John Harding 2-Book Gothic Collection. John Harding

       6

      I don’t know when the nightwalks started, for I had had them as long as I remembered, and of course, of the walks themselves I recalled nothing, except the waking-up afterward in strange places, for example the conservatory, and once in Mary’s room up in the attic, and several times in the kitchen. I knew, though, how the walks always began; it was with a dream, and the dream was every time the same.

      In it I was in bed, just as I actually was, except that it was always the old nursery bedroom which was now Giles’s alone but which I used to share with him, until Mrs Grouse said I was getting to be quite the young lady and ought not to be in a room with my brother any longer. I would wake and moonlight would be streaming through the window – oftentimes, though far from always, the walks happened around the time of the full moon – and I would look up and see a shape bending over Giles’s bed. At first that was all it was, a shape, but gradually I realised it was a person, a woman, dressed all in black, a black travelling dress with a matching cloak and a hood. As I watched she put her arms around Giles and – he was always quite small in the dream – lifted him from the bed. Then the hood of her cloak always fell back and I would catch a glimpse of her face. She gazed at my brother’s sleeping face – for he never ever woke – and said, always the same words, ‘Ah, my dear, I could eat you!’ and indeed, her eyes had a hungry glint. At this moment in the dream I wanted to cry out but I never could. Something restricted my throat; it was as though an icy hand had its grip around it and I could scarce get my breath. Then the woman would gather her cloak around Giles and, as she did so, turn abruptly and seem to see me for the first time. She would quickly pull her hood back over her head and steal swiftly and silently from the room, taking my infant brother with her.

      I would make to follow but it was as though I were bound to the bed. My body was leaded and it was only with a superhuman effort that I was finally able to lift my arms and legs. I would sit up and try to scream, to wake the household, but nothing would come, save for the merest sparrow squawk that died as soon as it touched my lips. I would put my feet to the floor, steady myself and walk slowly – my limbs would still not function as I wished them to, in spite of the urgency of the situation – to the doorway. There I would look in either direction along the corridor but have no clue which way the woman had gone. It was no good trying to reason things, she was as likely to have gone left as right and I was wasting valuable time prevaricating. And so I would choose right, it was always right, and begin to walk, urging my weighted legs to move. And then…and then…I would wake up, sitting on the piano stool in the drawing room, perhaps, or in Meg’s chair in the kitchen, sometimes alone but like as not surrounded by the servants, who would be watching me, making sure I did not have some accident and harm myself, or somehow get outside and drown myself in the lake. When I woke, my first words were always the same: ‘Giles, Giles, I have to save Giles.’ And Mrs Grouse or John or Meg or Mary, whoever was there, would always say, ‘It’s all right, Miss Florence, it was only a dream. Master Giles is safe and sound asleep.’

      Because I remembered virtually nothing of the walking part of the dream what I knew of my nightwalking came from the observations of other people. Often I liked to nightwalk in the long gallery, a windowed corridor on the second floor that stretched along the central part of the front of the house. John told me how, when he first came to work at Blithe, he had been to the tavern in the village one Saturday night and was returning home up the drive somewhat the worse for wear when he looked up at the house and saw a pale figure, all in white, moving slowly along the long corridor, now visible through one window, then disappearing to reappear a moment later in the next. At the time he knew nothing of my nocturnal habits. ‘I don’t mind telling you, miss,’ he told me many a time, ‘I ain’t no Catholic but I crossed myself there and then. Knowing as I do the reputation Blithe has for ghosts, how it has always attracted and pulled them in, I convinced myself it was some evil spectre I was seeing. I was sure I’d come in and find the whole household murdered in their beds.’

      Mrs Grouse told me that I always walked slowly, not as sleepwalkers are usually depicted in books, with their arms outstretched in front of them as if they were blind and feared a collision, but with my arms hanging limply at my sides. My posture was always very erect and I seemed to glide, with none of the jerkiness of normal walking, but smoothly, as if, as she put it, ‘you were on wheels.’

      It was true what John said about Blithe and ghosts. Mrs Grouse reckoned it all stuff and nonsense but Meg once told me the local people thought it a place ghouls loved, a favourite haunt, as it were, to which any restless spirit was attracted like iron filings to a magnet. And now, even though it was only I, Florence, sleepwalking, I seemed somehow to have added to this superstition.

      Meg told me that when I woke from my walks it uselessed to speak to me for several minutes, that I seemed not to hear. Often, before I was myself, at the moment when I seemed to have emerged from the dream but had not yet returned to real life, I began to weep and was quite distraught, and if any should try to comfort me I pushed them away and said, ‘No, no, don’t worry yourself about me! It’s Giles who needs help. We must find him, we must!’ Or something like.

      After I had nightwalked three or four times and it began to be a pattern, they called in Dr Bradley, the local doctor, who came and gave me a good going-over, shining lights in my eyes and poking about in my ears and listening to my heart and so on. He pronounced me fit and well and told them it was likely the manifestation of some anxiety disorder,