A Kentucky Cardinal. Allen James Lane

A Kentucky Cardinal - Allen James Lane


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so that they may have a better chance for seeds above the stingy level of the universal white. Of late I have opened a pawnbroker's shop for my hard-pressed brethren in feathers, lending at a fearful rate of interest; for every borrowing Lazarus will have to pay me back in due time by monthly instalments of singing. I shall have mine own again with usury. But were a man never so usurious, would he not lend a winter seed for a summer song? Would he refuse to invest his stale crumbs in an orchestra of divine instruments and a choir of heavenly voices? And to-day, also, I ordered from a nursery-man more trees of holly, juniper, and fir, since the storm-beaten cedars will have to come down. For in Kentucky, when the forest is naked, and every shrub and hedge-row bare, what would become of our birds in the universal rigor and exposure of the world if there were no evergreens—nature's hostelries for the homeless ones? Living in the depths of these, they can keep snow, ice, and wind at bay; prying eyes cannot watch them, nor enemies so well draw near; cones or seed or berries are their store; and in these untrodden chambers each can have the sacred company of his mate. But wintering here has terrible risks which few run. Scarcely in autumn have the leaves begun to drop from their high perches silently downward when the birds begin to drop away from the bare boughs silently southward. Lo! some morning the leaves are on the ground, and the birds have vanished. The species that remain, or that come to us then, wear the hues of the season, and melt into the tone of Nature's background—blues, grays, browns, with touches of white on tail and breast and wing for coming flecks of snow.

      Save only him—proud, solitary stranger in our unfriendly land—the fiery grosbeak. Nature in Kentucky has no wintry harmonies for him. He could find these only among the tufts of the October sumac, or in the gum-tree when it stands a pillar of red twilight fire in the dark November woods, or in the far depths of the crimson sunset skies, where, indeed, he seems to have been nested, and whence to have come as a messenger of beauty, bearing on his wings the light of his diviner home.

      With almost everything earthly that he touches this high herald of the trees is in contrast. Among his kind he is without a peer. Even when the whole company of summer voyagers have sailed back to Kentucky, singing and laughing and kissing one another under the enormous green umbrella of Nature's leaves, he still is beyond them all in loveliness. But when they have been wafted away again to brighter skies and to soft islands over the sea, and he is left alone on the edge of that Northern world which he has dared invade and inhabit, it is then, amid black clouds and drifting snows, that the gorgeous cardinal stands forth in the ideal picture of his destiny. For it is than that his beauty I most conspicuous, and that Death, lover of the peerless, strikes at him from afar. So that he retires to the twilight solitude of his wild fortress. Let him even show his noble head and breast at a slit in its green window-shades, and a ray flashes from it to the eye of a cat; let him, as spring comes on, burst out in desperation and mount to the tree-tops which he loves, and his gleaming red coat betrays him to the poised hawk as to a distant sharpshooter; in the barn near by an owl is waiting to do his night marketing at various tender-meat stalls; and, above all, the eye and heart of man are his diurnal and nocturnal foe. What wonder if he is so shy, so rare, so secluded, this flame-colored prisoner in dark-green chambers, who has only to be seen or heard and Death adjusts an arrow. No vast Southern swamps or forest of pine here into which he may plunge. If he shuns man in Kentucky, he must haunt the long lonely river valleys where the wild cedars grow. If he comes into this immediate swarming pastoral region, where the people, with ancestral love of privacy, and not from any kindly thought of him, plant evergreens around their country homes, he must live under the very guns and amid the pitfalls of the enemy. Surely, could the first male of the species have foreseen how, through the generations of his race to come, both their beauty and their song, which were meant to announce them to Love, would also announce them to Death, he must have blanched snow-white with despair and turned as mute as a stone. Is it this flight from the inescapable just behind that makes the singing of the red-bird thoughtful and plaintive, and, indeed, nearly all the wild sounds of nature so like the outcry of the doomed? He will sit for a long time silent and motionless in the heart of a cedar, as if absorbed in the tragic memories of his race. Then, softly, wearily, he will call out to you and to the whole world: Peace..Peace..Peace..Peace..Peace..!—the most melodious sigh that ever issued from the clefts of a dungeon.

