The Atlantic Monthly, Volume 07, No. 42, April, 1861. Various
surprising, in the midst of our Museums and Scientific Schools, how little we yet know of the common things before our eyes. Our savans still confess their inability to discriminate with certainty the egg or tadpole of a frog from that of a toad; and it is strange that these hopping creatures, which seem so unlike, should coincide so nearly in their juvenile career, while the tritons and salamanders, which border so closely on each other in their maturer state as sometimes to be hardly distinguishable, yet choose different methods and different elements for laying their eggs. The eggs of our salamanders or land-lizards are deposited beneath the moss on some damp rock, without any gelatinous envelope; they are but few in number, and the anxious mamma may sometimes be found coiled in a circle around them, like the symbolic serpent of eternity.
The small number of birds yet present in early April gives a better opportunity for careful study,—more especially if one goes armed with that best of fowling-pieces, a small spy-glass: the best,—since how valueless for purposes of observation is the bleeding, gasping, dying body, compared with the fresh and living creature, as it tilts, trembles, and warbles on the bough before you! Observe that robin in the oak-tree's top: as he sits and sings, every one of the dozen different notes which he flings down to you is accompanied by a separate flirt and flutter of his whole body, and, as Thoreau says of the squirrel, "each movement seems to imply a spectator," and to imply, further, that the spectator is looking through a spy-glass. Study that song-sparrow: why is it that he always goes so ragged in spring, and the bluebird so neat? is it that the song-sparrow is a wild artist, absorbed in the composition of his lay, and oblivious of ordinary proprieties, while the smooth bluebird and his ash-colored mate cultivate their delicate warble only as a domestic accomplishment, and are always nicely dressed before sitting down to the piano? Then how exciting is the gradual arrival of the birds in their summer-plumage! to watch it is as good as sitting at the window on Easter Sunday to observe the new bonnets. Yonder, in that clump of alders by the brook, is the delicious jargoning of the first flock of yellow-birds; there are the little gentlemen in black and yellow, and the little ladies in olive-brown; "sweet, sweet, sweet" is the only word they say, and often they will so lower their ceaseless warble, that, though almost within reach, the little minstrels seem far away. There is the very earliest cat-bird, mimicking the bobolink before the bobolink has come: what is the history of his song, then? is it a reminiscence of last year? or has the little coquette been practising it all winter, in some gay Southern society, where cat-birds and bobolinks grow intimate, just as Southern fashionables from different States may meet and sing duets at Saratoga? There sounds the sweet, low, long-continued trill of the little hair-bird, or chipping-sparrow, a suggestion of insect sounds in sultry summer, and produced, like them, by a slight fluttering of the wings against the sides: by-and-by we shall sometimes hear that same delicate rhythm burst the silence of the June midnights, and then, ceasing, make stillness more still. Now watch that woodpecker, roving in ceaseless search, travelling over fifty trees in an hour, running from top to bottom of some small sycamore, pecking at every crevice, pausing to dot a dozen inexplicable holes in a row upon an apple-tree, but never once intermitting the low, querulous murmur of housekeeping anxiety: now she stops to hammer with all her little life at some tough piece of bark, strikes harder and harder blows, throws herself back at last, flapping her wings furiously as she brings down her whole strength again upon it; finally it yields, and grub after grub goes down her throat, till she whets her beak after the meal as a wild beast licks its claws, and off on her pressing business once more.
