The Duchess of Wrexe, Her Decline and Death. Hugh Walpole

The Duchess of Wrexe, Her Decline and Death - Hugh Walpole


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and littered. There was nothing in the room superfluous or unnecessary, and even some carnations in a green bowl near the window looked as though they were numbered and ticketed.

      Miss Rand was a little woman who appeared thirty-five when she was busy, and twenty-five when someone was pleasant to her. When she was at work the broad dark belt that she wore at her waist was her most characteristic feature. Then, in keeping with this, was her dark hair, beautiful hair perhaps if it had been allowed some freedom, but now ordered and sternly disciplined; she wore no ornaments, and about her there was nothing out of place nor extravagant.

      Her face was full of light and colour and her eyes were beautiful, but no one considered them: it was impossible to look beyond that stern shining belt—one felt that Miss Rand herself would resent appreciation.

      From ten o'clock in the morning until five o'clock in the evening the huge Portland Place house absorbed her energies. She saw it sometimes in her dreams, as a great unwieldy machine kept in place by her hand, but leaping, did she leave it for an instant, trembling, soaring, carrying destruction with it into the heart of the city.

      Meanwhile her hand was upon it. From Norris the butler, from Dorchester the guardian of the Duchess's apartments, down to the smallest, most insignificant kitchen-maid, Miss Rand knew them all. There was, of course, Mrs. Newton, the most splendid and elevating of housekeepers, but when matters below stairs went beyond her control Miss Rand could always arrange them. There was nothing, absolutely nothing, that, in the way of managing her fellow-creatures, Miss Rand could not do.

      But it was because Miss Rand never occurred to any single creature in the Portland Place house as a sentient breathing human being that she succeeded as she did. She had no prejudices, no angers, no rebellions, no rejoicings. She was the little engine at the heart of the house that sent everything into motion. "One can't imagine her eating her meals, Mrs. Newton," Mr. Norris once said. "And as to her sleeping like you or me–"

      To see her now as she put the final touches to her room before leaving it, arranging a paper here and a paper there, going to the bookshelf and pushing back a book that jutted in front of the others, setting a chair against the wall, placing the blotting-pad exactly in the middle of the table, finally taking her hat and coat and putting them on with the same careful and almost automatic distinction—this sufficiently revealed her. She seemed, as she looked for the last time about the room with her bright eyes, like some sharp little bird, perched on a window-sill, looking beyond closed windows for new adventure.

      It was one of the striking points in her that her eyes always seemed to be searching for some disorder in some place outside her immediate vision.

      She closed the door behind her. As she stepped into the passage someone was coming down the staircase to her right, and looking up she saw that it was Rachel Beaminster. Rachel was on her way from her grandmother's room, and before she saw Miss Rand standing there, waiting to let her pass, her face was grave and, in that half-light, strangely white. Then, as she saw Miss Rand, she smiled—

      "Good evening, Miss Rand."

      "Good evening, Miss Beaminster."

      "I'm afraid that this ball is giving you a lot of trouble."

      "I think that everything is arranged now, Miss Beaminster. I hope that it will be a great success."

      Rachel sighed and then laughed.

      "Don't I wish the whole stupid thing was over. And I expect you do too!"

      Miss Rand smiled a very little. "It's good for the servants," she said. "They're always happy when they're really busy."

      For a moment they stood there smiling. It occurred to Rachel that Miss Rand must be rather nice. She had never thought of her before as anything but Aunt Adela's secretary.

      "Good night, Miss Rand."

      "Good night, Miss Beaminster."

      II

      In Portland Place Miss Rand drew a little breath and paused. So many times during the last five years had she walked from Portland Place to Saxton Square, and from Saxton Square to Portland Place, that the streets and houses encountered by her had become individual, alive, always offering to her some fresh adventure or romance. Portland Place itself was no bad beginning, with its high white colour, its air, and its dark mysterious park hovering at the edge of it.

      If one had not known, Miss Rand thought, one might have supposed that just beyond it lay the sea, so fresh and full of breezes was the air. The light was yellow now and the houses black and sharp against the faint sky. In another half-hour the lamps would be lit.

      It was pleasant and fitting that the end of Portland Place should be guarded by the Round Church and the Queen's Hall. "Leave that calm and chaste society behind you," those places said, "but before you plunge into the wicked careless world (that is Oxford Circus) choose from us. Here you have religion or music, both if you will, but here at any rate we are, the very best of our kind."

      The Queen's Hall looked shabby in the evening light, but Miss Rand liked that; it heightened her sense of the splendour within—Beethoven and Wagner and Brahms needed no illumination—it was your musical comedy demanded that.

      Miss Rand liked good music.

      Then there was the Polytechnic with wonderful offers in the windows enticing you to see Rome for eleven guineas, and Paris for three, and there was a hat shop with three glorious hats wickedly dangling on poles, and there was a pastry-cook's, a tobacconist's, and a theatre agency: all this variety paving the way between music and religion and the whirling, tossing, heaving melodrama of Oxford Circus.

      Miss Rand loved Oxford Circus. It was like the sea in that it was never from one moment to another the same. Miss Rand knew the way that it had of piling the melodrama up and up, faster and faster, wilder and wilder, bursting into a frantio climax and then sinking back, for hours perhaps, into comparative silence. She knew all its moods, from its broom and milkman mood in the early morning, to its soiled and slinking mood somewhere between midnight and one o'clock.

      Just now it was getting ready for the evening. Up Regent Street the cabs and buses were straining, the flower women with their baskets were bunched in splashes of colour against the distant outline of the Round Church. Out of every door people were pouring, and in the middle of the Circus three of the four lines of traffic were turned suddenly into something sleepy and indifferent by the hand of a policeman. For an instant the restless movement seemed to be crystallized—the hansoms, the bicycles, the omnibuses, the carts were all held, then at a sign the flow and interflow had begun once more; life was hurled in and hurled out again, stirred and tossed and turned, as though some giant cook were up in the heavens busy over a giant pudding.

      And the light faded and the lamps came out, and Miss Rand, walking through two streets that were as dark and secret as though they were spying on the Circus and were going to give all its secrets away very shortly, passed into Saxton Square.

      To-night Miss Rand had more to think about than Oxford Circus. She was tired after all the work that there had been during the last few days, and she always noticed that it was when she was tired that she was ready to imagine things. She had been imagining things all day and had found it really difficult to keep steadily to her proper work, but out and beyond her imaginations there was, before her, this definite, tremendous fact—namely, that she would find, this evening, on entering her little drawing-room, that Mr. Francis Breton was being entertained at tea by her sister and mother.

      It was a quarter to seven now, so perhaps he had gone, but at any rate there would be a great deal that her mother and sister would wish to tell her about him. A week ago Mr. Francis Breton had come to live on the second floor in 24 Saxton Square, had put there his own furniture, had brought with him his own man-servant (a most sinister-looking man). These matters might have remained (although, of course, Miss Lizzie Rand's connection with the Beaminster family made his arrival of the most dramatic interest) had not Miss Daisy Rand (Miss Lizzie Rand's prettier and younger sister) happened, one evening, to run into Mr. Breton in the dark hall; she screamed aloud because she thought him a burglar, became very shaky about the knees, and needed Mr. Breton's assistance as far as the Rand drawing-room. Here, of course, there followed conversation; finally Mr. Breton was asked to tea


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