Royal Edinburgh: Her Saints, Kings, Prophets and Poets. Маргарет Олифант
ABBEY
The royal house at Dunfermline, according to the chronicle, was surrounded by a dense forest and guarded by immense cliffs. The latter particular, however, it is difficult to accept, for the dell in which the ruins of the mediæval palace (a building much more recent, it is needless to say, than that of Malcolm) still stand, though picturesque in its acclivities and precipices, is as far as possible from including any cliffs that could be called immense. The young Queen made a great change in the internal arrangements of what was no doubt a grim stronghold enough, soft as was the country around. Probably the absence of decoration and ornament struck her painfully, accustomed as she was to palaces of a very different kind—for almost the first thing we hear in the contemporary history written by her confessor Theodoric, afterwards a monk at Durham, is of the workshops and rooms for embroidery and all the arts which were established in Dunfermline, presumably in the palace itself under Margaret's own eye, for the beautifying of the great church which she founded there, and also no doubt for her own house. Certain women of good birth were judged worthy to share the Queen's work, and lived with her, it would seem, in a kind of seclusion, seeing only such chosen visitors as Margaret brought with her to cheer their labours, and forswearing all idle talk and frivolity. The Queen had such austerity mingled with her graciousness and such grace with her severity, says her monkish biographer, loving an antithesis, that all feared and respected her presence. "Her life was full of moderation and gentleness, her speech contained the very salt of wisdom; even her silence was full of good thoughts."
This biographer—according to the conscientious and painstaking investigations of the Bollandist Fathers, who examine in their careful way all the guarantees and traditions of the manuscript with a jealousy worthy of the most enlightened historians—is not Turgot, who is usually credited with it, but Theodoric, a monk of Durham, who must have shared with Turgot, at some period of his life, the office of spiritual director and confidant to the Queen. It is curious that both these writers should have passed from the northern Court to the community at Durham, of which Turgot was prior and Theodoric a simple brother; yet not so strange either, for Durham was largely patronised and enriched by Margaret and her husband, their kingdom at this period reaching as far south. Of Turgot's Life, which was presumably written in the vernacular, there seems nothing existing; but that of Theodoric is very full, and contains many details which set before us the life of the simple Court, with its many labours and charities: the King full of reverence and tender surprise and admiration of all his wife's perfections; the young saint herself, sweet and bright in modest gravity amid a tumultuous world little respectful of women, full of the excessive charity of the age and of her race, and of those impulses of decoration and embellishment which were slow to develop among the ruder difficulties of the north. Theodoric himself must have been more or less of an artist, for in speaking of the "golden vases" and ornaments for the altars of her new church which Margaret devised, "I myself carried out the work," he says. These must have been busy days in Malcolm's primitive palace while the workmen were busy with the great cathedral close by, the mason with his mallet, the homely sculptor with his chisel, carving those interlaced and embossed arches which still stand, worn and gray, but little injured, in the wonderful permanency of stone, in the nave of the old Abbey of Dunfermline: while the Queen's rooms opened into the hall where her ladies sat over their embroidery, among all the primitive dyes that art had caught from herbs and traditional mixtures, on one hand—and on the other into noisier workshops, where workmen with skilful delicate hammers were beating out the shining gold and silver into sacred vessels and symbols of piety. Margaret along with her stores of more vulgar wealth, and the ingots which were consecrated to the manufacture of crucifix and chalice, had brought many holy relics: and no doubt the cases and shrines in which these were enclosed afforded models for the new, over which Father Theodoric, with his monkish cape and cowl laid aside, and his shaven crown shining in the glow of the furnace, was so busy. What a pleasant stir of occupation and progress, the best and most trustworthy evidences of growing civilisation, must have arisen within the shelter of the woods which framed that centre of development and new life: the new abbey rising day by day, a white and splendid reality in the clearing among the trees; the bells, symbols of peace and pleasantness, sounding out over the half-savage country; the chants and songs of divine worship swelling upward to the skies. Margaret's royal manufactory of beautiful things, her tapestries and metal work, her adaptation of all the possibilities of ornament latent in every primitive community, with the conviction, always ennobling to art, that by these means of sacred adornment she and her assistants and coadjutors were serving and pleasing God, no doubt consoled her ardent and active spirit for the loss of many comforts and graces with which she must have been familiar. At the same time her new sphere of influence was boundless, and the means in her hand of leavening and moulding her new country almost unlimited—a thing above all others delightful to a woman, to whom the noiseless and gradual operation of influence is the chief weapon in the world.
WEST TOWER, DUNFERMLINE ABBEY
There is nothing, however, in this history more charming than the description of the relations between the royal pair. King Malcolm had probably known few graces in life except those, a step or two in advance of his own, which were to be found in Northumberland in the house of Earl Siward; and after the long practical struggle of his reign between the Scots and Celts, who had already so far settled down together as to constitute something which could be called a kingdom, he had no doubt fallen even from that higher plane of civilisation. Such rude state as the presence of a queen even in those primitive days might have procured had been wanting, and all his faculties were probably absorbed in keeping peace between the unruly chieftains, and fostering perhaps here and there the first rising of a little community of burghers, strong enough by union to defend themselves. Uneasy, there can be little doubt, was often the head which bore the circlet of troubled supremacy among all those half-subdued tribes; and his dwelling in the heart of the "dense forest," amid all the noisy retainers in the hall and jealous nobles in the council chamber, would leave little room for beauty or sweetness of any kind. When the stranger princess suddenly came in like an enchantment, with her lovely looks and "jocund eloquence"—full of smiles and pleasant speech, yet with a dignity which overawed every rude beholder—into these rude and noisy halls, with so many graceful ways and beautiful garments and sparkling jewels, transforming the very chambers with embroidered hangings and all the rare embellishments of a lady's bower, with which no doubt the ship had been provided, and which mediæval princesses, like modern fine ladies, carried about with them—the middle-aged man of war was evidently altogether subdued and enraptured. To see her absorbed in prayer—an exercise which Malcolm had perhaps felt to be the occupation of monks and hermits only—to see her bending over her beautiful book with all its pictures, reading the sacred story there, filled him with awe and a kind of adoration. He could not himself read, which made the wonder all the more; but though incapable of mastering what was within, he loved to handle and turn over the book from which his beautiful wife derived her wisdom, touching it with his rude hands with caressing touches, and kissing the pages she loved. When he found one manuscript which she particularly esteemed, he "sent for his goldsmith" and had the vellum encased in gold and ornamented with jewels; then carried it back to her with such fond pleasure as may be easily imagined. Margaret on her part did what she could to secure to her King some of the punctilios of reverential respect due in her knowledge to a monarch. She suggested the formation of a royal guard to protect the King's person and surround him with honour and observance. She filled the palace with her wealth, adorning it in every way, providing fine clothes for the retainers and so enriching the house that the table was served with dishes of gold and silver. And it would seem that the reputation of a new and splendid Court thus suddenly evolved among the northern mists got abroad, and brought merchants with their wares up the Firth, and quickened, if it did not altogether originate, the first feeble current of trade which was the precursor and origin of all our after wealth in Scotland.
THE NAVE, DUNFERMLINE ABBEY—LOOKING WEST
QUEEN MARGARET'S CAVE
This was not all, however, that Margaret did for the commonwealth.