The Coming Race. Эдвард Бульвер-Литтон
observed that these openings led into spacious balconies, and commanded views of the illumined landscape without. In cages suspended from the ceiling there were birds of strange form and bright plumage, which at our entrance set up a chorus of song, modulated into tune as is that of our piping bullfinches. A delicious fragrance, from censers of gold elaborately sculptured, filled the air. Several automata, like the one I had seen, stood dumb and motionless by the walls. The stranger placed me beside him on a divan and again spoke to me, and again I spoke, but without the least advance towards understanding each other.
But now I began to feel the effects of the blow I had received from the splinters of the falling rock more acutely that I had done at first.
There came over me a sense of sickly faintness, accompanied with acute, lancinating pains in the head and neck. I sank back on the seat and strove in vain to stifle a groan. On this the child, who had hitherto seemed to eye me with distrust or dislike, knelt by my side to support me; taking one of my hands in both his own, he approached his lips to my forehead, breathing on it softly. In a few moments my pain ceased; a drowsy, heavy calm crept over me; I fell asleep.
How long I remained in this state I know not, but when I woke I felt perfectly restored. My eyes opened upon a group of silent forms, seated around me in the gravity and quietude of Orientals—all more or less like the first stranger; the same mantling wings, the same fashion of garment, the same sphinx-like faces, with the deep dark eyes and red man’s colour; above all, the same type of race—race akin to man’s, but infinitely stronger of form and grandeur of aspect—and inspiring the same unutterable feeling of dread. Yet each countenance was mild and tranquil, and even kindly in expression. And, strangely enough, it seemed to me that in this very calm and benignity consisted the secret of the dread which the countenances inspired. They seemed as void of the lines and shadows which care and sorrow, and passion and sin, leave upon the faces of men, as are the faces of sculptured gods, or as, in the eyes of Christian mourners, seem the peaceful brows of the dead.
I felt a warm hand on my shoulder; it was the child’s. In his eyes there was a sort of lofty pity and tenderness, such as that with which we may gaze on some suffering bird or butterfly. I shrank from that touch—I shrank from that eye. I was vaguely impressed with a belief that, had he so pleased, that child could have killed me as easily as a man can kill a bird or a butterfly. The child seemed pained at my repugnance, quitted me, and placed himself beside one of the windows. The others continued to converse with each other in a low tone, and by their glances towards me I could perceive that I was the object of their conversation. One in especial seemed to be urging some proposal affecting me on the being whom I had first met, and this last by his gesture seemed about to assent to it, when the child suddenly quitted his post by the window, placed himself between me and the other forms, as if in protection, and spoke quickly and eagerly. By some intuition or instinct I felt that the child I had before so dreaded was pleading in my behalf. Ere he had ceased another stranger entered the room. He appeared older than the rest, though not old; his countenance less smoothly serene than theirs, though equally regular in its features, seemed to me to have more the touch of a humanity akin to my own. He listened quietly to the words addressed to him, first by my guide, next by two others of the group, and lastly by the child; then turned towards myself, and addressed me, not by words, but by signs and gestures. These I fancied that I perfectly understood, and I was not mistaken. I comprehended that he inquired whence I came. I extended my arm, and pointed towards the road which had led me from the chasm in the rock; then an idea seized me. I drew forth my pocket-book, and sketched on one of its blank leaves a rough design of the ledge of the rock, the rope, myself clinging to it; then of the cavernous rock below, the head of the reptile, the lifeless form of my friend. I gave this primitive kind of hieroglyph to my interrogator, who, after inspecting it gravely, handed it to his next neighbour, and it thus passed round the group. The being I had at first encountered then said a few words, and the child, who approached and looked at my drawing, nodded as if he comprehended its purport, and, returning to the window, expanded the wings attached to his form, shook them once or twice, and then launched himself into space without. I started up in amaze and hastened to the window. The child was already in the air, buoyed on his wings, which he did not flap to and fro as a bird does, but which were elevated over his head, and seemed to bear him steadily aloft without effort of his own. His flight seemed as swift as an eagle’s; and I observed that it was towards the rock whence I had descended, of which the outline loomed visible in the brilliant atmosphere. In a very few minutes he returned, skimming through the opening from which he had gone, and dropping on the floor the rope and grappling-hooks I had left at the descent from the chasm. Some words in a low tone passed between the being present; one of the group touched an automaton, which started forward and glided from the room; then the last comer, who had addressed me by gestures, rose, took me by the hand, and led me into the corridor. There the platform by which I had mounted awaited us; we placed ourselves on it and were lowered into the hall below. My new companion, still holding me by the hand, conducted me from the building into a street (so to speak) that stretched beyond it, with buildings on either side, separated from each other by gardens bright with rich-coloured vegetation and strange flowers. Interspersed amidst these gardens, which were divided from each other by low walls, or walking slowly along the road, were many forms similar to those I had already seen. Some of the passers-by, on observing me, approached my guide, evidently by their tones, looks, and gestures addressing to him inquiries about myself. In a few moments a crowd collected around us, examining me with great interest, as if I were some rare wild animal. Yet even in gratifying their curiosity they preserved a grave and courteous demeanour; and after a few words from my guide, who seemed to me to deprecate obstruction in our road, they fell back with a stately inclination of head, and resumed their own way with tranquil indifference. Midway in this thoroughfare we stopped at a building that differed from those we had hitherto passed, inasmuch as it formed three sides of a vast court, at the angles of which were lofty pyramidal towers; in the open space between the sides was a circular fountain of colossal dimensions, and throwing up a dazzling spray of what seemed to me fire. We entered the building through an open doorway and came into an enormous hall, in which were several groups of children, all apparently employed in work as at some great factory. There was a huge engine in the wall which was in full play, with wheels and cylinders resembling our own steam-engines, except that it was richly ornamented with precious stones and metals, and appeared to emanate a pale phosphorescent atmosphere of shifting light. Many of the children were at some mysterious work on this machinery, others were seated before tables. I was not allowed to linger long enough to examine into the nature of their employment. Not one young voice was heard—not one young face turned to gaze on us. They were all still and indifferent as may be ghosts, through the midst of which pass unnoticed the forms of the living.
Quitting this hall, my guide led me through a gallery richly painted in compartments, with a barbaric mixture of gold in the colours, like pictures by Louis Cranach. The subjects described on these walls appeared to my glance as intended to illustrate events in the history of the race amidst which I was admitted. In all there were figures, most of them like the manlike creatures I had seen, but not all in the same fashion of garb, nor all with wings. There were also the effigies of various animals and birds, wholly strange to me, with backgrounds depicting landscapes or buildings. So far as my imperfect knowledge of the pictorial art would allow me to form an opinion, these paintings seemed very accurate in design and very rich in colouring, showing a perfect knowledge of perspective, but their details not arranged according to the rules of composition acknowledged by our artists—wanting, as it were, a centre; so that the effect was vague, scattered, confused, bewildering—they were like heterogeneous fragments of a dream of art.
We now came into a room of moderate size, in which was assembled what I afterwards knew to be the family of my guide, seated at a table spread as for repast. The forms thus grouped were those of my guide’s wife, his daughter, and two sons. I recognised at once the difference between the two sexes, though the two females were of taller stature and ampler proportions than the males; and their countenances, if still more symmetrical in outline and contour, were devoid of the softness and timidity of expression which give charm to the face of woman as seen on the earth above. The wife wore no wings, the daughter wore wings longer than those of the males.
My guide uttered a few words, on which all the persons seated rose, and with that peculiar mildness of look and manner which