      For color and form, brilliant singing, his very enemies, and the bold nature he has never lost, I have long been most interested in this bird. Every year several pairs make their appearance about my place. This winter especially I have been feeding a pair; and there should be finer music in the spring, and a lustier brood in summer.

      III

      March has gone like its winds. The other night as I lay awake with that yearning which often beats within, there fell from the upper air the notes of the wild gander as he wedged his way onward by faith, not by sight, towards his distant bourn. I rose and, throwing the unseen and unseeing explorer, startled, as a half-asleep soldier might be startled by the faint bugle-call of his commander, blown to him from the clouds. What far-off lands, streaked with mortal dawn, does he believe in? In what soft sylvan water will he bury his tired breast? Always when I hear his voice, often when not, I too desire to be up and gone out of these earthly marshes where hunts the darker Fowler—gone to some vast, pure, open sea, where, one by one, my scattered kind, those whom I love and those who love me, will arrive in safety, there to be together.

      March is a month when the needle of my nature dips towards the country. I am away, greeting everything as it wakes out of winter sleep, stretches arms upward and legs downward, and drinks goblet after goblet of young sunshine. I must find the dark green snowdrop, and sometimes help to remove from her head, as she lifts it slowly from her couch, the frosted nightcap, which the old Nurse would still insist that she should wear. The pale green tips of daffodils are a thing of beauty. There is the sun-struck brook of the field, underneath the thin ice of which drops form and fall, form and fall, like big round silvery eyes that grow bigger and brighter with astonishment that you should laugh at them as they vanish. But most I love to see Nature do her spring house-cleaning in Kentucky, with the rain-clouds for her water-buckets and the winds for her brooms. What an amount of drenching and sweeping she can do in a day! How she dashes pailful and pailful into every corner, till the whole earth is as clean as a new floor! Another day she attacks the piles of dead leaves, where they have lain since last October, and scatters them in a trice, so that every cranny may be sunned and aired. Or, grasping her long brooms by the handles, she will go into the woods and beat the icicles off the big trees as a housewife would brush down cobwebs; so that the released limbs straighten up like a man who has gotten out of debt, and almost say to you, joyfully, "Now, then, we are all right again!" This done, she begins to hang up soft new curtains at the forest windows, and to spread over her floor a new carpet of an emerald loveliness such as no mortal looms could ever have woven. And then, at last, she sends out invitations through the South, and even to some tropical lands, for the birds to come and spend the summer in Kentucky. The invitations are sent out in March, and accepted in April and May, and by June her house is full of visitors.

      Not the eyes alone love Nature in March. Every other sense hies abroad. My tongue hunts for the last morsel of wet snow on the northern root of some aged oak. As one goes early to a concert-hall with a passion even for the preliminary tuning of the musicians, so my ear sits alone in the vast amphitheatre of Nature and waits for the earliest warble of the blue-bird, which seems to start up somewhere behind the heavenly curtains. And the scent of spring, is it not the first lyric of the nose—that despised poet of the senses?

      But this year I have hardly glanced at the small choice edition of Nature's spring verses. This by reason of the on-coming Cobbs, at the mere mention of whom I feel as though I were plunged up to my eyes in a vat of the prosaic. Some days ago workmen went into the house and all but scoured the very memory of Jacob off the face of the earth. Then there has been need to quiet Mrs. Walters.

      Mrs. Walters does not get into our best society; so that the town is to her like a pond to a crane: she wades round it, going in as far as she can, and snatches up such small fry as come shoreward from the middle. In this way lately I have gotten hints of what is stirring in the vasty deeps of village opinion.

      Mrs. Cobb is charged, among other dreadful things, with having ordered of the town manufacturer a carriage that is to be as fine as President Taylor's, and with marching into church preceded


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