Molly Brown's Junior Days. Speed Nell
came Nance’s muffled voice from the covers.
“It is horrid,” admitted Molly. “Whoever did it – ”
“Minerva!” broke in Judy.
“ – must have a very mistaken idea of college and the sorts of amusement that are customary.”
So the argument ended for the night.
CHAPTER V.
VARIOUS HAPPENINGS
Guilty or innocent, Minerva Higgins displayed an inscrutable face next day, and the juniors, lacking all necessary evidence, were obliged to admit themselves outwitted; but they let it be known that jokes of that class were distinctly foreign to Wellington notions, and woe be to the author of them if her identity was ever disclosed.
In the meantime, Molly was busy with many things. As usual she was very hard up for clothes, and was concocting a scheme in her mind for saving up money enough to buy a new dress for the Junior Prom. in February. She bought a china pig in the village, large enough to hold a good deal of small change, and from time to time dropped silver through the slit in his back.
“He’s a safe bank,” she observed to her friends, “because the only way you can get money out of him is to smash him.”
The pig came to assume a real personality in the circle. For some unknown reason he had been christened “Martin Luther.” The girls used to shake him and guess the amount of money he contained. Sometimes they wrote jingles about him, and Judy invented a dialogue between Martin Luther and herself which was so amusing that its fame spread abroad and she was invited to give it many times at spreads and fudge parties.
The scheme that had been working in Molly’s mind for some weeks at last sprung into life as an idea, and seizing a pencil and paper one day she sketched out her notion of the plot of a short story. It was not what she herself really cared for, but what she considered might please the editor who was to buy it as a complete story, and the public who would read it. There were mystery and love, beauty and riches in Molly’s first attempt. Then she began to write. But it was slow work. The ideas would not flow as they did for letters home and for class themes. She found great difficulty in expressing herself. Her conversations were stilted and the plot would not hang together.
“I never thought it would be so hard,” she said to herself when she had finished the tale and copied it out on legal cap paper. “And now for the boldest act of my life.”
With a triumphant flourish of the pen, she rolled up the manuscript and marched across the courtyard to the office of Professor Green.
“Come in,” he called, quite gruffly, in answer to her knock. But when she entered, he rose politely and offered her a seat. Sitting down again in his revolving desk chair, he looked at her very hard.
“I know you will think I have the most colossal nerve,” she began, “when you hear why I have called; but I really need advice and you’ve been so kind – so interested, always.”
“What is it this time?” he interrupted kindly. “More money troubles?”
“No, not exactly. Although, of course, I am always anxious to earn money. Who isn’t? But I have a writing bee in my head. I’ve had it ever since last winter, although I confined myself mostly to verse – ”
Molly paused and blushed. She felt ashamed to discuss her poor rhymes with this learned man nearly a dozen years older than she was.
“There’s no money in poetry,” she went on, “and I thought I would switch off to prose. I have written a short story and – I hope you won’t be angry – I’ve brought it over for you to look at. I knew you looked over some of Judith’s stories.”
“Of course I shan’t be angry, child. I’m glad to help you, although I am not a fiction writer and therefore might hardly be thought competent to judge. Let’s see what you have.” He held out his hand for the manuscript. “On second thought,” he continued, “suppose you read it aloud to me. Girls’ handwriting is generally much alike – hard to make out.”
Molly, trembling with stage fright, her face crimson, began to read. The professor, resting his chin on his interlocked fingers, turned his whimsical brown eyes full upon her and never shifted his gaze once during the entire reading, which lasted some twenty-five minutes. When she had finished, Molly dropped the papers in her lap and waited.
“Well, what do you think of it? Please don’t mince matters. Tell me the truth.”
The professor came back to life with a start. She knew at once that he had not heard a word.
“Oh, er – I beg your pardon,” he said. “Very good. Very good, indeed. Suppose you leave the manuscript with me. I’ll look it over again to-night.”
She rose to go. After all she had no right to complain, since she had asked this favor of a very busy man; but she did wish he had paid attention.
“Wait a moment, Miss Brown, there was something I wanted to say. What was it now?” He rubbed his head, and then thrust his hands into his pockets. “Oh, yes. This is what I wanted to say – have an apple?” A flat Japanese basket on the table was filled with apples. “Excuse my not passing the basket, but they roll over. Take several. Help yourself.”
He made Molly take three, one for Nance, one for Judy and one for herself. Then he saw her to the outer door, bowing silently, all the time like a man in a dream.
The next morning the manuscript was returned to Molly by the professor after the class in Literature. It was folded into a big envelope and contained a note. The note had no beginning and was signed “E. G.” This is what it said:
“Since you wish my true opinion of this story, I will tell you frankly that it is decidedly amateurish. The style is heavy and labored and the plot mawkishly sentimental and mock heroic.
“Try to think up some simple story and write it out in simple language. Do not employ words that you are not in the habit of using. Be natural and express yourself as you would if you were writing a letter to your mother. Write about real people and real happenings; not about impossibly beautiful and rich goddesses and superbly handsome, fearless gods. Such people do not really exist, you know, and you are supposed to be painting a word picture of life.
“You have talent, but you must be willing to work very hard. Good writing does not come in a day any more than good piano playing or painting. I would add: be yourself – unaffected – sincere – and your style will be perfect.”
Molly wept a little over this frank expression of criticism, although there did seem to be an implied compliment in the last line. She reread the story and blushed for her commonplaceness. Surely there never had been written anything so inane and silly.
For a long time she sat gazing at the white peak of Fujiyama on the Japanese scroll.
“Simple and natural, indeed,” she exclaimed. “It’s much harder than the other way. Unaffected and sincere! That’s not easy, either.” She sighed and tore the story into little bits, casting it into the waste-paper basket. “That’s the best place for you,” she continued, apostrophizing her first attempt at fiction. “Nobody would ever have laughed or cried over you. Nobody would even have noticed you. My trouble is that I try too hard. I am always straining my mind for words and ideas. Now, when I write letters, how do I do? I let go. I never worry. Can a story be written in that way?”
“How now, Mistress Molly,” called Judy, bursting into the room. “Why are you lingering here in the house when all the world’s afield? Get thee up and go hence with me unto the green woods where we are to have tea, probably for the last time before the winter’s call.”
“Who’s ‘we’?” asked Molly.
“Why, the usual crowd, and a few others from Beta Phi House.”
“But you’ll never have enough teacups to go around, child,” objected Molly.
“Oh, yes, we shall. There are two other tea baskets coming from Beta Phi. There will be plenty and some over besides. Rosomond