L'Assommoir. Emile Zola
Fauconnier.
"You haven't suggested anything," he said to her.
"Oh! Whatever they want," she replied, laughing. "I don't mind. We can go out or stay here."
She seemed aglow with contentment. She had spoken to each guest as they arrived. She spoke sensibly, in her soft voice, not getting into any disagreements. During the downpour, she had sat with her eyes wide open, watching the lightning as though she could see the future in the sudden flashes.
Monsieur Madinier had up to this time not proposed anything. He was leaning against the bar, with the tails of his dress coat thrust apart, while he fully maintained the important air of an employer. He kept on expectorating, and rolled his big eyes about.
"Mon Dieu!" said he, "we might go to the Museum."
And he stroked his chin, as he blinkingly consulted the other members of the party.
"There are antiquities, pictures, paintings, a whole heap of things. It is very instructive. Perhaps you have never been there. Oh! it is quite worth seeing at least once in a while."
They looked at each other interrogatively. No, Gervaise had never been; Madame Fauconnier neither, nor Boche, nor the others. Coupeau thought he had been one Sunday, but he was not sure. They hesitated, however, when Madame Lorilleux, greatly impressed by Monsieur Madinier's importance, thought the suggestion a very worthy and respectable one. As they were wasting the day, and were all dressed up, they might as well go somewhere for their own instruction. Everyone approved. Then, as it still rained a little, they borrowed some umbrellas from the proprietor of the wineshop, old blue, green, and brown umbrellas, forgotten by different customers, and started off to the Museum.
The wedding party turned to the right, and descended into Paris along the Faubourg Saint-Denis. Coupeau and Gervaise again took the lead, almost running and keeping a good distance in front of the others. Monsieur Madinier now gave his arm to Madame Lorilleux, mother Coupeau having remained behind in the wineshop on account of her old legs. Then came Lorilleux and Madame Lerat, Boche and Madame Fauconnier, Bibi-the-Smoker and Mademoiselle Remanjou, and finally the two Gaudrons. They were twelve and made a pretty long procession on the pavement.
"I swear to you, we had nothing to do with it," Madame Lorilleux explained to Monsieur Madinier. "We don't even know how they met, or, we know only too well, but that's not for us to discuss. My husband even had to buy the wedding ring. We were scarcely out of bed this morning when he had to lend them ten francs. And, not a member of her family at her wedding, what kind of bride is that? She says she has a sister in Paris who works for a pork butcher. Why didn't she invite her?" She stopped to point at Gervaise, who was limping awkwardly because of the slope of the pavement. "Just look at her. Clump-clump."
"Clump-clump" ran through the wedding procession. Lorilleux laughed under his breath, and said they ought to call her that, but Madame Fauconnier stood up for Gervaise. They shouldn't make fun of her; she was neat as a pin and did a good job when there was washing to be done.
When the wedding procession came out of the Faubourg Saint-Denis, they had to cross the boulevard. The street had been transformed into a morass of sticky mud by the storm. It had started to pour again and they had opened the assorted umbrellas. The women picked their way carefully through the mud, holding their skirts high as the men held the sorry-looking umbrellas over their heads. The procession stretched out the width of the street.
"It's a masquerade!" yelled two street urchins.
People turned to stare. These couples parading across the boulevard added a splash of vivid color against the damp background. It was a parade of a strange medley of styles showing fancy used clothing such as constitute the luxury of the poor. The gentlemen's hats caused the most merriment, old hats preserved for years in dark and dusty cupboards, in a variety of comical forms: tall ones, flattened ones, sharply peaked ones, hats with extraordinary brims, curled back or flat, too narrow or too wide. Then at the very end, Madame Gaudron came along with her bright dress over her bulging belly and caused the smiles of the audience to grow even wider. The procession made no effort to hasten its progress. They were, in fact, rather pleased to attract so much attention and admiration.
"Look! Here comes the bride!" one of the urchins shouted, pointing to Madame Gaudron. "Oh! Isn't it too bad! She must have swallowed something!"
The entire wedding procession burst into laughter. Bibi-the-Smoker turned around and laughed. Madame Gaudron laughed the most of all. She wasn't ashamed as she thought more than one of the women watching had looked at her with envy.
They turned into the Rue de Clery. Then they took the Rue du Mail. On reaching the Place des Victoires, there was a halt. The bride's left shoe lace had come undone, and as she tied it up again at the foot of the statue of Louis XIV., the couples pressed behind her waiting, and joking about the bit of calf of her leg that she displayed. At length, after passing down the Rue Croix-des-Petits-Champs, they reached the Louvre.
Monsieur Madinier politely asked to be their cicerone. It was a big place, and they might lose themselves; besides, he knew the best parts, because he had often come there with an artist, a very intelligent fellow from whom a large dealer bought designs to put on his cardboard boxes. Down below, when the wedding party entered the Assyrian Museum, a slight shiver passed through it. The deuce! It was not at all warm there; the hall would have made a capital cellar. And the couples slowly advanced, their chins raised, their eyes blinking, between the gigantic stone figures, the black marble gods, dumb in their hieratic rigidity, and the monstrous beasts, half cats and half women, with death-like faces, attenuated noses, and swollen lips. They thought all these things very ugly. The stone carvings of the present day were a great deal better. An inscription in Phoenician characters amazed them. No one could possibly have ever read that scrawl. But Monsieur Madinier, already up on the first landing with Madame Lorilleux, called to them, shouting beneath the vaulted ceiling:
"Come along! They're nothing, all those things! The things to see are on the first floor!"
The severe barrenness of the staircase made them very grave. An attendant, superbly attired in a red waistcoat and a coat trimmed with gold lace, who seemed to be awaiting them on the landing, increased their emotion. It was with great respect, and treading as softly as possible, that they entered the French Gallery.
Then, without stopping, their eyes occupied with the gilding of the frames, they followed the string of little rooms, glancing at the passing pictures too numerous to be seen properly. It would have required an hour before each, if they had wanted to understand it. What a number of pictures! There was no end to them. They must be worth a mint of money. Right at the end, Monsieur Madinier suddenly ordered a halt opposite the "Raft of the Medusa" and he explained the subject to them. All deeply impressed and motionless, they uttered not a word. When they started off again, Boche expressed the general feeling, saying it was marvellous.
In the Apollo Gallery, the inlaid flooring especially astonished the party – a shining floor, as clear as a mirror, and which reflected the legs of the seats. Mademoiselle Remanjou kept her eyes closed, because she could not help thinking that she was walking on water. They called to Madame Gaudron to be careful how she trod on account of her condition. Monsieur Madinier wanted to show them the gilding and paintings of the ceiling; but it nearly broke their necks to look up above, and they could distinguish nothing. Then, before entering the Square Salon, he pointed to a window, saying:
"That's the balcony from which Charles IX. fired on the people."
He looked back to make sure the party was following. In the middle of the Salon Carre, he held up his hand. "There are only masterpieces here," he said, in a subdued voice, as though in church. They went all around the room. Gervaise wanted to know about "The Wedding at Cana." Coupeau paused to stare at the "Mona Lisa," saying that she reminded him of one of his aunts. Boche and Bibi-the-Smoker snickered at the nudes, pointing them out to each other and winking. The Gaudrons looked at the "Virgin" of Murillo, he with his mouth open, she with her hands folded on her belly.
When they had been all around the Salon, Monsieur Madinier wished them to go round it again, it was so worth while. He was very attentive to Madame Lorilleux, because of her silk dress; and each time that she questioned him he answered her gravely, with great assurance. She was curious about "Titian's