The Story of Florence. Gardner Edmund G.

The Story of Florence - Gardner Edmund G.


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in the Ordinances of Justice, whereby nobles, by leaving their order and matriculating in one or other of the Arts, even without exercising it, could be free from their disabilities, and could share in the government of the State, and hold office in the Signoria. He himself, in this same year, matriculated in the Arte dei Medici e Speziali, the great guild which included the painters and the book-sellers.

      The growing dissensions in the Guelf Republic came to a head in 1300, the famous year of jubilee in which the Pope was said to have declared that the Florentines were the "fifth element." The rival factions of Bianchi and Neri, White Guelfs and Black Guelfs, which were now to divide the whole city, arose partly from the deadly hostility of two families each with a large following, the Cerchi and the Donati, headed respectively by Vieri dei Cerchi and Corso Donati, the two heroes of Campaldino; partly from an analogous feud in Pistoia, which was governed from Florence; partly from the political discord between that party in the State that clung to the (modified) Ordinances of Justice and supported the Signoria, and another party that hated the Ordinances and loved the tyrannical Parte Guelfa. They were further complicated by the intrigues of the "black" magnates with Pope Boniface VIII., who apparently hoped by their means to repress the burgher government and unite the city in obedience to himself. With this end in view, he had been endeavouring to obtain from Albert of Austria the renunciation, in favour of the Holy See, of all rights claimed by the Emperors over Tuscany. Dante himself, Guido Cavalcanti, and most of the best men in Florence either directly adhered to, or at least favoured, the Cerchi and the Whites; the populace, on the other hand, was taken with the dash and display of the more aristocratic Blacks, and would gladly have seen Messer Corso–"il Barone," as they called him–lord of the city. Rioting, in which Guido Cavalcanti played a wild and fantastic part, was of daily occurrence, especially in the Sesto di San Piero. The adherents of the Signoria had their head-quarters in the Cerchi Palace, in the Via della Condotta; the Blacks found their legal fortress in that of the Captains of the Parte Guelfa in the Via delle Terme. At last, on May 1st, the two factions "came to blood" in the Piazza di Santa Trinità on the occasion of a dance of girls to usher in the May. On June 15th Dante was elected one of the six Priors, to hold office till August 15th, and he at once took a strong line in resisting all interference from Rome, and in maintaining order within the city. In consequence of an assault upon the officers of the Guilds on St. John's Eve, the Signoria, probably on Dante's initiative, put under bounds a certain number of factious magnates, chosen impartially from both parties, including Corso Donati and Guido Cavalcanti. From his place of banishment at Sarzana, Guido, sick to death, wrote the most pathetic of all his lyrics:–

      "Because I think not ever to return,

      Ballad, to Tuscany,–

      Go therefore thou for me

      Straight to my lady's face,

      Who, of her noble grace,

      Shall show thee courtesy.

* * * * *

      "Surely thou knowest, Ballad, how that Death

      Assails me, till my life is almost sped:

      Thou knowest how my heart still travaileth

      Through the sore pangs which in my soul are bred:–

      My body being now so nearly dead,

      It cannot suffer more.