It is no wonder that there is so little substantial enjoyment of Nature in the community, when we feed children on grammars and dictionaries only, and take no pains to train them to see that which is before their eyes. The mass of the community have "summered and wintered" the universe pretty regularly, one would think, for a good many years; and yet nine persons out of ten in the town or city, and two out of three even in the country, seriously suppose, for instance, that the buds upon trees are formed in the spring; they have had them before their eyes all winter, and never seen them. As large a proportion suppose, in good faith, that a plant grows at the base of the stem, instead of at the top: that is, if they see a young sapling in which there is a crotch at five feet from the ground, they expect to see it ten feet from the ground by-and-by,—confounding the growth of a tree with that of a man or animal. But perhaps the best of us could hardly bear the severe test unconsciously laid down by a small child of my acquaintance. The boy's father, a college-bred man, had early chosen the better part, and employed his fine faculties in rearing laurels in his own beautiful nursery-gardens, instead of in the more arid soil of court-rooms or state-houses. Of course the young human scion knew the flowers by name before he knew his letters, and used their symbols more readily; and after he got the command of both, he was one day asked by his younger brother what the word idiot meant,—for somebody in the parlor had been saying that somebody else was an idiot. "Don't you know?" quoth Ben, in his sweet voice: "an idiot is a person who doesn't know an arbor-vitae from a pine,—he doesn't know anything." When Ben grows up to maturity, bearing such terrible tests in his unshrinking hands, who of us will be safe?
The softer aspects of Nature, especially, require time and culture before man can enjoy them. To rude races her processes bring only terror, which is very slowly outgrown. Humboldt has best exhibited the scantiness of finer natural perceptions in Greek and Roman literature, in spite of the grand oceanic anthology of Homer, and the delicate water-coloring of the Greek Anthology and of Horace. The Oriental and the Norse sacred books are full of fresh and beautiful allusions; but the Greek saw in Nature only a framework for Art, and the Roman only a camping-ground for men. Even Virgil describes the grotto of Aeneas merely as a "black grove" with "horrid shade,"—"Horrenti atrum nemus imminet umbrâ." Wordsworth points out, that, even in English literature, the "Windsor Forest" of Anne, Countess of Winchelsea, was the first poem which represented Nature as a thing to be consciously enjoyed; and as she was almost the first English poetess, we might be tempted to think that we owe this appreciation, like some other good things, to the participation of woman in literature. But, on the other hand, it must be remembered that the voluminous Duchess of Newcastle, in her "Ode on Melancholy," describes among the symbols of hopeless gloom "the still moonshine night" and "a mill where rushing waters run about,"—the sweetest natural images. So woman has not so much to claim, after all. In our own country, the early explorers seemed to find only horror in its woods and waterfalls. Josselyn, in 1672, could only describe the summer splendor of the White Mountain region as "dauntingly terrible, being full of rocky hills, as thick as mole-hills in a meadow, and full of infinite thick woods." Father Hennepin spoke of Niagara, in the narrative still quoted in the guide-books, as a "frightful cataract"; though perhaps his original French phrase was softer. And even John Adams could find no better name than "horrid chasm" for the gulf at Egg Rock, where he first saw the sea-anemone.
But we are lingering too long, perhaps, with this sweet April of smiles and tears. It needs only to add that all her traditions are beautiful. Ovid says well, that she was not named from aperire, to open, as some have thought, but from Aphrodite, goddess of beauty. April holds Easter-time, St. George's Day, and the Eve of St. Mark's. She has not, like her sister May in Germany, been transformed to a verb and made a synonyme for joy,—"Deine Seele maiet den trüben Herbst"—but April was believed in early ages to have been the birth-time of the world. According to Venerable Bede, the point was first accurately determined at a council held at Jerusalem about A.D. 200, when, after much profound discussion, it was finally decided that the world's birthday occurred on Sunday, April eighth,—that is, at the vernal equinox and the full moon. But April is certainly the birth-time of the year, at least, if not of the planet. Its festivals are older than Christianity, older than the memory of man. No sad associations cling to it, as to the month of June, in which month, says William of Malmesbury, kings are wont to go to war,—"Quando solent reges ad arma procedere,"—but it holds the Holy Week, and it is the Holy Month. And in April Shakspeare was born, and in April he died.
THE PROFESSOR'S STORY
CHAPTER XXIX
When Helen returned to Elsie's bedside, it was with a new and still deeper feeling of sympathy, such as the story told by Old Sophy might well awaken. She understood, as never before, the singular fascination and as singular repulsion which she had long felt in Elsie's presence. It had not been without a great effort that she had forced herself to become