Mary Erskine. Abbott Jacob
at the idea of such absurd folly as Beechnut had described, that he tumbled off the bannisters, but fortunately he fell in, towards the stairs, and was very little hurt. He came down the stairs to Malleville, and as Beechnut returned in a few minutes with the whip, they all went out towards the barn together.
Beechnut had already put the bags of grain into the wagon behind, and now he assisted Phonny and Malleville to get in. He gave them the whole of the seat, in order that they might have plenty of room, and also that they might be high up, where they could see. He had a small bench which was made to fit in, in front, and which he was accustomed to use for himself, as a sort of driver's seat, whenever the wagon was full. He placed this bench in its place in front, and taking his seat upon it, he drove away.
When the party had thus fairly set out, and Phonny and Malleville had in some measure finished uttering the multitude of exclamations of delight with which they usually commenced a ride, they began to wish that Beechnut would tell them a story. Now Beechnut was a boy of boundless fertility of imagination, and he was almost always ready to tell a story. His stories were usually invented on the spot, and were often extremely wild and extravagant, both in the incidents involved in them, and in the personages whom he introduced as actors. The extravagance of these tales was however usually no objection to them in Phonny's and Malleville's estimation. In fact Beechnut observed that the more extravagant his stories were, the better pleased his auditors generally appeared to be in listening to them. He therefore did not spare invention, or restrict himself by any rules either of truth or probability in his narratives. Nor did he usually require any time for preparation, but commenced at once with whatever came into his head, pronouncing the first sentence of his story, very often without any idea of what he was to say next.
On this occasion Beechnut began as follows:
"Once there was a girl about three years old, and she had a large black cat. The cat was of a jet black color, and her fur was very soft and glossy. It was as soft as silk.
"This cat was very mischievous and very sly. She was very sly: very indeed. In fact she used to go about the house so very slyly, getting into all sorts of mischief which the people could never find out till afterwards, that they gave her the name of Sligo. Some people said that the reason why she had that name was because she came from a place called Sligo, in Ireland. But that was not the reason. It was veritably and truly because she was so sly."
Beechnut pronounced this decision in respect to the etymological import of the pussy's name in the most grave and serious manner, and Malleville and Phonny listened with profound attention.
"What was the girl's name?" asked Malleville.
"The girl's?" repeated Beechnut. "Oh, her name was—Arabella."
"Well, go on," said Malleville.
"One day," continued Beechnut, "Sligo was walking about the house, trying to find something to do. She came into the parlor. There was nobody there. She looked about a little, and presently she saw a work-basket upon the corner of a table, where Arabella's mother had been at work. Sligo began to look at the basket, thinking that it would make a good nest for her to sleep in, if she could only get it under the clock. The clock stood in a corner of the room.
"Sligo accordingly jumped up into a chair, and from the chair to the table, and then pushing the basket along nearer and nearer to the edge of the table, she at last made it fall over, and all the sewing and knitting work, and the balls, and needles, and spools, fell out upon the floor. Sligo then jumped down and pushed the basket along toward the clock. She finally got it under the clock, crept into it, curled herself round into the form of a semicircle inside, so as just to fill the basket, and went to sleep.
"Presently Arabella came in, and seeing the spools and balls upon the floor, began to play with them. In a few minutes more, Arabella's mother came in, and when she saw Arabella playing with these things upon the floor, she supposed that Arabella herself was the rogue that had thrown the basket off the table. Arabella could not talk much. When her mother accused her of doing this mischief, she could only say "No;" "no;" but her mother did not believe her. So she made her go and stand up in the corner of the room, for punishment, while Sligo peeped out from under the clock to see."
"But you said that Sligo was asleep," said Phonny.
"Yes, she went to sleep," replied Beechnut, "but she waked up when Arabella's mother came into the room."
Beechnut here paused a moment to consider what he should say next, when suddenly he began to point forward to a little distance before them in the road, where a boy was to be seen at the side of the road, sitting upon a stone.
"I verily believe it is Jemmy," said he.
As the wagon approached the place where Jemmy was sitting, they found that he was bending down over his foot, and moaning with, pain. Beechnut asked him what was the matter. He said that he had sprained his foot dreadfully. Beechnut stopped the horse, and giving the reins to Phonny, he got out to see. Phonny immediately gave them to Malleville, and followed.
"Are you much hurt?" asked Beechnut.
"Oh, yes," said Jemmy, moaning and groaning; "oh dear me!"
Beechnut then went back to the horse, and taking him by the bridle, he led him a little way out of the road, toward a small tree, where he thought he would stand, and then taking Malleville out, so that she might not be in any danger if the horse should chance to start, he went back to Jemmy.
"You see," said Jemmy, "I was going to mill, and I was riding along here, and the horse pranced about and threw me off and sprained my foot. Oh dear me! what shall I do?"
"Where is the horse?" asked Beechnut.
"There he is," said Jemmy, "somewhere out there. He has gone along the road. And the bags have fallen off too. Oh dear me!"
Phonny ran out into the road, and looked forward. He could see the horse standing by the side of the road at some distance, quietly eating the grass. A little this side of the place where the horse stood, the bags were lying upon the ground, not very far from each other.
The story which Jemmy told was not strictly true. He was one of the boys of the village, and was of a wild and reckless character. This was, however, partly his father's fault, who never gave him any kind and friendly instruction, and always treated him with a great degree of sternness and severity.
A circus company had visited Franconia a few weeks before the time of this accident, and Jemmy had peeped through the cracks of the fence that formed their enclosure, and had seen the performers ride around the ring, standing upon the backs of the horses. He was immediately inspired with the ambition to imitate this feat, and the next time that he mounted his father's horse, he made the attempt to perform it. His father, when he found it out, was very angry with him, and sternly forbade him ever to do such a thing again. He declared positively that if he did, he would whip him to death, as he said. Jemmy was silent, but he secretly resolved that he would ride standing again, the very first opportunity.
Accordingly, when his father put the two bags of grain upon the horse, and ordered Jemmy to go to mill with them, Jemmy thought that the opportunity had come. He had observed that the circus riders, instead of a saddle, used upon the backs of their horses a sort of flat pad, which afforded a much more convenient footing than any saddle; and as to standing on the naked back of a horse, it was manifestly impossible for any body but a rope-dancer. When, however, Jemmy saw his father placing the bags of grain upon the horse, he perceived at once that a good broad and level surface was produced by them, which was much more extended and level, even than the pads of the circus-riders. He instantly resolved, that the moment that he got completely away from the village, he would mount upon the bags and ride standing—and ride so, too, just as long as he pleased.
Accordingly, as soon as he had passed the house where Phonny lived, which was the last house in that direction for some distance, he looked round in order to be sure that his father was not by any accident behind him, and then climbing up first upon his knees, and afterward upon his feet, he drew up the reins cautiously, and then chirruped to the horse to go on. The horse began to move slowly along. Jemmy was surprised and delighted to find how firm his footing was on the broad surface of the bags. Growing more and more bold and confident as he became accustomed to his situation, he