      Then, going, I implore

      That this my soul thou take

      (Nay, do so for my sake),

      When my heart sets it free."9

      And at the end of August, when Dante had left office, Guido returned to Florence with the rest of the Bianchi, only to die. For more than a year the "white" burghers were supreme, not only in Florence, but throughout a greater part of Tuscany; and in the following May they procured the expulsion of the Blacks from Pistoia. But Corso Donati at Rome was biding his time; and, on November 1st, 1301, Charles of Valois, brother of King Philip of France, entered Florence with some 1200 horsemen, partly French and partly Italian,–ostensibly as papal peacemaker, but preparing to "joust with the lance of Judas." In Santa Maria Novella he solemnly swore, as the son of a king, to preserve the peace and well-being of the city; and at once armed his followers. Magnates and burghers alike, seeing themselves betrayed, began to barricade their houses and streets. On the same day (November 5th) Corso Donati, acting in unison with the French, appeared in the suburbs, entered the city by a postern gate in the second walls, near S. Piero Maggiore, and swept through the streets with an armed force, burst open the prisons, and drove the Priors out of their new Palace. For days the French and the Neri sacked the city and the contrada at their will, Charles being only intent upon securing a large share of the spoils for himself. But even he did not dare to alter the popular constitution, and was forced to content himself with substituting "black" for "white" burghers in the Signoria, and establishing a Podestà of his own following, Cante de' Gabbrielli of Gubbio, in the Palace of the Commune. An apparently genuine attempt on the part of the Pope, by a second "peacemaker," to undo the harm that his first had done, came to nothing; and the work of proscription commenced, under the direction of the new Podestà. Dante was one of the first victims. The two sentences against him (in each case with a few other names) are dated January 27th, 1302, and March 10th–and there were to be others later. It is the second decree that contains the famous clause, condemning him to be burned to death, if ever he fall into the power of the Commune. At the beginning of April all the leaders of the "white" faction, who had not already fled or turned "black," with their chief followers, magnates and burghers alike, were hounded into exile; and Charles left Florence to enter upon an almost equally shameful campaign in Sicily.

      Dante is believed to have been absent from Florence on an embassy to the Pope when Charles of Valois came, and to have heard the news of his ruin at Siena as he hurried homewards–though both embassy and absence have been questioned by Dante scholars of repute. His ancestor, Cacciaguida, tells him in the Paradiso:–

      "Tu lascerai ogni cosa diletta

      più caramente, e questo è quello strale

      che l'arco dello esilio pria saetta.

      Tu proverai sì come sa di sale

      lo pane altrui, e com'è duro calle

      lo scendere e il salir per l'altrui scale."10

      The rest of Dante's life was passed in exile, and only touches the story of Florence indirectly at certain points. "Since it was the pleasure of the citizens of the most beautiful and most famous daughter of Rome, Florence," he tells us in his Convivio, "to cast me forth from her most sweet bosom (in which I was born and nourished up to the summit of my life, and in which, with her good will, I desire with all my heart to rest my weary soul and end the time given me), I have gone through almost all the parts to which this language extends, a pilgrim, almost a beggar, showing against my will the wound of fortune, which is wont unjustly to be ofttimes reputed to the wounded."

      Attempts of the exiles to win their return to Florence by force of arms, with aid from the Ubaldini and the Tuscan Ghibellines, were easily repressed. But the victorious Neri themselves now split into two factions; the one, headed by Corso Donati and composed mainly of magnates, had a kind of doubtful support in the favour of the populace; the other, led by Rosso della Tosa, inclined to the Signoria and the popolo grosso. It was something like the old contest between Messer Corso and Vieri dei Cerchi, but with more entirely selfish ends; and there was evidently going to be a hard tussle between Messer Corso and Messer Rosso for the possession of the State. Civil war was renewed in the city, and the confusion was heightened by the restoration of a certain number of Bianchi, who were reconciled to the Government. The new Pope, Benedict XI., was ardently striving to pacify Florence and all Italy; and his legate, the Cardinal Niccolò da Prato, took up the cause of the exiles. Pompous peace-meetings were held in the Piazza di Santa Maria Novella, for the friars of St Dominic–to which order the new Pope belonged–had the welfare of the city deeply at heart; and at one of these meetings the exiled lawyer, Ser Petracco dall'Ancisa (in a few days to be the father of Italy's second poet), acted as the representative of his party. Attempts were made to revive the May-day pageants


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<p>9</p>

Rossetti's translation of the ripresa and second stanza of the Ballata Perch'i' no spero di tornar giammai.

<p>10</p>

"Thou shall abandon everything beloved most dearly; this is the arrow which the bow of exile shall first shoot.

"Thou shalt make trial of how salt doth taste another's bread, and how hard the path to descend and mount upon another's stair."

– Wicksteed's translation.