The Danish History, Books I-IX. Grammaticus Saxo
These are practically the only MSS. of which we have sure information, excepting the four fragments that are now preserved. Of these by far the most interesting is the "Angers Fragment."
This was first noticed in 1863, in the Angers Library, where it was found degraded into the binding of a number of devotional works and a treatise on metric, dated 1459, and once the property of a priest at Alencon. In 1877 M. Gaston Paris called the attention of the learned to it, and the result was that the Danish Government received it next year in exchange for a valuable French manuscript which was in the Royal Library at Copenhagen. This little national treasure, the only piece of contemporary writing of the History, has been carefully photographed and edited by that enthusiastic and urbane scholar, Christian Bruun. In the opinion both of Dr. Vigfusson and M. Paris, the writing dates from about 1200; and this date, though difficult to determine, owing to the paucity of Danish MSS. of the 12th and early lath centuries, is confirmed by the character of the contents. For there is little doubt that the Fragment shows us Saxo in the labour of composition. The MSS. looks as if expressly written for interlineation. Besides a marginal gloss by a later, fourteenth century hand, there are two distinct sets of variants, in different writings, interlined and running over into the margin. These variants are much more numerous in the prose than in the verse. The first set are in the same hand as the text, the second in another hand: but both of them have the character, not of variants from some other MSS., but of alternative expressions put down tentatively. If either hand is Saxo's it is probably the second. He may conceivably have dictated both at different times to different scribes. No other man would tinker the style in this fashion. A complete translation of all these changes has been deemed unnecessary in these volumes; there is a full collation in Holder's "Apparatus Criticus". The verdict of the Angers-Fragment, which, for the very reason mentioned, must not be taken as the final form of the text, nor therefore, despite its antiquity, as conclusive against the First Edition where the two differ, is to confirm, so far as it goes, the editing of Ascensius and Pederson. There are no vital differences, and the care of the first editors, as well as the authority of their source, is thus far amply vindicated.
A sufficient account of the other fragments will be found in Holder's list. In 1855 M. Kall-Rasmussen found in the private archives at Kronborg a scrap of fourteenth century MS., containing a short passage from Bk. vii. Five years later G. F. Lassen found, at Copenhagen, a fragment of Bk. vi believed to be written in North Zealand, and in the opinion of Bruun belonging to the same codex as Kall-Rasmussen's fragment. Of another longish piece, found in Copenhagen at the end of the seventeenth century by Johannes Laverentzen, and belonging to a codex burnt in the fire of 1728, a copy still extant in the Copenhagen Museum, was made by Otto Sperling. For fragments, either extant or alluded to, of the later books, the student should consult the carefully collated text of Holder. The whole MS. material, therefore, covers but a little of Saxo's work, which was practically saved for Europe by the perseverance and fervour for culture of a single man, Bishop Urne.
SAXO AS A WRITER
Saxo's countrymen have praised without stint his remarkable style, for he has a style. It is often very bad; but he writes, he is not in vain called Grammaticus, the man of letters. His style is not merely remarkable considering its author's difficulties; it is capable at need of pungency and of high expressiveness. His Latin is not that of the Golden Age, but neither is it the common Latin of the Middle Ages. There are traces of his having read Virgil and Cicero. But two writers in particular left their mark on him. The first and most influential is Valerius Maximus, the mannered author of the "Memorabilia", who lived in the first half of the first century, and was much relished in the Middle Ages. From him Saxo borrowed a multitude of phrases, sometimes apt but often crabbed and deformed, as well as an exemplary and homiletic turn of narrative. Other idioms, and perhaps the practice of interspersing verses amid prose (though this also was a twelfth century Icelandic practice), Saxo found in a fifth-century writer, Martianus Capella, the pedantic author of the "De Nuptiis Philologiae et Mercurii" Such models may have saved him from a base mediaeval vocabulary; but they were not worthy of him, and they must answer for some of his falsities of style. These are apparent. His accumulation of empty and motley phrase, like a garish bunch of coloured bladders; his joy in platitude and pomposity, his proneness to say a little thing in great words, are only too easy to translate. We shall be well content if our version also gives some inkling of his qualities; not only of what Erasmus called his "wonderful vocabulary, his many pithy sayings, and the excellent variety of his images"; but also of his feeling for grouping, his barbaric sense of colour, and his stateliness. For he moves with resource and strength both in prose and verse, and is often only hindered by his own wealth. With no kind of critical tradition to chasten him, his force is often misguided and his work shapeless; but he stumbles into many splendours.
