American Hero-Myths: A Study in the Native Religions of the Western Continent. Brinton Daniel Garrison
the Aztec, as it is set forth by Olmos or Sahagun, or at its power to render correctly the refinements of scholastic theology, to see how wide of the fact is any such opinion. And what is true of the Aztec, is not less so of the Qquichua and other tongues.
I will give an example, where the English language itself falls short of the nicety of the Qquichua in handling a metaphysical tenet. Cay in Qquichua expresses the real being of things, the essentia; as, runap caynin, the being of the human race, humanity in the abstract; but to convey the idea of actual being, the existentia as united to the essentia, we must add the prefix cascan, and thus have runap-cascan-caynin, which strictly means "the essence of being in general, as existent in humanity."[3] I doubt if the dialect of German metaphysics itself, after all its elaboration, could produce in equal compass a term for this conception. In Qquichua, moreover, there is nothing strained and nothing foreign in this example; it is perfectly pure, and in thorough accord with the genius of the tongue.
I take some pains to impress this fact, for it is an important one in estimating the religious ideas of the race. We must not think we have grounds for skepticism if we occasionally come across some that astonish us by their subtlety. Such are quite in keeping with the psychology and languages of the race we are studying.
Yet, throughout America, as in most other parts of the world, the teaching of religious tenets was twofold, the one popular, the other for the initiated, an esoteric and an exoteric doctrine. A difference in dialect was assiduously cultivated, a sort of "sacred language" being employed to conceal while it conveyed the mysteries of faith. Some linguists think that these dialects are archaic forms of the language, the memory of which was retained in ceremonial observances; others maintain that they were simply affectations of expression, and form a sort of slang, based on the every day language, and current among the initiated. I am inclined to the latter as the correct opinion, in many cases.
Whichever it was, such a sacred dialect is found in almost all tribes. There are fragments of it from the cultivated races of Mexico, Yucatan and Peru; and at the other end of the scale we may instance the Guaymis, of Darien, naked savages, but whose "chiefs of the law," we are told, taught "the doctrines of their religion in a peculiar idiom, invented for the purpose, and very different from the common language."[4]
This becomes an added difficulty in the analysis of myths, as not only were the names of the divinities and of localities expressed in terms in the highest degree metaphorical, but they were at times obscured by an affected pronunciation, devised to conceal their exact derivation.
The native tribes of this Continent had many myths, and among them there was one which was so prominent, and recurred with such strangely similar features in localities widely asunder, that it has for years attracted my attention, and I have been led to present it as it occurs among several nations far apart, both geographically and in point of culture. This myth is that of the national hero, their mythical civilizer and teacher of the tribe, who, at the same time, was often identified with the supreme deity and the creator of the world. It is the fundamental myth of a very large number of American tribes, and on its recognition and interpretation depends the correct understanding of most of their mythology and religious life.
The outlines of this legend are to the effect that in some exceedingly remote time this divinity took an active part in creating the world and in fitting it to be the abode of man, and may himself have formed or called forth the race. At any rate, his interest in its advancement was such that he personally appeared among the ancestors of the nation, and taught them the useful arts, gave them the maize or other food plants, initiated them into the mysteries of their religious rites, framed the laws which governed their social relations, and having thus started them on the road to self development, he left them, not suffering death, but disappearing in some way from their view. Hence it was nigh universally expected that at some time he would return.
The circumstances attending the birth of these hero-gods have great similarity. As a rule, each is a twin or one of four brothers born at one birth; very generally at the cost of their mother's life, who is a virgin, or at least had never been impregnated by mortal man. The hero is apt to come into conflict with his brother, or one of his brothers, and the long and desperate struggle resulting, which often involved the universe in repeated destructions, constitutes one of the leading topics of the myth-makers. The duel is not generally–not at all, I believe, when we can get at the genuine native form of the myth–between a morally good and an evil spirit, though, undoubtedly, the one is more friendly and favorable to the welfare of man than the other.
The better of the two, the true hero-god, is in the end triumphant, though the national temperament represented this variously. At any rate, his people are not deserted by him, and though absent, and perhaps for a while driven away by his potent adversary, he is sure to come back some time or other.
The place of his birth is nearly always located in the East; from that quarter he first came when he appeared as a man among men; toward that point he returned when he disappeared; and there he still lives, awaiting the appointed time for his reappearance.
Whenever the personal appearance of this hero-god is described, it is, strangely enough, represented to be that of one of the white race, a man of fair complexion, with long, flowing beard, with abundant hair, and clothed in ample and loose robes. This extraordinary fact naturally suggests the gravest suspicion that these stories were made up after the whites had reached the American shores, and nearly all historians have summarily rejected their authenticity, on this account. But a most careful scrutiny of their sources positively refutes this opinion. There is irrefragable evidence that these myths and this ideal of the hero-god, were intimately known and widely current in America long before any one of its millions of inhabitants had ever seen a white man. Nor is there any difficulty in explaining this, when we divest these figures of the fanciful garbs in which they have been clothed by the religious imagination, and recognize what are the phenomena on which they are based, and the physical processes whose histories they embody. To show this I will offer, in the most concise terms, my interpretation of their main details.
The most important of all things to life is Light. This the primitive savage felt, and, personifying it, he made Light his chief god. The beginning of the day served, by analogy, for the beginning of the world. Light comes before the sun, brings it forth, creates it, as it were. Hence the Light-God is not the Sun-God, but his Antecedent and Creator.
The light appears in the East, and thus defines that cardinal point, and by it the others are located. These points, as indispensable guides to the wandering hordes, became, from earliest times, personified as important deities, and were identified with the winds that blew from them, as wind and rain gods. This explains the four brothers, who were nothing else than the four cardinal points, and their mother, who dies in producing them, is the eastern light, which is soon lost in the growing day. The East, as their leader, was also the supposed ruler of the winds, and thus god of the air and rain. As more immediately connected with the advent and departure of light, the East and West are twins, the one of which sends forth the glorious day-orb, which the other lies in wait to conquer. Yet the light-god is not slain. The sun shall rise again in undiminished glory, and he lives, though absent.
By sight and light we see and learn. Nothing, therefore, is more natural than to attribute to the light-god the early progress in the arts of domestic and social life. Thus light came to be personified as the embodiment of culture and knowledge, of wisdom, and of the peace and prosperity which are necessary for the growth of learning.
The fair complexion of these heroes is nothing but a reference to the white light of the dawn. Their ample hair and beard are the rays of the sun that flow from his radiant visage. Their loose and large robes typify the enfolding of the firmament by the light and the winds.
This interpretation is nowise strained, but is simply that which, in Aryan mythology, is now universally accepted for similar mythological creations. Thus, in the Greek Phoebus and Perseus, in the Teutonic Lif, and in the Norse Baldur, we have also beneficent hero-gods, distinguished by their fair complexion and ample golden locks. "Amongst the dark as well as amongst the fair races, amongst those who are marked by black hair and dark eyes, they exhibit the same unfailing type of blue-eyed heroes whose golden locks flow over their shoulders, and whose faces gleam