The Three Cities Trilogy: Rome, Volume 4. Emile Zola
peace. To-day at the Vatican, he keeps on a footing of diplomatic reserve. Briefly he only has one object, the tiara, and even shows it too plainly, which is a mistake, for it uses up a candidate. Still, just at present the struggle seems to be between him and Cardinal Boccanera. And that's why he has gone over to the Jesuits again, utilising their hatred of his rival, and anticipating that they will be forced to support /him/ in order to defeat the other. But I doubt it, they are too shrewd, they will hesitate to patronise a candidate who is already so compromised. He, blunder-head, passionate and proud as he is, doubts nothing, and since you say that he is now at Frascati, I'm certain that he made all haste to shut himself up there with some grand strategical object in view, as soon as he heard of the Pope's illness."
"Well, and the Pope himself, Leo XIII?" asked Pierre.
This time Don Vigilio slightly hesitated, his eyes blinking. Then he said: "Leo XIII? He is a Jesuit, a Jesuit! Oh! I know it is said that he sides with the Dominicans, and this is in a measure true, for he fancies that he is animated with their spirit and he has brought St. Thomas into favour again, and has restored all the ecclesiastical teaching of doctrine. But there is also the Jesuit, remember, who is one involuntarily and without knowing it, and of this category the present Pope will prove the most famous example. Study his acts, investigate his policy, and you will find that everything in it emanates from the Jesuit spirit. The fact is that he has unwittingly become impregnated with that spirit, and that all the influence, directly or indirectly brought to bear on him comes from a Jesuit centre. Ah! why don't you believe me? I repeat that the Jesuits have conquered and absorbed everything, that all Rome belongs to them from the most insignificant cleric to his Holiness in person."
Then he continued, replying to each fresh name that Pierre gave with the same obstinate, maniacal cry: "Jesuit, Jesuit!" It seemed as if a Churchman could be nothing else, as if each answer were a confirmation of the proposition that the clergy must compound with the modern world if it desired to preserve its Deity. The heroic age of Catholicism was accomplished, henceforth it could only live by dint of diplomacy and ruses, concessions and arrangements. "And that Paparelli, he's a Jesuit too, a Jesuit!" Don Vigilio went on, instinctively lowering his voice. "Yes, the humble but terrible Jesuit, the Jesuit in his most abominable /role/ as a spy and a perverter! I could swear that he has merely been placed here in order to keep watch on his Eminence! And you should see with what supple talent and craft he has performed his task, to such a point indeed that it is now he alone who wills and orders things. He opens the door to whomsoever he pleases, uses his master like something belonging to him, weighs on each of his resolutions, and holds him in his power by dint of his stealthy unremitting efforts. Yes! it's the lion conquered by the insect; the infinitesimally small disposing of the infinitely great; the train-bearer – whose proper part is to sit at his cardinal's feet like a faithful hound – in reality reigning over him, and impelling him in whatsoever direction he chooses. Ah! the Jesuit! the Jesuit! Mistrust him when you see him gliding by in his shabby old cassock, with the flabby wrinkled face of a devout old maid. And make sure that he isn't behind the doors, or in the cupboards, or under the beds. Ah! I tell you that they'll devour you as they've devoured me; and they'll give you the fever too, perhaps even the plague if you are not careful!"
Pierre suddenly halted in front of his companion. He was losing all assurance, both fear and rage were penetrating him. And, after all, why not? These extraordinary stories must be true. "But in that case give me some advice," he exclaimed, "I asked you to come in here this evening precisely because I no longer know what to do, and need to be set in the right path – " Then he broke off and again paced to and fro, as if urged into motion by his exploding passion. "Or rather no, tell me nothing!" he abruptly resumed. "It's all over; I prefer to go away. The thought occurred to me before, but it was in a moment of cowardice and with the idea of disappearing and of returning to live in peace in my little nook: whereas now, if I go off, it will be as an avenger, a judge, to cry aloud to all the world from Paris, to proclaim what I have seen in Rome, what men have done there with the Christianity of Jesus, the Vatican falling into dust, the corpse-like odour which comes from it, the idiotic illusions of those who hope that they will one day see a renascence of the modern soul arise from a sepulchre where the remnants of dead centuries rot and slumber. Oh! I will not yield, I will not make my submission, I will defend my book by a fresh one. And that book, I promise you, will make some noise in the world, for it will sound the last agony of a dying religion, which one must make all haste to bury lest its remains should poison the nations!"
