Innocence. Dean Koontz
of me, from right to left, apparently so sure of his quarry’s location that he didn’t glance in either direction as he crossed my aisle and disappeared. I thought that he must have registered my presence peripherally and that he would startle back for a more direct look, but he kept moving.
He’d been dressed in a suit and tie, minus the coat, the sleeves of his white shirt rolled up, which suggested that he belonged here, worked here in a position of authority. But something about him—perhaps his intensity, his grimly set mouth, his hands clenched in big bony fists—convinced me that his intentions were suspect if not even dishonorable.
I dared to follow him, but by the time I turned the corner, he had vanished. Even as familiar as I had become with the library, this might be his labyrinth more than mine. If his role was the Minotaur of legend and if my role was Theseus, who destroyed such beasts, this might end badly for the good guys, considering that I’d never killed anything, monsters or otherwise.
The girl cried out and the man shouted, “Bitch, you little bitch, I’ll kill you,” and the girl cried out again. The clump-and-thud of avalanching books suggested that someone must be using the weapon of knowledge in an unconventional fashion.
The acoustics of the enormous room were deceiving. The ornate and gilded ceiling coffers, the limestone walls, the marble floor, the endless partitions of muffling books alternately absorbed and ricocheted sounds until it seemed that the brief battle was being waged in every aisle of the stacks, to all sides of me. Then sudden silence.
I stood in an intersection, head cocked, turning in a circle, my heart racing, fearful that something had happened to her. I recalled that the Minotaur, in the caverns under Crete, ate human flesh.
HOOD UP, HEAD DOWN AS BEST I COULD KEEP IT and still find my way, I turned left, right, left, this way, that way, around and back again, through History with all its wars, through Natural Sciences with all its discoveries and mysteries. Several times I heard sly movement, the light quick breathing of the girl, a muttered curse in a low male voice. I glimpsed him ahead of me twice, turning a corner. I didn’t see her, but that was good, excellent, better than finding her corpse.
I discovered the aisle where books were scattered on the floor, perhaps thrown by the girl or pulled off the shelves to foil her pursuer. It pained me to see books treated that way. But she was maybe sixteen, all of a hundred pounds, if that. The man with his sleeves rolled up stood about six two, weighed nearly twice what she did, clearly couldn’t control his anger, and threatened to kill her. If she had to destroy the entire library to save herself, she would be in the right. Each book is a mind alive, a life revealed, a world awaiting exploration, but living people are all those things, as well—and more, because their stories haven’t yet been completely told.
Then something changed, and for a moment I thought it was just that the small sounds of search and evasion had given way again to utter silence. But the faintest susurration rose, vaguely liquid in character, as though a thousand thin threads of water were gently spilling from bowl to bowl of a tiered fountain that stood almost beyond the limits of hearing.
With that ghost of a sound came a smell that was not native to the library, that was neither the paper of three centuries aging with as many subtly different fragrances as were produced by an array of cheeses, nor the faintest citrus scent of limestone walls, certainly not wood polish or marble wax. This was the half-fresh smell of a half-washed street, and with it came a cool draft not quite strong enough to flutter the pages of the tumbled books on the floor.
Alert to the risk of being discovered, I sought the source of the draft, walking into it, to the south end of the stacks, where I hesitated to move into the open. The book-return station stood to the left, the main desk to the right, and between them a wide swath of glistening dark-caramel marble led to the circular grand foyer with its domed ceiling. At the farther end of the foyer, one of the four main doors, an ornately decorated slab of bronze, stood open to the night.
From out of sight, elsewhere in the stacks, came the sounds of someone running. As I shrank back into my aisle and the threadbare weave of shadows that dressed it, the angry man appeared, angling from the east, past the book-return desk. His attention was so focused on the foyer and the open door that he might not have seen me if I had been spotlighted on a pedestal.
The incident, still unfolding, excited me for reasons that I could not define, and I found myself behaving recklessly, as I had never done before. Certain that the man would exit through the open door and descend the two long flights of exterior stairs to see if he could spot the fugitive girl, I boldly followed him, so that he needed only to glance back to discover me.
Indeed, he rushed through the open door, and I arrived at its threshold in time to see him dashing across the landing and down the lower flight to the public sidewalk, where he looked left and right, searching for his silver-shoed quarry. The broad street had recently been half washed by a street-cleaning truck, which explained why the smell was less fresh than it would have been if rain had done the job, and the susurration arose from the light post-midnight traffic passing over the wet pavement.
As the man stepped off the curb, the better to see farther along the avenue, I realized that the alarm had not gone off when the girl had escaped. And then I noticed that the heavy door, which featured an automatic closer, was held open by the long L-shaped drop bolt that she must have extracted from the hole in the floor where it would have been inserted. She hadn’t taken the time to swivel the bolt into its retainer, and now the end of it was caught in a void in the granite of the upper landing of the exterior steps, propping open the door.
The likelihood of the bolt finding that—apparently single—void in the otherwise smooth stone seemed small. I suspected that she had wedged it there to make sure the door remained open wide to admit a draft that would be noticed.
As the frustrated man in the street began to turn back toward the library, I retreated before I might be seen. I raced across the foyer with the intention of returning to the labyrinth of books.
At the sight of the girl in black, I faltered. She hurried through the half-light in the reading area that lay past the stacks, heading toward an interior door at the distant northeast corner of the immense room.
She had faked her escape, which meant she must know a secret haven in the building where she felt safe. And it meant more than that, though I couldn’t quite imagine what.
I heard the man cursing loudly even before he reached the top of the exterior steps. I didn’t have enough time to reach the stacks across what seemed to be an acre of marble. The moment he arrived at the open door, he’d see me. I darted to the left and vaulted the wraparound counter at the main desk, which was not simply a desk but instead a spacious librarian station appointed with exquisite mahogany moldings, at which patrons could be served from four sides. I crouched below the counter, hopeful that I had not been spotted.
I listened as the bronze door boomed shut, as the primary deadbolts were engaged, and as the drop bolt rang softly as it was seated in the bronze-rimmed hole in the floor. His footsteps seemed to approach my hiding place directly, but then he walked past, so close that I could smell his spicy cologne. In passing, he snarled “bitch” and worse, alternating vicious epithets, as if in fact he hated her enough to kill her. He faded into silence. A door closed in the distance.
After a while, the lights went off.
I got to my feet but didn’t leave the shelter of the main desk.
The thirty-foot-tall windows in the south wall began above ten feet of bookshelves and arched to a keystone within ten feet of the deeply coffered ceiling. One of the charms of the city is its night glow, which is never less than romantic, sometimes magical. On this occasion in December, the metropolis shone into the library not with an eerie milkiness, as earlier, but with a convincing imitation of snow light, like a Christmas moon reflecting from a landscape cloaked by a recent blizzard. The EXIT signs above the doors were as red as clusters of holly berries, though I marveled at myself for thinking