The Philosophy of Disenchantment. Saltus Edgar

The Philosophy of Disenchantment - Saltus Edgar


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and as privat-docent began to lecture on the history of philosophy.

      Hegel was then in the high tide of his glory. Scholars from far and near came to listen to the man who had compared himself to Christ, and said, "I am Truth, and teach truth." In the "Reisebilder," Heine says that in the learned caravansary of Berlin the camels collected about the fountain of Hegelian wisdom, kneeled down, received their burden of precious waters, and then set out across the desert wastes of Brandenburg.

      At that time not to bend before Hegel was the blackest and most wanton of sins. To disagree with him was heretical, and as few understood his meaning clearly enough to attempt to controvert it, it will be readily understood that in those days there was very little heresy in Berlin.

      Among the few, however, Schopenhauer headed the list. "I write to be understood," he said; and indeed no one who came in contact with him or with his works had ever the least difficulty in seizing his meaning and understanding his immense disgust for the "pachyderm hydrocephali, pedantic eunuchs, apocaliptic retinue della bestia triumphante," as in after years, with gorgeous emphasis, he was wont to designate Hegel and his clique. The war that he waged against them was truly Homeric. He denounced Hegel in a manner that would have made Swinburne blush; then he attacked the professors of philosophy in general and the Hegelians in particular, and finally the demagogues who believed in them, and who had baptized themselves "Young Germany."

      For the preparation of such writings as theirs he had a receipt, which was homeopathic in its simplicity. "Dilute a minimum of thought in five hundred pages of nauseous phraseology, and for the rest trust to the German patience of the reader." He also suggested that for the wonder and astonishment of posterity every public library should carefully preserve in half calf the complete works of the great philosophaster and his adorers; and, considering very correctly that philosophers cannot be hatched like bachelors of arts, he further recommended that the course in philosophy should be cut from the University programmes, and the teaching in that branch be limited to logic. "You can't write an Iliad," he said, "when your mother is a dolt, and your father is a cotton nightcap."

      There are few debts which are so faithfully acquitted as those of contempt; and as Schopenhauer kicked down every screen, tore off every mask, and jeered at every sham, it would be a great stretch of fancy to imagine that he was a popular teacher. But this at least may be said: he was courageous, and he was strong of purpose. In the end, he dragged Germany from her lethargy, and rather than take any other part in Hegelism than that of spectre at the feast, he condemned himself to an almost lifelong obscurity. If, therefore, he seems at times too bitter and too relentless, it should be remembered that this man, whom Germany now honors as one of her greatest philosophers, fought single-handed for thirty years, and routed the enemy at last by the mere force and lash of his words.

      But in the mean time, while Hegel was holding forth to crowded halls, his rival, who, out of sheer bravado, had chosen the same hours, lectured to an audience of about half a dozen persons, among whom a dentist, a horse-jockey, and a captain on half pay were the more noteworthy. Such listeners were hardly calculated to make him frantically attached to the calling he had chosen, and accordingly at the end of the first semester he left the empty benches to take care of themselves.

      Early in life Schopenhauer wrote in English, in his note-book, "Matrimony – war and want!" and when the privat-docent had been decently buried, and the crape grown rusty, he began to consider this little sentence with much attention. As will be seen later on, he objected to women as a class on purely logical grounds, – they interfered with his plan of delivering the world from suffering; but against the individual he had no marked dislike, only a few pleasing epigrams. During his Dresden sojourn, as in his journey to Italy, he had knelt, in his quality of philosopher who was seeing the world, at many and diverse shrines, and had in no sense wandered from them sorrow-laureled; but all that had been very different from assuming legal responsibilities, and whenever he thought with favor of the petits soins of which, as married man, he would be the object, the phantom of a milliner's bill loomed in double columns before him.

      Should he or should he not, he queried, fall into the trap which nature has set for all men? The question of love did not enter into the matter at all. He believed in love as most well-read people believe in William Tell; that is, as something very inspiring, especially when treated by Rossini, but otherwise as a myth. Nor did he need Montaigne's hint to be assured that men marry for others and not for themselves. The subject, therefore, was somewhat complex: on the one side stood the attention and admiration which he craved, and on the other an eternal farewell to that untrammeled freedom which is the thinker's natural heath.

      The die, however, had to be cast then or never. He was getting on in life, and an opportunity had at that time presented itself, a repetition of which seemed unlikely. After much reflection, and much weighing of the pros and cons, he concluded that it is the married man who supports the full burden of life, while the bachelor bears but half, and it is to the latter class, he argued, that the courtesan of the muses should belong. Thereupon, with a luxury of reminiscence and quotation which was usual to him at all times, he strengthened his resolution with mental foot-notes, to the effect that Descartes, Leibnitz, Malebranche, and Kant were bachelors, the great poets uniformly married and uniformly unhappy; and supported it all with Bacon's statement that "he that hath wife and children has given hostages to fortune, for they are impediments to great enterprises, either of virtue or of mischief."

      In 1831 the cholera appeared in Berlin, and Schopenhauer, who called himself a choleraphobe by profession, fled before it in search of a milder and healthier climate. Frankfort he chose for his hermitage, and from that time up to the day of his death, which occurred in September, 1860, he continued to live there in great peace and tranquillity.

      Schopenhauer should in no wise be represented as having passed his life in building dungeons in Spain. Like every true scholar he was, in the absence of his peers, able to live with great comfort with the dead. He was something of a Mezzofanti; he spoke and read half a dozen languages with perfect ease, and he could in consequence enter any library with the certainty of finding friends and relations therein. For the companionship of others he did not care a rap. He was never so lonely as when associating with other people, and of all things that he disliked the most, and a catalogue of his dislikes would fill a chapter, the so-called entertainment headed the obnoxious list.

      He had taken off, one by one, the different layers of the social nut, and in nibbling at the kernel he found its insipidity so great that he had small approval for those who made it part of their ordinary diet. It should not, however, be supposed that this dislike for society and the companionship of others sprang from any of that necessity for solitude which is noticeable in certain cases of hypochondria; it was simply due to the fact that he could not, in the general run of men, find any one with whom he could associate on a footing of equality. If Voltaire, Helvetius, Kant, or Cabanais, or, for that matter, any one possessed of original thoughts, had dwelled in the neighborhood, Schopenhauer, once in a while, would have delighted in supping with them; but as agreeable symposiasts were infrequent, he was of necessity thrown entirely on his own resources. His history, in brief, is that of the malediction under which king and genius labor equally. Both are condemned to solitude; and for solitude such as theirs there is neither chart nor compass. Of course there are many other men who in modern times have also led lives of great seclusion, but in this respect it may confidently be stated that no thinker of recent years, Thoreau not excepted, has ever lived in isolation more thorough and complete than that which was enjoyed by this blithe misanthrope.

      It is not as though he had betaken himself to an unfrequented waste, or to the top of an inaccessible crag; such behavior would have savored of an affectation of which he was incapable, and, moreover, would have told its story of an inability to otherwise resist the charms of society. Besides, Schopenhauer was no anchorite; he lived very comfortably in the heart of a populous and pleasant city, and dined daily at the best table d'hôte, but he lived and dined utterly alone.

      He considered that, as a rule, a man is never in perfect harmony save with himself, for, he argued, however tenderly a friend or mistress may be beloved, there is at times some clash and discord. Perfect tranquillity, he said, is found only in solitude, and to be permanent only in absolute seclusion; and he insisted that the hermit, if intellectually rich, enjoys the happiest condition which this life can offer.


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