Close-Up. Len Deighton
Beyond it, carelessly parked, was Eddie Stone’s new MG. Nicolson wanted to enter the coffee shop as quietly as possible. It was a neurotic desire that could make no difference to the outcome. He tiptoed across the porch but a broken board creaked and the fly screen slapped closed with a sound like a pistol shot. Nicolson had never felt more clumsy both physically and mentally. Stone would have done it all quite differently. A bell pinged as he opened the door. Neon strips lit the place with a harsh blue light. In the centre there was a U-shaped counter with stools. On each side of it there were half a dozen scrubbed wooden tables. One table, near the juke box, was covered with a red cloth and set with ice water, tableware and a menu. Kagan Bookbinder – the producer of Last Vaquero – and Eddie Stone were sitting at the table.
A Mexican woman with a stained overall looked out of the service door when she heard the bell. She waited only long enough to make sure that Edgar Nicolson was the man that the others had been expecting.
Bookbinder said, ‘Sit down, Edgar.’ He got up and reached over the counter to the shelf under it, and he groped to find a clean cup. He poured Edgar Nicolson a cup of coffee and put it on the table in front of him.
Seen through Edgar Nicolson’s eyes the scene was static, as memories always are. The air is blue with cigar smoke in a way that it seldom becomes in these tar-conscious days. The men’s haircuts are so short as to be almost military and their California sports clothes now seem freakish. Eddie Stone and Nicolson are wide-eyed kids with long necks and slim hips. Stone has a kiss curl that falls forward across his forehead. Bookbinder seems elderly to the two young English actors but in fact he is only four or five years their senior.
Kagan Bookbinder was wearing one of his old Army shirts. Still visible on it were the dark green patches where he’d recently worn major’s rank and a slab of medal ribbons. His war decorations were not all of coloured ribbon, though. His cheek was scarred and his nose had suffered a multiple fracture which proved impossible to reset. On some men a scarred cheek can evoke thoughts of university duels. On the barrel-chested Bookbinder it was easier to imagine that he had fallen down a staircase while drunk on cheap wine.
Bookbinder’s voice was similarly unattractive. Among the soft California drawls that even the Hungarians managed to assume after a few weeks, Bookbinder’s Eighty-First Street accent was hard and aggressive. Perhaps with a less notable war record he might have chosen to conceal his German origins. Perhaps he was just lazy, perhaps it was his way of being provocative. Perhaps he just didn’t know he had any accent.
‘Sit down,’ repeated Bookbinder. ‘We haven’t got a lot of time.’
‘I must see her.’
‘Not yet.’
Stone said, ‘Why didn’t you tell us?’
‘How is she?’ said Nicolson again. So Stone was going to play it like that – why didn’t you tell us – oh well, espionage and show business have in common the tradition that everyone abandons you when you are in trouble. Again Nicolson said, ‘How is she?’
Bookbinder didn’t answer. He pulled the blind a little to one side and looked out of the window. He waited to see another grey Ford sedan park alongside the one he had brought. The studio drivers ignored each other.
The studio had three doctors on the payroll. This one was the senior, a man of about fifty with grey wavy hair and a dark suit. Bookbinder excused himself with no more than a grunt before going out to talk with him. Edgar Nicolson and Stone looked at each other covertly but did not speak. Stone drank coffee and Nicolson read the menu to divert his eyes.
Hamburger with all the trimmings. Roll. Butter. Jello. All the coffee you can drink. 85 cents. Today’s special. Thank you for your custom. Come again.
Clipped to the menu there was a white card distributed by the local radio station.
The headlines from the four corners of the world by courtesy of YOUR local radio station, San Jorge, California. Hollywood, Tuesday: new evidence of commie subversion in movie colony will bring famous stars to hearing. Washington, Tuesday: State Department official predicts indictment of Hiss on perjury charges. Nanking, Sunday: Chinese government army mauls reds in struggle for coastal cities. Weather: more floods feared for north of state. Low today: 71°. Downtown San Jorge 77°. Humidity 87 per cent. Pressure 29.6. Pollen count 40. Wind from south-west at 15 mph.
‘Stone. Eddie Stone.’
Nicolson looked at the bronzed man sitting opposite him. ‘That’s my name,’ explained Stone.
Nicolson awoke from his reverie with a convulsive start. ‘Yes, I know you. I’m Edgar Nicolson. And I’ve seen you around in London: Legrains, the French, Gerry’s.’
‘That’s it,’ said Stone. There was a long silence. ‘This is bad luck for you,’ said Stone.
‘Yes, you’ll get the part now,’ said Nicolson.
‘I wouldn’t be too sure. He seems pretty keen on your test. He showed it to me as an example: the first one I did was so terrible.’
Nicolson did not believe him but it was a friendly fiction. They looked at each other, assessing the competition that each faced from his rival. They had both invested in steam baths, facial treatments and had had their hair conditioned, waved and set. Stone’s brows had been trimmed and his lashes darkened. Nicolson couldn’t decide whether Stone’s tan was genuine or not but it made him look very fit and made his teeth seem very white. Nicolson tried to decide if any of Stone’s teeth were capped. Whichever of them got the role in his film, Bookbinder had already arranged for extensive recapping of the teeth. Many stars began their movie career with a week in the dental chair. It was one part of the contract that Nicolson did not relish.
‘Yes, you’ll get the part,’ said Nicolson. ‘This business with the girl will terrify the front office. And, let’s face it: the final decision is going to be made by some bastard in publicity.’
‘These bloody film people…’ said Stone. It was almost an agreement with Nicolson’s despair. Stone reached forward and gripped his arm. ‘I won’t do it.’
‘What?’
‘Take it from you. Winning the role fair and square: yes. I’ll fight you tooth and nail for the part, but I don’t want the part as a last resort of a nervous flack.’
‘Don’t be so stupid. If I don’t get it and then you turn it down they’ll give it to some other actor. Where does that get me.’
‘I’ll not take it, Edgar. You’ll see. These Hollywood bastards behave like Lorenzo the Magnificent, it will do them a power of good to hear an actor telling them to stuff a contract. Screw Hollywood!’
‘I could never live here,’ said Nicolson.
‘The stage,’ said Stone. ‘An actor needs the stage and an audience. The juices drain out of a man who spends his days transfixed by a bloody one-eyed machine.’
‘I like films –’ said Nicolson.
‘Films,’ said Stone. ‘Yes, we all like films. If you are talking about De Sica and Visconti. If you’re talking about Bicycle Thieves or Open City: everyone likes real films about real people in true life conditions.’
‘But there’s a new realism here in films –’
‘Hollywood films are about murderers, psychopaths, gunmen. What I’m talking about is the starkness of Bataille du Rail, the poetry of Belle et la Bête. No, Hollywood is a fine place to earn some money and to see some great professionals at work, but Englishmen like us are rooted in European culture. We die if we stay out here. Look around you, look at the limeys who live here.’
‘You think so?’
‘Sure of it. You charge your batteries in the theatre – here you just flash the headlights.’ He nodded. ‘What are you drinking, Edgar. It is Edgar?’
‘Diet soda. Yes, Edgar Nicolson.’
‘What you want is strong