, and there he remained until late in the year 1341, when he was forced to return to his home in the north. His stay in Naples had done much for him, though perhaps less for him personally than for his literary muse, as he plunged headlong into the mad whirlpool of social pleasures and enjoyed to the utmost the life of this gay court, which was enlivened and adorned by the wit of men and the beauty of women. Not until the Easter eve before his departure, however, did he chance to see the lady who was to influence to such a great degree his later career. It was in the church of San Lorenzo that Boccaccio saw Maria of Sicily, and it was a case of love at first sight, the coup de foudre that Mlle de Scudéry has talked about; and if the man's word may be worthy of belief under such circumstances, the lady returned his passion with an equal ardor. It was not until after much delay, however, that she was willing to yield to the amorous demands of the poet, and then she did so in spite of her honor and her duty as the wife of another. But this delay but opened the way for an endless succession of gallant words and acts, wherein the art of coquetry was called upon to play no unimportant part. Between these two people there was no sincere friendship such as existed later between Boccaccio and Joanna, and they were but playing with the dangerous fire of passion, which they ever fanned to a greater heat.
Philippa the Catanese, as she is called in history, stands for the spirit of intrigue in this history; and well she may, as she has a most wonderful and tragic history. The daughter of a humble fisherman of Catania in Sicily, she had been employed by Queen Violante, the first wife of Robert, in the care of her infant son, the Duke of Calabria. Of wonderful intelligence for one in her station, gifted beyond her years, and beautiful and ambitious, she won the favor of the queen to such a degree that she soon became her chief attendant. Her foster-child, the Duke of Calabria, who tenderly loved her, married her to the seneschal of his palace and appointed her first lady in waiting to his wife; and thus it happened that she was present at the birth of Joanna, and was the first to receive her in her arms. Naturally enough, then, King Robert made her the governess and custodian of the small duchess after her father's death. This appointment of a woman of low origin to so high a position in the court gave offence to many of the highborn ladies there, and none could understand the reason for it all. Many dark rumors were afloat, and, although the matter was discussed in undertones, it was the general opinion that she had been aided by magic or sorcery, and the bolder spirits said that she was in daily communication with the Evil One. However that may be, she was faithful to her trust, and it was only through her too zealous scheming in behalf of her young mistress that she was brought to her tragic end.
As the two children, Andreas and Joanna, grew up to maturity, it became more and more apparent that there was no bond of sympathy between them. Andreas had as his preceptor a monk named Fra Roberto, who was the open enemy of Philippa, and her competitor in power. It was his constant aim to keep Andreas in ignorance and to inspire him with a dislike for the people of Naples, whom he was destined to govern, and to this end he made him retain his Hungarian dress and customs. Petrarch, who made a second visit to Naples as envoy from the pope, has this to say of Fra Roberto: "May Heaven rid the soil of Italy of such a pest! A horrible animal with bald head and bare feet, short in stature, swollen in person, with worn-out rags torn studiously to show his naked skin, who not only despises the supplications of the citizens, but, from the vantage ground of his feigned sanctity, treats with scorn the embassy of the pope." King Robert saw too late the mistake he had committed, as the sorrow and trouble in store for the young wife were only too apparent. To remedy, so far as was in his power, this unhappy condition of affairs, he called again a meeting of his feudal lords; and this time he had them swear allegiance to Joanna alone in her own right, formally excluding the Hungarians from any share in the sovereign power. While gratifying to the Neapolitans, this act could but excite the enmity of the Hungarian faction under Fra Roberto, and it paved the way for much intrigue and much treachery in the future.
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