Manhood for Amateurs. Michael Chabon
the corrugated-cardboard-and-foil George Washington hatchets, the clay menorahs (I never did make any dreidels out of clay), the works in crayon resist and papier-mâché and yarn and in media so mixed as to include Cheerios, autumn leaves, and dirt – gone, all of it. Do I care? Does it pain me to have lost forever this irrefutable evidence of my having been, if neither a prodigy nor an embryonic Matisse, a child? If my mother had held on to more of my childhood artwork, would I be happier now? Would the narrative that I have constructed of the nature and course of my childhood be more complete? I guess ultimately, I have no way of answering these questions. It’s like wondering whether sex would be more pleasurable if I had not been worked over by that old Jew with a knife at the age of eight days. How much more pleasurable, really, do I need it to be?
When I run across one of the pieces of artwork that my mother did save – paintings that I made in my junior and senior years of high school, for the most part – the prevailing emotion I experience, with breathtaking vividness, is the acute discontent that I felt at the time of their creation, a dissatisfaction purified of any residual sense of pride or accomplishment. Their flaws of perspective and construction, the places where I cheated or fudged or simply could not pull something off, even a faint tempera-scented whiff of the general miasma of mortification and insufficiency in which I then swam – they all present themselves to my sight and recollection with a force that makes me a little ill.
I’m not trying to excuse the act of throwing away my children’s artwork. The crookedest mark of a colored pencil on the back of a bank-deposit envelope, vaguely in the shape of a fish, is like a bright, stray trace of the boundless pleasure I take in watching my kids interact with the world. The set of processes joining their minds to their fingertips is a source of profound interest and endless speculation, a mystery that, through their artworks, my children endlessly expound. I know that if I live long enough, a time will come when their childhoods will strike me as having been mythically brief. Almost nothing will remain of these days, and they will be women and men, and I will look back on the lost piles of their drawings and paintings and sketches, the cubic yards of rubbings and scratchings consigned to the recycling bin, the reef’s worth of shells, sand, and coral glued to their découpage souvenirs of vacations in Hawaii and Maine, and rue my barbarism. I will be haunted by the memory of the way my younger daughter looks at me when she chances upon a crumpled sheet of paper in the recycling bin, bearing the picture, the very portrait, of five minutes stolen from the headlong rush of their hour in my care: She looks betrayed.
“I don’t know how that got in there,” I tell her. “That was clearly a mistake. What a great dog.”
“It’s a girl kung fu master.”
“Of course,” I say. When she isn’t looking, I throw it away again.
It’s not only her artwork that I’m busy throwing away. Almost every hour that I spend with my children is disposed of just as surely, tossed aside, burned through like money by a man on a spree. The sum total of my clear memories of them – of their unintended aphorisms, gnomic jokes, and the sad plain truths they have expressed about the world; of incidents of precociousness, Gothic madness, sleepwalking, mythomania, and vomiting; of the way light has struck their hair or eyelashes on vanished afternoons; of the stupefying tedium of games we have played on rainy Sundays; of highlights and horrors from their encyclopedic history of odorousness; of the 297,000 minor kvetchings and heartfelt pleas I have responded to over the past eleven years with fury, tenderness, utter lack of interest, or a heartless and automatic compassion – those memories, when combined with the sum total of photographs that we have managed to take, probably add up, for all four of my children, to under 1 percent of everything that we have undergone, lived through, and taken pleasure in together.
The truth is that in every way, I am squandering the treasure of my life. It’s not that I don’t take enough pictures, though I don’t, or that I don’t keep a diary, though iCal and my monthly Visa bill are the closest I come to a thoughtful prose record of events. Every day is like a kid’s drawing, offered to you with a strange mixture of ceremoniousness and offhand disregard, yours for the keeping. Some of the days are rich and complicated, others inscrutable, others little more than a stray gray mark on a ragged page. Some you manage to hang on to, though your reasons for doing so are often hard to fathom. But most of them you just ball up and throw away.
I was there, in Grant Park, on the night when Barack Obama began to shoulder all the possible meanings of his victory. You could hear it in his voice as the weight of it settled on him, and in the simple, judicious gravity of his language. You could see it in the glint, like the reflection of some awful or awesome vista, that lit his tired eyes. On a giant television screen to the right of the dais we could see what the world was seeing, and we could begin to imagine all the things that for Obama and for all of us were going to change henceforward. It was heady to contemplate, and thrilling, and after such a fierce and interminable campaign, there was also a tremendous sense of relief as we passed from the months of active wishing to this hour of having it be so. But among the most powerful emotions that stirred me as I stood there in the crowd, on that unseasonably warm evening with my son Abraham perched on my shoulders, was sadness. And that caught me a little unawares. I felt guilty about it. I knew I was only supposed to be happy at that moment, thrilled, grave, tired, relieved, duly awestruck – but happy. Yet I couldn’t stop thinking about his two little girls.
Like the rest of the world, even many of those who had (by their own accounts the next morning) voted, connived, pontificated, or railed against Barack Obama, I held my breath as I watched him first walk out to the podium that night with Michelle, Malia, and Sasha. The four of them, dressed in shades of red and black, seemed to catch and hold a different kind of light, the light of history, astonishing and clear. Time stopped, and I was conscious as I have been very few times in my life – the morning of September 11, 2001, was, terribly, another – of seeing something that had never been seen. It was not only the beauty, or the blackness, or the youth of the new first family, or some combination of the three. It was the unmistakable air of mutual engagement the Obamas give off, the sense of being a fully operational – loving, struggling, seeking, adjusting, testing, playing, mythologizing, arguing, rationalizing, celebrating, compromising, affirming, denying – family. I felt that I had never seen a presidential family that was so clearly a working family in the sense of the everyday effort involved. When I was born, there were children in the White House, though they moved out, half orphaned, before I was six months old. I can remember Tricia Nixon’s wedding, and Amy Carter and Chelsea Clinton getting braces or rolling Easter eggs on the White House lawn. But none of those families ever reminded me, ever seemed to reflect – at the fundamental level of daily operations where every great, august, well-reasoned principle and theory you profess or hold dear gets proved or shattered – my own.
With his daughters darting around his long legs, I saw Barack Obama as a father, like me. And I folded my hands behind my son’s knobby back, to bolster him there on my shoulders, and gave his bottom a squeeze, and watched those radiant girls waving and smiling at the quarter-million of us, faces and voices and starry camera flashes, and thought I would never have the nerve or the strength or the sense of mission or the grace or the cruelty to do that to you, kid. There are no moments more painful for a parent than those in which you contemplate your child’s perfect innocence of some imminent pain, misfortune, or sorrow. That innocence (like every kind of innocence children have) is rooted in their trust of you, one that you will shortly be obliged to betray; whether it is fair or not, whether you can help it or not, you are always the ultimate guarantor or destroyer of that innocence. And so, for a moment that night, all I could do was look up at the smiling little Obamas and pity them for everything they did not realize they were now going to lose: My heart broke, and I had this wild wish to undo everything we all had worked and hoped so hard, for so long, to bring about.
And then I noticed the way I seemed to be exempting myself, holding myself aloof, from responsibility for the kind of injury that I imagined Barack Obama had determined to inflict upon his children in the service of his conviction, his calling, his sense of duty, his altruism, his tragic