All this was beyond Don Vigilio's mind. The Italian priest, with narrow belief and ignorant terror of the new ideas, awoke within him. He clasped his hands, affrighted. "Be quiet, be quiet! You are blaspheming! And, besides, you cannot go off like that without again trying to see his Holiness. He alone is sovereign. And I know that I shall surprise you; but Father Dangelis has given you in jest the only good advice that can be given: Go back to see Monsignor Nani, for he alone will open the door of the Vatican for you."
Again did Pierre give a start of anger: "What! It was with Monsignor Nani that I began, from him that I set out; and I am to go back to him? What game is that? Can I consent to be a shuttlecock sent flying hither and thither by every battledore? People are having a game with me!"
Then, harassed and distracted, the young man fell on his chair in front of Don Vigilio, who with his face drawn by his prolonged vigil, and his hands still and ever faintly trembling, remained for some time silent. At last he explained that he had another idea. He was slightly acquainted with the Pope's confessor, a Franciscan father, a man of great simplicity, to whom he might recommend Pierre. This Franciscan, despite his self-effacement, would perhaps prove of service to him. At all events he might be tried. Then, once more, silence fell, and Pierre, whose dreamy eyes were turned towards the wall, ended by distinguishing the old picture which had touched him so deeply on the day of his arrival. In the pale glow of the lamp it gradually showed forth and lived, like an incarnation of his own case, his own futile despair before the sternly closed portal of truth and justice. Ah! that outcast woman, that stubborn victim of love, weeping amidst her streaming hair, her visage hidden whilst with pain and grief she sank upon the steps of that palace whose door was so pitilessly shut – how she resembled him! Draped with a mere strip of linen, she was shivering, and amidst the overpowering distress of her abandonment she did not reveal her secret, misfortune, or transgression, whichever it might be. But he, behind her close-pressed hands, endowed her with a face akin to his own: she became his sister, as were all the poor creatures without roof or certainty who weep because they are naked and alone, and wear out their strength in seeking to force the wicked thresholds of men. He could never gaze at her without pitying her, and it stirred him so much that evening to find her ever so unknown, nameless and visageless, yet steeped in the most bitter tears, that he suddenly began to question his companion.
"Tell me," said he, "do you know who painted that old picture? It stirs me to the soul like a masterpiece."
Stupefied by this unexpected question, the secretary raised his head and looked, feeling yet more astonished when he had examined the blackened, forsaken panel in its sorry frame.
"Where did it come from?" resumed Pierre; "why has it been stowed away in this room?"
"Oh!" replied Don Vigilio, with a gesture of indifference, "it's nothing. There are heaps of valueless old paintings everywhere. That one, no doubt, has always been here. But I don't know; I never noticed it before."
Whilst speaking he had at last risen to his feet, and this simple action had brought on such a fit of shivering that he could scarcely take leave, so violently did his teeth chatter with fever. "No, no, don't show me out," he stammered, "keep the lamp here. And to conclude: the best course is for you to leave yourself in the hands of Monsignor Nani, for he, at all events, is a superior man. I told you on your arrival that, whether you would or not, you would end by doing as he desired. And so what's the use of struggling? And mind, not a word of our conversation to-night; it would mean my death."
Then he noiselessly opened the doors, glanced distrustfully into the darkness of the passage, and at last ventured out and disappeared, regaining his own room with such soft steps that not the faintest footfall was heard amidst the tomb-like slumber of the old mansion.
On the morrow, Pierre, again mastered by a desire to fight on to the very end, got Don Vigilio to recommend him to the Pope's confessor, the Franciscan friar