FOLK LORE INDEX
The mass of archaic incidents, beliefs, and practices recorded by the 12th-century writer seemed to need some other classification than a bare alphabetic index. The present plan, a subject-index practically, has been adopted with a view to the needs of the anthropologist and folk-lorist. Its details have been largely determined by the bulk and character of the entries themselves. No attempt has been made to supply full parallels from any save the more striking and obvious old Scandinavian sources, the end being to classify material rather than to point out its significance of geographic distribution. With regard to the first three heads, the reader who wishes to see how Saxo compares with the Old Northern poems may be referred to the Grimm Centenary papers, Oxford, 1886, and the Corpus Poeticurn Boreale, Oxford, 1883.
POLITICAL INSTITUTIONS
King—As portrayed by Saxo, the ideal king should be (as in "Beowulf's Lay") generous, brave and just. He should be a man of accomplishments, of unblemished body, presumably of royal kin (peasant-birth is considered a bar to the kingship), usually a son or a nephew, or brother of his foregoer (though no strict rule of succession seems to appear in Saxo), and duly chosen and acknowledged at the proper place of election. In Denmark this was at a stone circle, and the stability of these stones was taken as an omen for the king's reign. There are exceptional instances noted, as the serf-king Eormenric (cf. Guthred-Canute of Northumberland), whose noble birth washed out this blot of his captivity, and there is a curious tradition of a conqueror setting his hound as king over a conquered province in mockery.
The king was of age at twelve. A king of seven years of age has twelve Regents chosen in the Moot, in one case by lot, to bring him up and rule for him till his majority. Regents are all appointed in Denmark, in one case for lack of royal blood, one to Scania, one to Zealand, one to Funen, two to Jutland. Underkings and Earls are appointed by kings, and though the Earl's office is distinctly official, succession is sometimes given to the sons of faithful fathers. The absence of a settled succession law leads (as in Muslim States) to rebellions and plots.
Kings sometimes abdicated, giving up the crown perforce to a rival, or in high age to a kinsman. In heathen times, kings, as Thiodwulf tells us in the case of Domwald and Yngwere, were sometimes sacrificed for better seasons (African fashion), and Wicar of Norway perishes, like Iphigeneia, to procure fair winds. Kings having to lead in war, and sometimes being willing to fight wagers of battle, are short-lived as a rule, and assassination is a continual peril, whether by fire at a time of feast, of which there are numerous examples, besides the classic one on which Biarea-mal is founded and the not less famous one of Hamlet's vengeance, or whether by steel, as with Hiartuar, or by trick, as in Wicar's case above cited. The reward for slaying a king is in one case 120 gold lbs.; 19 "talents" of gold from each ringleader, 1 oz. of gold from each commoner, in the story of Godfred, known as Ref's gild, "i.e., Fox tax". In the case of a great king, Frode, his death is concealed for three years to avoid disturbance within and danger from without. Captive kings were not as a rule well treated. A Slavonic king, Daxo, offers Ragnar's son Whitesark his daughter and half his realm, or death, and the captive strangely desires death by fire. A captive king is exposed, chained to wild beasts, thrown into a serpent-pit, wherein Ragnar is given the fate of the elder Gunnar in the Eddic Lays, Atlakvida. The king is treated with great respect by his people, he is finely clad, and his commands are carried out, however abhorrent or absurd, as long as they do not upset customary or statute law. The king has slaves in his household, men and women, besides his guard of housecarles and his bearsark champions. A king's daughter has thirty slaves with her, and the footmaiden existed